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# DAACS

Digital Archaeological Archive of Comparative Slavery

## Sitemaps

- [XML Sitemap](https://www.daacs.org/sitemap.xml): Contains all public & indexable URLs for this website.

## Posts

- [What's New](https://www.daacs.org/aboutdaacs/news/)
- [Apply for the DAACS Summer Institute at Monticello! Deadline: March 24, 2025](https://www.daacs.org/2025/02/19/dsi-2025/) - DAACS Summer Institute at Monticello 2025 The Digital Archaeological Archive of Comparative Slavery (DAACS) at Monticello announces the DAACS Summer Institute, a four-week fellowship designed for archaeologists who wish to contribute data to DAACS or pursue sustained research, curation, and teaching using the DAACS database. DAACS is a web-based initiative designed to foster inter-site, comparative
- [Morne Patate Dominica Sites Now on DAACS](https://www.daacs.org/2021/01/29/data-from-bowles-lot-now-available-2/) - DAACS, in collaboration with Dr. Mark W. Hauser and Northwestern University, is proud to launch data from from three sites at the Morne Papate Estate in Dominica. All data from the excavations, including field records, artifacts, and field drawings, were analyzed and cataloged to DAACS standards. They are now freely available to the public via
- [Stratford Hall's East Garden and West Yard now available through DAACS!](https://www.daacs.org/2022/02/03/stratford-halls-east-garden-and-west-yard-now-available-through-daacs/) - DAACS, in collaboration with Stratford Hall and DATA Investigations, Inc., is delighted to announce the launch of data from from two sites at Stratford Hall, the East Garden and the West Yard. All data from the excavations, including field records, artifacts, and field drawings, were analyzed and cataloged to DAACS standards. They are now freely
- [Data from Bowles' Lot now available](https://www.daacs.org/2017/03/20/data-from-bowles-lot-now-available/) - DAACS is proud to launch data from a historical site in our own Charlottesville area, Bowles’ Lot, a part of the “Free State” community. Amy Bowles Farrow, Zacariah Bowles, Critta Hemings Bowles, and their descendants established one of the first free black communities, “Free State,” in Albemarle County. Bowles' Lot lies within the 224-acre property that
- [Sign up for the Doing Research with DAACS Workshop at the Society for Historical Archaeology Meetings!](https://www.daacs.org/2015/11/10/sign-up-for-the-doing-research-with-daacs-workshop-at-the-society-for-historical-archaeology-meetings/) - Have you ever downloaded a DAACS Cataloging Manual or used DAACS cataloging protocols in your analysis or research? Have you ever clicked on “Query the Database” at daacs.org? Do you plan on attending the Society for Historical Archaeology conference in Washington, DC January 6-9? If you answered YES to any of these questions and want
- [New Edited Volume Features DAACS Data](https://www.daacs.org/2017/03/20/new-edited-volume-features-daacs-data/) - A new edited volume from Routledge Press, Material Worlds: Archaeology, Consumption, and the Road to Modernity, edited by Barbara J. Heath, Eleanor E. Breen and Lori A. Lee, features several articles that engage DAACS data. Buy the book through Barnes and Noble or Amazon in either hard copy or electronic form (or ask that your library
- [Elizabeth Bollwerk appointed to Museums Computer Network Board](https://www.daacs.org/2015/11/10/elizabeth-bollwerk-appointed-to-museums-computer-network-board/) - DAACS Analyst Beth Bollwerk recently attended the Museum Computer Network (MCN) conference, held in Minneapolis November 4-7 where her appointment to the MCN Board of Directors for a three-year stint was announced (http://mcn.edu/welcome-to-the-board/). The conference provides a collaborative environment for cultural heritage professionals who seek to advance digital practice in our sector. Among other goals,
- [Wingo's quarter site data now available at daacs.org.](https://www.daacs.org/2016/01/11/wingos-quarter-site-data-now-at-daacs-org/) - DAACS is ringing in the new year with the launch of data from an eighteenth-century site, the Wingo's Quarter, at daacs.org. This is the third site from Poplar Forest now in the database, providing valuable intra- and inter-plantation data for use in comparative studies. The site was investigated by Dr. Barbara Heath, Eleanor Breen, Crystal Ptacek, and students from the
- [DAACS awarded NEH Grant for Analysis of The First Hermitage Sites](https://www.daacs.org/2015/11/08/daacs-awarded-neh-grant-for-analysis-of-the-first-hermitage-sites/) - Monticello Archaeologists Awarded NEH Grant to Share Research Online MONTICELLO, CHARLOTTESVILLE, VA—The National Endowment for the Humanities recently announced that they will provide a $300,000, three-year grant to enable archaeologists at Thomas Jefferson’s Monticello to complete Beyond the Mansion 2.0., an innovative, web-based collaboration with The Hermitage. Beyond the Mansion 2.0 will make thirty years
- [Join Jillian Galle, Project Director of DAACS, at the University of South Carolina for lectures and workshops, September 28 - October, 9, 2015.](https://www.daacs.org/2015/09/24/join-jillian-galle-project-director-of-daacs-at-the-university-of-south-carolina-for-lectures-and-workshops-928-109-2015/) - Are you interested in learning about the Digital Archaeological Archive of Comparative Slavery (DAACS) and how it can benefit your research? From September 29 through October 9 the University of South Carolina is hosting DAACS Director, Dr. Jillian Galle as a visiting scholar, for two weeks of public lectures and workshops. On Saturday, October 3,
- [The South Carolina Institute for Anthropology and Archaeology and DAACS receive Save America's Treasures Grant](https://www.daacs.org/2013/05/16/south-carolina-institute-for-anthropology-and-archaeology-and-daacs-receive-save-americas-treasure-grant/) - The South Carolina Institute for Anthropology and Archaeology has received a major collection award in the amount of $192,000 from a National Park Service program known as "Save America's Treasures." Sharon Pekrul, Jonathan Leader, and myself are the Princial Investigators on the grant, which will go toward rehabilitating and stabilizing archaeological collections from slave cabin
- [DAACS receives grant from Mellon Foundation for innovative collaborative project known as The DAACS Research Consortium](https://www.daacs.org/2013/10/04/daacs-receives-grant-from-mellon-foundation-for-innovative-collaborative-project-known-as-the-daacs-research-consortium/) - Monticello will lead innovative project to advance the archaeological study of slavery Archaeology Department Receives Mellon Grant to Further Expand Access to Online Database of Archaeological Findings and Comparative Data FOR IMMEDIATE RELEASE - April 4, 2013 Media Contact: Amy Atticks, 434-984-7529 CHARLOTTESVILLE, VA—Monticello archaeologists will launch an innovative collaborative project designed to advance the study of slavery in
- [Fairfield Quarter and Elizabeth Hemings sites are launched!](https://www.daacs.org/2006/09/19/fairfield-quarter-and-elizabeth-hemings-sites-are-launched/) - We are pleased to announce that artifactual, contextual, and spatial data from the Fairfield Quarter site and the Elizabeth Hemings site are now available. The Fairfield Quarter site is located in Gloucester County Virginia and was excavated by David Brown and Thane Harpole from the Fairfield Foundation. The Elizabeth Hemings site is located at Monticello,
- [Data from four Nevis and one St. Kitts slave villages now available!](https://www.daacs.org/2011/06/23/hello-world/) - We are pleased to announce that artifactual, contextual, and spatial data from the Jessups and New River Estates on Nevis and The Spring Estate on St. Kitts are now available through DAACS. Data were generated from shovel-test-pit surveys of the Jessups I and Jessups II villages and New River I and New River II villages
- [Data from the Pope and Navair sites now launched.](https://www.daacs.org/2011/06/23/data-from-the-pope-and-navair-sites-now-launched/) - We are pleased to announce that artifactual, contextual, and spatial data from the Pope site in Virginia and the Navair site in Maryland are now available through the DAACS website. The Pope Site, from the Holladay/Ridley Tract in southern Virginia, was excavated by Theodore Reinhart and students from the College of William and Mary in

## Pages

- [Digital Archaeological Archive of Comparative Slavery](https://www.daacs.org/) - Explore. Analyze. Discover. Learn more about enslaved Africans and their descendants living in the Chesapeake, Carolinas, and Caribbean during the Colonial and Ante-Bellum Periods. Analyze and compare archaeological assemblages and architectural plans from different sites at unprecedented levels of detail. DAACS is a community resource, conceived and maintained in the Department of Archaeology at Monticello,
- [DAACS Conversations Archives](https://www.daacs.org/research/playlists/daacs-conversations/)
- [DAACS Conversations with Collaborating Scholars](https://www.daacs.org/research/daacs-conversations/) - DAACS Conversations Join DAACS staff and DAACS collaborating scholars for a diverse range of conversations on ground-breaking new research linked to DAACS. Join the conversation to learn about new research and exciting projects, and their impact on the field. Conversations start with a short talk followed by questions and discussion. We look forward to seeing
- [Syllabi and Workshops Handouts](https://www.daacs.org/research/workshops/) - Syllabi that Use DAACS Dr. Anna Agbe-Davies's The Archaeology of African Diasporas (ANTH 454), University of North Carolina, Chapel Hill: Syllabus and Projects. (PDF:200KB) Dr. Anna Agbe-Davies's The Science of Archaeology (ANT 120), Depaul University: Syllabus and Projects. (PDF:100KB) Dr. Cameron Monroe's and Dr. Greg O'Malley's Slavery in the Atlantic World (HIS 158C/ANTH 179), UC Santa Cruz:
- [Project Team](https://www.daacs.org/aboutdaacs/acknowledgements/project-team/) - Many people were involved in the development of the Archive, the creation and maintenance of the data it contains, and the ongoing website design and development. Unless otherwise noted, project team members are based in the DAACS laboratory within the Department of Archaeology at Monticello. Project Director, DAACS Jillian E. Galle Director of Archaeology,
- [DAACS Open Academy Fall 2021](https://www.daacs.org/research/playlists/doa-archives/doa-fall-2021/)
- [Archaeological Sites](https://www.daacs.org/archaeological-sites-map/)
- [DAACS Cataloging Manuals](https://www.daacs.org/about-the-database/daacs-cataloging-manual/) - The goal of the DAACS Cataloging Manual is twofold: 1) to ensure data consistency between catalogers through the duration of the project by explicating cataloging protocols, and 2) to provide researchers using DAACS data with a comprehensive manual describing how those data were created. The manual integrates basic background information about particular types of artifacts
- [Fall Short Course 2021](https://www.daacs.org/research/daacs-open-academy-2/fall-short-course-2021/) - Fall 2021 Short Course: Introduction to R Programming for Historical Archaeologists DAACS Open Academy's Fall 2021 Short Course introduces historical archaeologists to R, a programming language and environment for statistical computing. R has many advantages, first and foremost it is free and Open Source. It is supported by a large community of talented programmers, and
- [Playlists](https://www.daacs.org/research/playlists/)
- [DAACS Open Academy Archives](https://www.daacs.org/research/playlists/doa-archives/)
- [DAACs Open Academy Summer 2021](https://www.daacs.org/research/playlists/doa-archives/doa-summer-2021/)
- [Summer Short Course 2021](https://www.daacs.org/research/daacs-open-academy-2/summer-short-course-2021/) - Summer Short Course 2021: Digital Data Collection in Archaeology DAACS Open Academy debuted in Summer 2021 with four two-hour workshops focused on digital data collection in archaeology. Below is a description of each workshop. Links to each recorded session are below and can also found on the DAACS Playlist's page. Please also visit the DAACS
- [DAACS Open Academy](https://www.daacs.org/research/daacs-open-academy-2/) - DAACS Open Academy offers free virtual workshops and classes on a wide range of archaeological topics. In 2021, DAACS Open Academy focuses on teaching participants how to create and work with digital archaeological data. The classes are designed for those new to working with digital data but also open to all levels of learners in
- [Bibliography](https://www.daacs.org/research/bibliography/)
- [Presented Papers & Scientific Posters](https://www.daacs.org/research/papers-manuscripts/) - PRESENTED PAPERS and SCIENTIFIC POSTERS: 2016: Ceramic Investment by Enslaved People at The Hermitage, Tennessee (PDF:4MB) By Lynsey A. Bates, Jillian E. Galle, Leslie Cooper, and Elizabeth A. Bollwerk, Department of Archaeology, The Thomas Jefferson Foundation. Scientific Poster Presented at the Society for American Archaeology, April 2016. Orlando, Florida. 2014: Inequality within a Slave Settlement at Monticello
- [Galleries](https://www.daacs.org/research/galleries/)
- [Theses and Dissertations](https://www.daacs.org/research/theses-dissertations/) - Theses and Dissertations: In Preparation: Title Forthcoming. By Khadene Harris, Northwestern University Ph.D. Dissertation, Department of Anthropology, Northwestern University. Title Forthcoming. By Brandy Joy, University of South Carolina Ph.D. Dissertation, Department of Anthropology, University of South Carolina. A City of Many Tongues; Cosmopolitanism and Unstable Boundaries in Charleston, South Carolina 1730-1830. By Sarah Platt, Syracuse University Ph.D. Dissertation, Department
- [DAACS Cites](https://www.daacs.org/research/daacs-cites/) - Overview DAACS’ influence on archaeological scholarship is evident in an accelerating stream of journal articles, monographs, and theses that feature DAACS and make use of the data that the DAACS website offers. DAACS data figure importantly in recent comparative work on change and variation in the architecture of houses and quartering areas for enslaved people
- [DAACS MCA Results](https://www.daacs.org/research/daacs-mca-results/) - DAACS Material Culture Assessment Results
- [Monticello Archaeology Livestreams](https://www.daacs.org/research/playlists/monticello-archaeology-livestreams/) - The videos presented here were produced in collaboration with the Thomas Jefferson Foundation, for use in a wide-variety of Monticello educational programming. Check back for regular updates.
- [Collaborating Scholars](https://www.daacs.org/aboutdaacs/acknowledgements/collaborating-scholars/) - We are indebted to the following collaborating scholars who have contributed their data, time, research, and intellectual acumen to the creation, development, and ongoing expansion of The Digital Archaeological Archive of Comparative Slavery. Without their generous help and continued engagement, large scale comparative archaeological studies of slavery would not be possible. Anna Agbe-Davies Associate Professor,
- [Sponsors](https://www.daacs.org/aboutdaacs/acknowledgements/sponsors/) - The Digital Archaeological Archive of Comparative Slavery is scholarly and community resource made possible through the generous financial support of the following organizations and individuals.
- [About DAACS](https://www.daacs.org/aboutdaacs/) - The Digital Archaeological Archive of Comparative Slavery is a Web-based initiative designed to foster inter-site, comparative archaeological research on slavery throughout the Chesapeake, the Carolinas, and the Caribbean. Our goal is to help scholars from different disciplines use archaeological evidence to advance our historical understanding of the slave-based society that evolved in the Atlantic World
- [Document Queries](https://www.daacs.org/query-the-database/document-queries/) - Document Queries provide users with access to primary documentary material from the Jessups, New River, and Spring Village sites on the islands of Nevis and St. Kitts. Currently, primary source material is not available for other sites in the Archive. Document Query 1: Basic Document Search Returns data on primary documentary sources, including transcriptions and
- [DAACS Stylistic Elements](https://www.daacs.org/about-the-database/daacs-stylistic-elements/) - DAACS offers two approaches to recording and analyzing decoration on ceramics, the DAACS Stylistic Element Initiative and DAACS Ceramic Genres. The DAACS Stylistic Element Initiative records individual decorative elements on the sherd level, providing researchers with detailed data on decorative elements and motifs. DAACS Ceramic Genres provide a way of understanding decoration on ceramics by
- [Research](https://www.daacs.org/research/)
- [Project List](https://www.daacs.org/about-the-database/project-list/) - Archaeological Sites Currently in DAACS United States Site Name Plantation State Occupation Dates Curating Institution Ashcomb's Quarter, 18CV362 Ashcombs Maryland 1700-1750 Maryland Archaeological Conservation Lab Chapline Place, 18CV344 Chapline Maryland 1750-1810 Maryland Archaeological Conservation Lab NAVAIR, 18ST642 Mattapany Maryland 1775-1810s Maryland Archaeological Conservation Lab Stagville Slave Cabin Stagville Plantation North Carolina Early 19th to early 20th
- [About the Database](https://www.daacs.org/about-the-database/)
- [DAACS Research Consortium](https://www.daacs.org/aboutdaacs/acknowledgements/daacs-research-consortium-members/) - The DAACS Research Consortium (2013 to present) The DAACS Research Consortium (DRC) is a novel kind of collaboration among scholars based in scattered academic and research institutions, built on the foundation offered by the Digital Archaeological Archive of Comparative Slavery. The DRC is designed to advance DAACS’ two primary goals: to foster inter-site, comparative archeological
- [Mean Ceramic Date Queries](https://www.daacs.org/query-the-database/meanceramicdate-queries/) - A mean ceramic date offers a quick and rough indication of the chronological position of a ceramic assemblage (South 1977). The mean ceramic date for an assemblage is estimated as the weighted average of the manufacturing date midpoints for the ceramic types found in it. The weights are the frequencies of the respective types in
- [Site Information Query](https://www.daacs.org/query-the-database/site-information-queries/) - The Site Query gives users access to all of the meta-data collected on an archaeological site or sites. Site Information Query: Data on archaeological sites and excavation projects Choose one or more sites and submit. Returns the following data for the selected sites: Project ID Project Name State Site Number Institution Place Name Plantation Name
- [Artifact Queries](https://www.daacs.org/query-the-database/artifact-queries/) - Artifact Queries provide users with access to all of the artifact data in the DAACS. The following queries return data on assemblage content for one or more sites at varying levels of aggregation, with Artifact Query 1 providing the most basic finds-list summary to Artifact Query 3, which allows users to completely customize their query.
- [Institutional Partners](https://www.daacs.org/aboutdaacs/acknowledgements/institutional-partners/) - Based in the Department of Archaeology at Monticello, DAACS is a collaboration among archaeologists and institutions engaged in archaeological research in the Chesapeake region, the Carolinas, and the Caribbean. Collaborating institutions have generously provided data and research support to the Archive.
- [Image Queries](https://www.daacs.org/query-the-database/image-queries/) - Image Queries return image data for chosen sites. Image Query 1: Image Inventory This query returns all images for the selected site or sites and includes basic artifact data associated with the image. Image Query 2: Image Type This query returns images and detailed information about the images for the selected site or sites. User
- [Context Queries](https://www.daacs.org/query-the-database/context-queries/) - Context Queries return detailed data on excavated contexts for the chosen site or sites. Context Query 1: Basic Information Returns basic information on excavated contexts. Context northing and easting, size, and deposit type are just some of the attributes returned by this query. Choose the site or sites. Context Query 2: Detailed Context Information This
- [Object Queries](https://www.daacs.org/query-the-database/object-queries/) - Object Queries provide users with access to data on all of the Objects cataloged in the DAACS. Object Query 1: Basic Object Inventory Returns basic data on objects from a site or sites. Object Query 2: Detailed Object Inventory This query returns all data on objects from one or more projects in a concatenated format.
- [Guidelines for Use](https://www.daacs.org/about-the-database/guidelines/) - Copyright Information The materials on the Digital Archaeological Archive of Comparative Slavery website are under copyright, licensed under a Creative Commons Attribution-NoDerivs 3.0 United States License. These materials have been made available for use in research, teaching, and private study. You may reproduce (print, make photocopies, or download) materials from this website for these purposes
- [Project History](https://www.daacs.org/aboutdaacs/project-history/) - Significant milestones in the history of the DAACS project to date include: JUNE 2015 The Digital Archaeological Archive of Comparative Slavery launches a new website for the DAACS Research Consortium (DRC), a collaborative project funded by the Andrew W. Mellon Foundation, that allows faculty, students and scholars from leading graduate programs and museums to contribute data
- [Database Structure](https://www.daacs.org/about-the-database/database-structure/) - The DAACS website is powered by a large relational database designed by Archive staff with the input from Steering Committee members and collaborating institutions. Over two hundred tables come together to form the robust relational database that is the backbone of the archive. Today the database contains fine-grained information on over 2 million artifacts, 50,000 excavated contexts,
- [Acknowledgements](#)
- [Glossary](https://www.daacs.org/about-the-database/glossary/)
- [3D Laser Scanned Artifact Images](https://www.daacs.org/about-the-database/3d-laser-scanned-artifact-images/) - In 2008, DAACS received a grant from the National Endowment for the Humanities and the Joint Information Systems Committee (UK) to conduct large scale shovel-test-pit surveys of slave villages on three 18th-century sugar estates, two on Nevis and one on St. Kitts. A portion of the grant provided funds to 3D laser scan sherds of
- [DAACS Color Data](https://www.daacs.org/about-the-database/daacs-color-data/) - DAACS staff has developed a detailed coding system for describing color. The goal of this system is to provide a more objective method of describing color by matching artifact colors to a Munsell code in either The Munsell Book of Color, The Glossy Collection or the Munsell Soil Color Charts. This is an attempt to
- [Interpreting Query Results](https://www.daacs.org/about-the-database/interpreting-query-results/) - What is the Difference Between a Concatenated Data Format and a Related Data Format? Archaeological data are hierarchical. Consider a ceramic sherd. The sherd has properties of it own: a single ware type, a single maximum thickness, and a single weight. But that sherd also may carry multiple decorative elements that are executed in a
- [Artifact Query 5 Iframe](https://www.daacs.org/artifact-query-5-iframe/)
- [Search](https://www.daacs.org/about-the-database/daacs-stylistic-elements/search/)
- [Bead Table](https://www.daacs.org/about-the-database/database-structure/bead-table/) - Field Name: Artifact ID Number Field Name: Artifact Count Field Name: Completeness Authority Terms: Complete Incomplete Not Recorded Field Name: Material Authority Terms: Amber Bone Carnelian Clay Copper/Copper Alloy Glass Gold Leather Not Recorded Plastic Porcelain Shell Silver Stone, unidentifiable Unidentifiable Field Name: Manufacturing Technique Authority Terms: Blown Cast Cut/Carved Drawn Mold Pressed Molded, Prosser
- [Glass Table](https://www.daacs.org/about-the-database/database-structure/glass-table/) - Field Name: Artifact ID Number Field Name: Artifact Count Field Name: Material Authority Terms: Lead Glass Non-Lead Glass Not Recorded Unidentifiable Field Name: Glass Color Authority Terms: Amber Amethyst Aqua Blue Blue/Green (18th century) Brown Colorless Gray/Smoky Green Light Blue Light Green Modern Green Not Recorded Orange Pink Purple Red Unidentifiable White Yellow Field Name:
- [IQ3: Search by image type and keyword](/queries/form/image/iq3/)
- [All Other Artifacts](https://www.daacs.org/about-the-database/database-structure/all-other-artifacts/) - This table contains all artifacts not recorded in the special artifact tables. Ceramic vessels, glass vessels, beads, buttons, buckle, tobacco pipes or utensils are not cataloged in this table. Field Name: Artifact ID Number Field Name: Artifact Count Field Name: Category Authority Terms: Ceramic Composite Glass Metal Mineral Modern Not Recorded Organic Stone Synthetic/Recent Unidentifiable
- [Utensil Table](https://www.daacs.org/about-the-database/database-structure/utensil-table/) - Field Name: Artifact ID Number Field Name: Artifact Count Field Name: Completeness Authority Terms: Complete Incomplete Not Recorded Field Name: Utensil Form Authority Terms: 1 Piece: unidentifiable 2 Piece: unidentifiable Fork, 1 Piece Fork, 2 piece Fork, unidentifiable Knife, 1 Piece Knife, 2 Piece Knife, unidentifiable Spoon, 1 Piece Spoon, 2 Piece Spoon, unidentifiable Unidentifiable
- [Tobacco Pipe Table](https://www.daacs.org/about-the-database/database-structure/tobacco-pipe-table/) - Field Name: Artifact ID Number Field Name: Artifact Count Field Name: Completeness Authority Terms: Base Base, Bowl Base, Bowl, Rim Bowl, Complete Bowl Fragment Bowl, Rim Complete Pipe Mouthpiece Mouthpiece, Stem Rim Stem Stem, Base Stem, Base, Bowl Stem, Bowl Stem, Bowl, Rim Unidentified Field Name: Material Authority Terms: Earthenware, imported Earthenware, locally-made Ivory Metal
- [Faunal Table](https://www.daacs.org/about-the-database/database-structure/faunal-table/) - Faunal Relationship Diagram The data fields and authority terms used in the Faunal Table were based on the work of Dr. Joanne Bowen, Greg Brown, and Steve Atkins of Colonial Williamsburg and were developed as part of Colonial Williamsburg's CWBONE program. Their assistance with the Faunal Table was invaluable. Field Name: Artifact ID Number Field
- [Ceramic Table](https://www.daacs.org/about-the-database/database-structure/ceramic-table/) - Ceramic Relationship Diagram Field Name: Artifact ID Number Field Name:Artifact Count Field Name: Material Authority Terms: Coarse Earthenware Porcelain Refined Earthenware Stoneware Unidentifiable Field Name: Manufacturing Technique Authority Terms: Handbuild, coil Handbuild, unidentifiable Missing Not Applicable Press Molded Slip Cast Unidentifiable Wheel Thrown Field Name: Ware Authority Terms: Afro-Caribbean Ware Agate, refined (Whieldon-type) American Stoneware
- [Button Table](https://www.daacs.org/about-the-database/database-structure/button-table/) - The data fields and authority terms used in the Button Table are based on the work of Dr. Barbara Heath and Heather Olson of Poplar Forest. We are grateful to Barbara and Heather for their time and intellectual generosity. Field Name: Artifact ID Number Field Name: Artifact Count Field Name: Completeness Authority Terms: Complete Incomplete
- [Buckle Table](https://www.daacs.org/about-the-database/database-structure/buckle-table/) - Field Name: Artifact ID Number Field Name:Artifact Count Field Name: Buckle Type Authority Terms: Baldric/Sash Knee Shoe Spur Stock Unid: Clothing Unid:Harness/Utilitarian Unidentifiable Field Name: Completeness Authority Terms: Complete Incomplete Not Recorded Field Name: Frame Plating Authority Terms: Gilt None Not Recorded Silver Tin Unidentifiable Field Name: Object Weight Field Name: Conservation Field Name: Marks?
- [Context Table](https://www.daacs.org/about-the-database/database-structure/context-table/) - Field Name: Context ID Number Field Name: Project ID Number Field Name: Context Field Name: Context Excavated Authority Terms: Yes No N/A N/R Unid Field Name: Level Type Authority Terms: Arbitrary Natural Arbit. to Natur. Natur. to Arbit. Missing Information Not Applicable Field Name: Level Designation Field Name: Deposit Type Authority Terms: A-Horizon Alluvium Architecture
- [Site Table](https://www.daacs.org/about-the-database/database-structure/site-table/) - Field Name: Project ID Number Field Name: Institution Authority Terms: Alexandria Archaeology Archaeological and Cultural Solutions, Inc. Colonial Williamsburg Foundation Corporation for Jefferson's Poplar Forest Department of Anthropology, College of William and Mary Drayton Hall Fairfield Foundation Guilford Borough Council Jamaica National Heritage Trust James River Institute for Archaeology, Inc. Maryland Archaeological Conservation Laboratory Mount
- [Contact Us](https://www.daacs.org/aboutdaacs/contact-us/) - DAACS staff is happy to answer questions related to the Archive. We welcome feedback from our website visitors, especially in regards to using the database. We are particularly interested in hearing about any research that you are conducting with DAACS data. We also welcome information on any recently excavated slave quarter sites in the Chesapeake.
- [SIQ1:Data on sites and excavation projects](/queries/form/siteinformationquery/siq1/)
- [MCDQ2: MCD-Type Frequencies](/queries/form/meanceramicdate/mcdq2/)
- [MCDQ1: Summarized by Selected Grouping](/queries/form/meanceramicdate/mcdq1/)
- [IQ2: Search by site and image type](/queries/form/image/iq2/)
- [IQ1: Search images by site](/queries/form/image/iq1/)
- [DQ1: Basic Document Search](/queries/form/document/dq1/)
- [CQ3: Select Attributes](/queries/form/context/cq3)
- [CQ2D: Detailed Information by Feature Number](/queries/form/context/cq2d)
- [CQ2C: Detailed Information by Unit Type](/queries/form/context/cq2c)
- [CQ2B: Detailed Information by Deposit Type](/queries/form/context/cq2b)
- [CQ2A: Detailed Information by Feature Type](/queries/form/context/cq2a)
- [CQ1: Basic Information](/queries/form/context/cq1)
- [Query the Database](https://www.daacs.org/query-the-database/)

## Galleries

- [The Triplex](https://www.daacs.org/galleries/triplex/)
- [The Dry Well](https://www.daacs.org/galleries/drywell/)
- [Colonoware](https://www.daacs.org/galleries/colonoware/)
- [The South Grove Midden](https://www.daacs.org/galleries/southgrovemidden/)
- [New Street, Port Royal](https://www.daacs.org/galleries/new-street-tavern-port-royal/)

## Sites

- [44PG92: The Limbrey/Barker Site](https://www.daacs.org/sites/44pg92/)
- [East Garden](https://www.daacs.org/sites/east-garden/)
- [44PG64: The Stone House Foundation](https://www.daacs.org/sites/44pg64/)
- [44PG65: The Fortified Compound](https://www.daacs.org/sites/44pg65/)
- [44PG64/65: The Windmill Site](https://www.daacs.org/sites/44pg64-65/)
- [South Cabin](https://www.daacs.org/sites/south-cabin/)
- [Morne Patate Locus 2: Village](https://www.daacs.org/sites/morne-patate-village/)
- [West Yard](https://www.daacs.org/sites/west-yard/)
- [Field Quarter Cabin 1](https://www.daacs.org/sites/field-quarter-cabin-1/)
- [Morne Patate Locus 1: Estate House](https://www.daacs.org/sites/morne-patate-estate/)
- [Morne Patate Locus 3: Provision Grounds](https://www.daacs.org/sites/morne-patate-locus-3-provision-grounds/)
- [Mansion Backyard Yard Cabin](https://www.daacs.org/sites/yard-cabin/)
- [Mansion Backyard Triplex](https://www.daacs.org/sites/triplex/)
- [Yaughan 76](https://www.daacs.org/sites/38bk76/)
- [Field Quarter Cabin 3](https://www.daacs.org/sites/field-quarter-cabin-3/)
- [Field Quarter Cabin 2](https://www.daacs.org/sites/field-quarter-cabin-2/)
- [St. Nicholas Abbey Workers' Village](https://www.daacs.org/sites/st-nicholas-abbey-workers-village/)
- [Building o](https://www.daacs.org/sites/building-o/)
- [Ashcomb's Quarter](https://www.daacs.org/sites/ashcombs-quarter/)
- [Palace Lands Site](https://www.daacs.org/sites/palace-lands-site/)
- [Field Quarter Shovel Test Pit Survey](https://www.daacs.org/sites/field-quarter-stps/)
- [Mansion Backyard STP Survey](https://www.daacs.org/sites/mansion-backyard-stp-survey/)
- [Sugarloaf Village](https://www.daacs.org/sites/sugarloaf/)
- [Utopia IV](https://www.daacs.org/sites/utopia-iv/)
- [Utopia III](https://www.daacs.org/sites/utopia-iii/)
- [Utopia II](https://www.daacs.org/sites/utopia-ii/)
- [South Grove Midden](https://www.daacs.org/sites/south-grove/)
- [Servant's Hall/Wash House](https://www.daacs.org/sites/servants-hall/)
- [Mount Pleasant Kitchen Site](https://www.daacs.org/sites/mount-pleasant-kitchen-site/)
- [West Kitchen Yard/Dry Well/MRS 1](https://www.daacs.org/sites/west-kitchen-yard-dry-well-mrs-1/)
- [Site 8](https://www.daacs.org/sites/site-8/)
- [Site 7](https://www.daacs.org/sites/site-7/)
- [East Kitchen Yard](https://www.daacs.org/sites/east-kitchen-yard/)
- [Building n & 1809 Stone House](https://www.daacs.org/sites/building-n/)
- [Building m & MRS 4](https://www.daacs.org/sites/building-m-mrs-4/)
- [Building D/j](https://www.daacs.org/sites/building-dj/)
- [Bowles' Lot](https://www.daacs.org/sites/bowles-lot/)
- [Field Quarter Cabin 4](https://www.daacs.org/sites/field-quarter-cabin-4/)
- [Yaughan 75](https://www.daacs.org/sites/38bk75/)
- [Curriboo 245](https://www.daacs.org/sites/38bk245/)
- [Stagville](https://www.daacs.org/sites/stagville/)
- [Mona Great House](https://www.daacs.org/sites/mona-great-house/)
- [Wingos](https://www.daacs.org/sites/wingos-2/)
- [Middleburg](https://www.daacs.org/sites/middleburg/)
- [Seville House 16](https://www.daacs.org/sites/seville-house-16/)
- [Seville House 15](https://www.daacs.org/sites/seville-house-15/)
- [Papine Village](https://www.daacs.org/sites/papine-village/)
- [Montpelier House 37](https://www.daacs.org/sites/house-37/)
- [ST116](https://www.daacs.org/sites/st116/)
- [Quarter](https://www.daacs.org/sites/quarter/)
- [North Hill](https://www.daacs.org/sites/north-hill/)
- [House for Families](https://www.daacs.org/sites/house-for-families/)
- [Stewart-Watkins](https://www.daacs.org/sites/stewart-watkins/)
- [MRS 2](https://www.daacs.org/sites/mrs-2/)
- [Elizabeth Hemings Site](https://www.daacs.org/sites/elizabeth-hemings/)
- [Building t](https://www.daacs.org/sites/building-t/)
- [Building s](https://www.daacs.org/sites/building-s/)
- [Building r](https://www.daacs.org/sites/building-r/)
- [Building i](https://www.daacs.org/sites/building-i/)
- [Building C](https://www.daacs.org/sites/building-c/)
- [Pope Site](https://www.daacs.org/sites/pope-site/)
- [44JC298](https://www.daacs.org/sites/44jc298/)
- [Field Quarter KES](https://www.daacs.org/sites/field-quarter-kes/)
- [Silver Bluff](https://www.daacs.org/sites/silver-bluff/)
- [NAVAIR](https://www.daacs.org/sites/navair/)
- [Fairfield Quarter](https://www.daacs.org/sites/fairfield-quarter/)
- [Chapline Place](https://www.daacs.org/sites/chapline-place/)
- [Little Bay Cattle Mill (Structure 2)](https://www.daacs.org/sites/little-bay-cattle-mill/)
- [Little Bay Workers' Village](https://www.daacs.org/sites/little-bay-workers-village/)
- [Good Hope Village](https://www.daacs.org/sites/good-hope-village/)
- [Little Bay Cotton Warehouse (Structure 1)](https://www.daacs.org/sites/little-bay-cotton-warehouse-structure-1/)
- [Little Bay Manor House (Structure 5)](https://www.daacs.org/sites/little-bay-manor-house/)
- [The Spring](https://www.daacs.org/sites/the-spring/)
- [Montpelier Yard Contexts](https://www.daacs.org/sites/montpelier-yard-contexts/)
- [Jessups II](https://www.daacs.org/sites/jessups-ii/)
- [Jessups I](https://www.daacs.org/sites/jessups-i/)
- [New River Village II](https://www.daacs.org/sites/new-river-village-ii/)
- [New River Village I](https://www.daacs.org/sites/new-river-village-i/)
- [Montpelier House 26](https://www.daacs.org/sites/house-26/)
- [Montpelier House 14](https://www.daacs.org/sites/house-14/)
- [Montpelier House 24](https://www.daacs.org/sites/house-24/)
- [Richneck Quarter](https://www.daacs.org/sites/richneck-quarter/)
- [Mona Village](https://www.daacs.org/sites/mona-village/)
- [Stewart Castle Village](https://www.daacs.org/sites/stewart-castle-village/)
- [Stewart Castle Main House](https://www.daacs.org/sites/stewart-castle-main-house/)
- [Building l](https://www.daacs.org/sites/building-l/)

## Plantations

- [Flowerdew Hundred](https://www.daacs.org/plantations/flowerdew-hundred/) - The four sites from Flowerdew Hundred in the DAACS archive are home to three groups: Europeans, Africans, and Native Americans, whose complex and conflicted interactions set the stage for the emergence of a slave society in the Chesapeake. The occupations of these four sites span a dynamic period of settlement and agricultural expansion in the
- [Morne Patate Estate](https://www.daacs.org/plantations/morne-patate-estate/)
- [Trents Estate](https://www.daacs.org/plantations/trents-estate/)
- [New River](https://www.daacs.org/plantations/new-river/) - Located on the windward side of Nevis, the New River Estate was established in the early 1720s and operated as a large-scale sugar plantation throughout much of the 18th century. By the 1750s, nearly 130 enslaved Africans worked and lived at New River. Archaeological data indicates that the estate supported two slave villages, one dating
- [Stratford Hall](https://www.daacs.org/plantations/stratford-hall/)
- [Free State](https://www.daacs.org/plantations/free-state/)
- [Seville Plantation](https://www.daacs.org/plantations/seville-plantation/)
- [Good Hope Estate](https://www.daacs.org/plantations/good-hope-estate/)
- [Ashcombs](https://www.daacs.org/plantations/ashcombs/)
- [Chapline](https://www.daacs.org/plantations/chapline/)
- [Montpelier Plantation (VA)](https://www.daacs.org/plantations/montpelier-plantation-virginia/)
- [Palace Lands](https://www.daacs.org/plantations/palace-lands/)
- [Governor's Land](https://www.daacs.org/plantations/governors-land/)
- [Holladay/Ridley Tract](https://www.daacs.org/plantations/holladayridley-tract/)
- [Mattapany](https://www.daacs.org/plantations/mattapany/)
- [Sugarloaf](https://www.daacs.org/plantations/sugar-loaf/)
- [Montpelier Estate (JA)](https://www.daacs.org/plantations/montpelier/)
- [Little Bay Plantation](https://www.daacs.org/plantations/little-bay/)
- [Mount Vernon](https://www.daacs.org/plantations/mount-vernon/)
- [Stagville](https://www.daacs.org/plantations/stagville/)
- [St. Nicholas Abbey](https://www.daacs.org/plantations/st-nicholas-abbey/)
- [Silver Bluff Plantation](https://www.daacs.org/plantations/silver-bluff-plantation/)
- [Yaughan Plantation](https://www.daacs.org/plantations/yaughan-plantation/)
- [Curriboo Plantation](https://www.daacs.org/plantations/curriboo-plantation/)
- [Stewart Castle](https://www.daacs.org/plantations/stewart-castle/)
- [Mona Estate](https://www.daacs.org/plantations/mona-estate/)
- [Monticello](https://www.daacs.org/plantations/monticello/) - Monticello Plantation was home to Thomas Jefferson, his family, and scores of enslaved African Americans and their families from about 1770 until Jefferson's death in 1826. Thomas Jefferson's landholdings in Albemarle County totaled some 5,000 acres. Initially Jefferson grew tobacco at Monticello, as did nearly all eighteenth-century Chesapeake slave owners, including his father. However, in
- [Fairfield Plantation](https://www.daacs.org/plantations/fairfield/)
- [Poplar Forest](https://www.daacs.org/plantations/poplar-forest/)
- [Richneck Plantation](https://www.daacs.org/plantations/richneck-plantation/)
- [Utopia](https://www.daacs.org/plantations/utopia/)
- [Papine Estate](https://www.daacs.org/plantations/papine-estate/)
- [The Hermitage](https://www.daacs.org/plantations/the-hermitage/) - The Hermitage was purchased in 1804 by Andrew Jackson, the man who would become the seventh president of the United States. Between 1804 and the Civil War, The Hermitage was an active cotton plantation. Jackson initially purchased around 425 acres and that grew to 1,100 acres on the eve of the Civil War. The enslaved
- [Middleburg](https://www.daacs.org/plantations/middleburg/)
- [Jessups](https://www.daacs.org/plantations/jessups/) - Located on the leeward side of Nevis, the Jessups Estate was an established sugar plantation of 180 acres in the early 1720s. By the mid-1700s, Jessups had grown to over 250 acres with an enslaved population of over 110 individuals. A number of evocative primary documents, including a richly detailed 1755 plat and a 1740
- [The Spring](https://www.daacs.org/plantations/the-spring/) - The Spring was an 18th-century sugar plantation located on a sloping hillside in St. Mary Cayon Parish on the northwest coast of St. Kitts. Sugar cane was cultivated at The Spring through the 1830s. Today the core of the plantation lies in ruins, with the remains of the great house, windmill and other severely deteriorated

## Authors

- [Danielle Moretti-Langholtz](https://www.daacs.org/authors/danielle-moretti-langholtz/)
- [Sandra Waugaman](https://www.daacs.org/authors/sandra-waugaman/)
- [Cassandra Newby-Alexander](https://www.daacs.org/authors/cassandra-newby-alexander/)
- [John Coombs](https://www.daacs.org/authors/john-coombs/)
- [John Thornton](https://www.daacs.org/authors/john-thornton/)
- [Thos H. Wynne](https://www.daacs.org/authors/colonial-records-of-virginia/)
- [Stephen Potter](https://www.daacs.org/authors/stephen-potter/)
- [Keith Egloff](https://www.daacs.org/authors/keith-egloff/)
- [Ann Markell](https://www.daacs.org/authors/ann-markell/)
- [Edward Ayers](https://www.daacs.org/authors/edward-ayers/)
- [Andrew Beahrs](https://www.daacs.org/authors/andrew-beahrs/)
- [Joe B. Jones](https://www.daacs.org/authors/joe-b-jones/)
- [William H. Moore](https://www.daacs.org/authors/william-h-moore/)
- [Susan Kingsbury](https://www.daacs.org/authors/susan-kingsbury/)
- [Paul Musselwhite](https://www.daacs.org/authors/paul-musselwhite/)
- [Phillip Barbour](https://www.daacs.org/authors/phillip-barbour/)
- [Antony Opperman](https://www.daacs.org/authors/antony-opperman/)
- [E. Randolph Turner, III](https://www.daacs.org/authors/e-randolph-turner-iii/)
- [Helen Rountree](https://www.daacs.org/authors/helen-rountree/)
- [Martin Gallivan](https://www.daacs.org/authors/martin-gallivan/)
- [Whitney Battle-Baptiste](https://www.daacs.org/authors/8465/)
- [Larissa Thomas](https://www.daacs.org/authors/larissa-thomas/)
- [Eve Gregory](https://www.daacs.org/authors/eve-gregory/)
- [Leverette Gregory](https://www.daacs.org/authors/leverette-gregory/)
- [Charles Hodges](https://www.daacs.org/authors/18813/)
- [Lauren McMillian](https://www.daacs.org/authors/lauren-mcmillian/)
- [J.C. Harrington](https://www.daacs.org/authors/j-c-harrington/)
- [Louis Binford](https://www.daacs.org/authors/louis-binford/)
- [Norman F. Barka](https://www.daacs.org/authors/norman-f-barka-2/)
- [Herrmann Stoneware](https://www.daacs.org/authors/herrmann-stoneware/)
- [John E. Kille](https://www.daacs.org/authors/17994/)
- [Thomas E. Beaman Jr.](https://www.daacs.org/authors/thomas-e-beaman-jr/)
- [Will Rieley](https://www.daacs.org/authors/17828/)
- [Mark W. Hauser](https://www.daacs.org/authors/mark-hauser/)
- [Sarah Oas](https://www.daacs.org/authors/sarah-oas/)
- [Tessa Murphy](https://www.daacs.org/authors/tessa-murphy/)
- [Dianne Wallman](https://www.daacs.org/authors/dianne-wallman/)
- [Khadene K. Harris](https://www.daacs.org/authors/khadene-k-harris/)
- [Albemarle County](https://www.daacs.org/authors/albemarle-county/)
- [Preservation Piedmont](https://www.daacs.org/authors/preservation-piedmont/)
- [Albemarle County Planning Commission](https://www.daacs.org/authors/albemarle-county-planning-commission/)
- [Higgins, Thomas F., III](https://www.daacs.org/authors/higgins-thomas-f-iii/)
- [Birkett, Courtney J.](https://www.daacs.org/authors/birkett-courtney-j/)
- [Lewes, David W.](https://www.daacs.org/authors/lewes-david-w/)
- [Underwood, John R.](https://www.daacs.org/authors/underwood-john-r/)
- [Seifert, Donna J.](https://www.daacs.org/authors/seifert-donna-j/)
- [Stevens, J. Sanderson](https://www.daacs.org/authors/stevens-j-sanderson/)
- [Thompson, Stephen M.](https://www.daacs.org/authors/thompson-stephen-m/)
- [Pawlett, Nathaniel Mason](https://www.daacs.org/authors/16387/)
- [Brockington, Paul Jr.](https://www.daacs.org/authors/coo/)
- [Theresa A. Singleton](https://www.daacs.org/authors/theresa-a-singleton/)
- [History: Virginia Gardens](https://www.daacs.org/authors/history-virginia-gardens/)
- [Michael Barber](https://www.daacs.org/authors/michael-barber/)
- [Morley Williams](https://www.daacs.org/authors/morley-williams/)
- [Arthur Shurcliff](https://www.daacs.org/authors/arthur-shurcliff/)
- [Joseph F. Balicki](https://www.daacs.org/authors/joseph-f-balicki/)
- [Donna J. Seifert](https://www.daacs.org/authors/donna-j-seifert/)
- [Alyson Andrews](https://www.daacs.org/authors/alyson-andrews/)
- [Michael Smith](https://www.daacs.org/authors/michael-smith-2/)
- [Ethel Armes](https://www.daacs.org/authors/armes-ethel/)
- [J. Lemon](https://www.daacs.org/authors/j-lemon/)
- [M. Greenacre](https://www.daacs.org/authors/m-greenacre/)
- [O. Nenadic](https://www.daacs.org/authors/15849/)
- [Lee Marmon](https://www.daacs.org/authors/lee-marmon/)
- [Gerald F. Schroedl](https://www.daacs.org/authors/gerald-f-schroedl/)
- [Southwestern Virginia Genealogical Society](https://www.daacs.org/authors/southwestern-virginia-genealogical-society/)
- [Edwin Morris Betts](https://www.daacs.org/authors/edwin-m-betts/)
- [W.H. Daniel Brock](https://www.daacs.org/authors/daniel-brock/)
- [Stephen J. Yerka](https://www.daacs.org/authors/stephen-j-yerka/)
- [Brad D. Hatch](https://www.daacs.org/authors/15695/)
- [Samantha Henderson](https://www.daacs.org/authors/15697/)
- [Andrew Wilkins](https://www.daacs.org/authors/15698/)
- [Heather Trigg](https://www.daacs.org/authors/15699/)
- [Crystal Ptacek](https://www.daacs.org/authors/15700/)
- [Mark Trickett](https://www.daacs.org/authors/mark-trickett/)
- [Kevin Fogle](https://www.daacs.org/authors/kevin-fogle/)
- [Matthew Reeves](https://www.daacs.org/authors/matthew-reeves/)
- [Ann L. Miller](https://www.daacs.org/authors/ann-l-miller/)
- [Douglas B. Chambers](https://www.daacs.org/authors/douglas-b-chambers/)
- [R Core Team](https://www.daacs.org/authors/r-core-team/)
- [Christian Buchta](https://www.daacs.org/authors/christian-buchta/)
- [Kurt Hornik](https://www.daacs.org/authors/kurt-hornik/)
- [Michael Hahsler](https://www.daacs.org/authors/michael-hahsler/)
- [Patrick Mair](https://www.daacs.org/authors/patrick-mair/)
- [Jan De Leeuw](https://www.daacs.org/authors/jan-de-leeuw/)
- [Neil Tiffin](https://www.daacs.org/authors/neil-tiffin/)
- [Sameer Kumar Prayaga](https://www.daacs.org/authors/sameer-kumar-prayaga/)
- [Tomoaki Nishiyama](https://www.daacs.org/authors/tomoaki-nishiyama/)
- [Dirk Eddelbuettel](https://www.daacs.org/authors/dirk-eddelbuettel/)
- [Joe Conway](https://www.daacs.org/authors/joe-conway/)
- [Hadley Wickham](https://www.daacs.org/authors/14507/)
- [Conrad M. Goodwin](https://www.daacs.org/authors/conrad-m-goodwin/)
- [Mary C. Beaudry](https://www.daacs.org/authors/mary-beaudry/)
- [Lydia M. Pulsipher](https://www.daacs.org/authors/lydia-m-pulsipher/)
- [Sean E. Devlin](https://www.daacs.org/authors/sean-devlin/)
- [Olga Trofimova](https://www.daacs.org/authors/olga-trofimova/)
- [Michael Kelley](https://www.daacs.org/authors/michael-kelley/)
- [Kevin Farmer](https://www.daacs.org/authors/kevin-farmer/)
- [Erik Seidow](https://www.daacs.org/authors/erik-seidow/)
- [Kathleen Mocklin](https://www.daacs.org/authors/kathleen-mocklin/)
- [George Washington](https://www.daacs.org/authors/george-washington/)
- [Dessa Lightfoot](https://www.daacs.org/authors/dessa-lightfoot/)
- [Susan Andrews](https://www.daacs.org/authors/susan-andrews/)
- [Louis P. Nelson](https://www.daacs.org/authors/louis-p-nelson/)
- [Hayden F. Bassett](https://www.daacs.org/authors/hayden-bassett/)
- [R.55.7.123.2](https://www.daacs.org/authors/r-55-7-123-2/)
- [John Henry Schroeter](https://www.daacs.org/authors/john-henry-schroeter/)
- [Sarah M.S. Pearsall](https://www.daacs.org/authors/sarah-m-s-pearsall/)
- [Daniel L. Ogilvie](https://www.daacs.org/authors/daniel-l-ogilvie/)
- [Frank Cundell](https://www.daacs.org/authors/frank-cundell/)
- [Joseph C. Ford](https://www.daacs.org/authors/joseph-c-ford/)
- [Thomas Craskell](https://www.daacs.org/authors/thomas-craskell/)
- [John Castello](https://www.daacs.org/authors/14250/)
- [D.G. McDuffie](https://www.daacs.org/authors/14118/)
- [Frederick Lange](https://www.daacs.org/authors/frederick-lange/)
- [Keith P. Jacobi](https://www.daacs.org/authors/keith-p-jacobi/)
- [Michael D. Conner](https://www.daacs.org/authors/michael-d-conner/)
- [Jerome S. Handler](https://www.daacs.org/authors/jerome-s-handler/)
- [Frederick H. Smith](https://www.daacs.org/authors/frederick-h-smith/)
- [Stephanie Bergman](https://www.daacs.org/authors/14013/)
- [Douglas C. McLearen](https://www.daacs.org/authors/douglas-c-mclearen/)
- [George W. McDaniel](https://www.daacs.org/authors/george-w-mcdaniel/)
- [Carl Lounsbury](https://www.daacs.org/authors/carl-lounsbury/)
- [Christopher T. Hughes](https://www.daacs.org/authors/christopher-t-hughes/)
- [Catherine Bollinger](https://www.daacs.org/authors/catherine-bollinger/)
- [John Clauser](https://www.daacs.org/authors/john-clauser/)
- [Jennifer G. Garlid](https://www.daacs.org/authors/jennifer-g-garlid/)
- [Terry H. Erlandson](https://www.daacs.org/authors/terry-h-erlandson/)
- [Cameron Family Papers](https://www.daacs.org/authors/cameron-family-papers/)
- [Jean Bradley Anderson](https://www.daacs.org/authors/13774/)
- [Friedrich Peter Hamer](https://www.daacs.org/authors/friedrich-peter-hamer/)
- [Fritz Hamer](https://www.daacs.org/authors/fritz-hammer/)
- [Mark Groover](https://www.daacs.org/authors/mark-groover/)
- [J. Walter Joseph](https://www.daacs.org/authors/j-walter-joseph/)
- [James D. Scurry](https://www.daacs.org/authors/james-d-scurry/)
- [Robert Moon](https://www.daacs.org/authors/robert-moon/)
- [David C. Crass](https://www.daacs.org/authors/david-c-crass/)
- [Tammy R. Forehand](https://www.daacs.org/authors/forehand-tammy-r/)
- [Jenn Briggs](https://www.daacs.org/authors/jenn-briggs/)
- [James Bray II](https://www.daacs.org/authors/james-bray/)
- [Lewis Burwell IV](https://www.daacs.org/authors/lewis-burwell/)
- [S. Allen Chambers Jr.](https://www.daacs.org/authors/s-allen-chambers/)
- [Dames & Moore, Inc.](https://www.daacs.org/authors/inc-dames-moore/)
- [William P. Boyer Jr.](https://www.daacs.org/authors/william-p-boyer/)
- [James A. Bear Jr.](https://www.daacs.org/authors/james-a-bear/)
- [C. Clifford Boyd Jr.](https://www.daacs.org/authors/c-clifford-boyd/)
- [Mesick Cohen Waite Architects ](https://www.daacs.org/authors/architects-mesick-cohen-waite/)
- [Christopher Pierce](https://www.daacs.org/authors/christopher-pierce/)
- [John E. Terrell](https://www.daacs.org/authors/john-e-terrell/)
- [Thomas Pettus II](https://www.daacs.org/authors/thomas-pettus/)
- [Thomas Jefferson Foundation (TJF)](https://www.daacs.org/authors/tjf-thomas-jefferson-foundation/)
- [John H. Sprinkle Jr.](https://www.daacs.org/authors/john-h-sprinkle/)
- [Robert E. Dalzell](https://www.daacs.org/authors/robert-e-dalzell/)
- [John Milner Associates](https://www.daacs.org/authors/associates-john-milner/)
- [Dinah Crader-Johnson](https://www.daacs.org/authors/dinah-crader-johnson/)
- [Ivor C. Conolley](https://www.daacs.org/authors/ivor-c-conolley/)
- [Lucia C. Stanton](https://www.daacs.org/authors/lucia-c-stanton-3/)
- [Richard Frucht](https://www.daacs.org/authors/richard-frucht/)
- [V. L. Oliver](https://www.daacs.org/authors/v-l-oliver/)
- [Alexander West](https://www.daacs.org/authors/alexander-west/)
- [Lady Maria Nugent](https://www.daacs.org/authors/lady-maria-nugent/)
- [Thera Edwards](https://www.daacs.org/authors/thera-edwards/)
- [Geoffrey S. Yates](https://www.daacs.org/authors/8522/)
- [Winifred M. Cousins](https://www.daacs.org/authors/8520/)
- [Gerald W. Mullin](https://www.daacs.org/authors/gerald-w-mullin/)
- [Elizabeth Clites](https://www.daacs.org/authors/8475/)
- [Aaron E. Russell](https://www.daacs.org/authors/aaron-e-russell/)
- [Steven Kidd](https://www.daacs.org/authors/steven-kidd/)
- [Elizabeth J. Kellar](https://www.daacs.org/authors/elizabeth-j-kellar/)
- [Valerie Jackson Douet](https://www.daacs.org/authors/valerie-jackson-douet/)
- [Linda Baumgarten](https://www.daacs.org/authors/linda-baumgarten/)
- [Sylvia Groves](https://www.daacs.org/authors/sylvia-groves/)
- [Todd L. Savitt](https://www.daacs.org/authors/todd-l-savitt/)
- [Anna O. Shepard](https://www.daacs.org/authors/anna-o-shepard/)
- [Prudence M. Rice](https://www.daacs.org/authors/prudence-m-rice/)
- [Kerry L. Ogata](https://www.daacs.org/authors/8306/)
- [Theresa A. Singleton](https://www.daacs.org/authors/8308/)
- [Patti Evans](https://www.daacs.org/authors/patti-evans/)
- [William M. Kelso](https://www.daacs.org/authors/william-m-kelso-2/)
- [Melvin I. Urofsky](https://www.daacs.org/authors/melvin-i-urofsky/)
- [Brian McCray](https://www.daacs.org/authors/brian-mccray/)
- [Roderick Ebanks](https://www.daacs.org/authors/roderick-ebanks/)
- [Suzanne Francis-Brown](https://www.daacs.org/authors/suzanne-francis-brown/)
- [Vitalyn Dias Latty](https://www.daacs.org/authors/vitalyn-dias-latty/)
- [Leslie Cooper](https://www.daacs.org/authors/leslie-cooper/)
- [Brian W. Thomas](https://www.daacs.org/authors/brian-w-thomas/)
- [Larry McKee](https://www.daacs.org/authors/larry-mckee/)
- [Jennifer Bartlett](https://www.daacs.org/authors/jennifer-bartlett/)
- [Samuel D. Smith](https://www.daacs.org/authors/samuel-d-smith/)
- [Fred W. Brigance](https://www.daacs.org/authors/fred-w-brigance/)
- [Emanuel Breitburg](https://www.daacs.org/authors/emanuel-breitburg/)
- [Stephen D. Cox](https://www.daacs.org/authors/stephen-d-cox/)
- [Michael Martin](https://www.daacs.org/authors/michael-martin/)
- [Marc Leepson](https://www.daacs.org/authors/marc-leepson/)
- [Susan Kern](https://www.daacs.org/authors/susan-kern/)
- [Edmund Bacon](https://www.daacs.org/authors/edmund-bacon/)
- [James Dinsmore](https://www.daacs.org/authors/james-dinsmore/)
- [W. W. Abbot](https://www.daacs.org/authors/w-w-abbot/)
- [Eleanor Breen](https://www.daacs.org/authors/eleanor-breen/)
- [Lee Baldwin Dalzell](https://www.daacs.org/authors/lee-baldwin-dalzell/)
- [Frederick Hall Smith](https://www.daacs.org/authors/frederick-hall-smith/)
- [Donald Jackson](https://www.daacs.org/authors/donald-jackson/)
- [Dorothy Twohig](https://www.daacs.org/authors/dorothy-twohig/)
- [Beverly H. Runge](https://www.daacs.org/authors/beverly-h-runge/)
- [Philander D. Chase](https://www.daacs.org/authors/philander-d-chase/)
- [William Goodall](https://www.daacs.org/authors/william-goodall/)
- [Mary R. M. Goodwin](https://www.daacs.org/authors/mary-r-m-goodwin/)
- [Michael A. Gomez](https://www.daacs.org/authors/michael-a-gomez/)
- [Annette Gordon-Reed](https://www.daacs.org/authors/annette-gordon-reed/)
- [Katherine M. Grillo](https://www.daacs.org/authors/katherine-m-grillo/)
- [Amber Bennett](https://www.daacs.org/authors/amber-bennett/)
- [Max L. Hill](https://www.daacs.org/authors/max-l-hill/)
- [Graham Hood](https://www.daacs.org/authors/graham-hood/)
- [Ivor Noel Hume](https://www.daacs.org/authors/ivor-noel-hume/)
- [Thomas Jefferson](https://www.daacs.org/authors/thomas-jefferson/)
- [Annie Lash Jester](https://www.daacs.org/authors/annie-lash-jester/)
- [Martha Woodroof Hiden](https://www.daacs.org/authors/martha-woodroof-hiden/)
- [Jeffrey Jobe](https://www.daacs.org/authors/jeffrey-jobe/)
- [John G. Jones](https://www.daacs.org/authors/john-g-jones/)
- [Kathryn Joseph](https://www.daacs.org/authors/kathryn-joseph/)
- [Roger Leech](https://www.daacs.org/authors/roger-leech/)
- [Bruce Williams](https://www.daacs.org/authors/bruce-williams/)
- [Daniel Littlefield](https://www.daacs.org/authors/daniel-littlefield/)
- [Sondy Sanford](https://www.daacs.org/authors/sondy-sanford/)
- [Susan A. Kern](https://www.daacs.org/authors/susan-a-kern/)
- [Fiske Kimball](https://www.daacs.org/authors/fiske-kimball/)
- [John T. Kneebone](https://www.daacs.org/authors/john-t-kneebone/)
- [Valerie G. Marcil](https://www.daacs.org/authors/valerie-g-marcil/)
- [Ann Smart Martin](https://www.daacs.org/authors/ann-smart-martin/)
- [Polly Cary Mason](https://www.daacs.org/authors/polly-cary-mason/)
- [Martha McCartney](https://www.daacs.org/authors/martha-mccartney/)
- [James P. McClure](https://www.daacs.org/authors/james-p-mcclure/)
- [Leslie McFaden](https://www.daacs.org/authors/leslie-mcfaden/)
- [Philip Levy](https://www.daacs.org/authors/philip-levy/)
- [David Muraca](https://www.daacs.org/authors/david-muraca/)
- [Jennifer Jones](https://www.daacs.org/authors/jennifer-jones/)
- [Judith McGhan](https://www.daacs.org/authors/judith-mcghan/)
- [H. R. McIlwaine](https://www.daacs.org/authors/h-r-mcilwaine/)
- [George Miller](https://www.daacs.org/authors/george-miller/)
- [Ellen Shlasko](https://www.daacs.org/authors/ellen-shlasko/)
- [Andrew Madsen](https://www.daacs.org/authors/andrew-madsen/)
- [Henry M. Miller](https://www.daacs.org/authors/henry-m-miller/)
- [Philip Morgan](https://www.daacs.org/authors/philip-morgan/)
- [L. Daniel Myers](https://www.daacs.org/authors/l-daniel-myers/)
- [Dana Linck](https://www.daacs.org/authors/dana-linck/)
- [Paula Mask](https://www.daacs.org/authors/paula-mask/)
- [Karen Y. Smith](https://www.daacs.org/authors/karen-y-smith/)
- [Louis Nelson](https://www.daacs.org/authors/louis-nelson/)
- [Frederick Doveton Nichols](https://www.daacs.org/authors/frederick-doveton-nichols/)
- [Nell Marion Nugent](https://www.daacs.org/authors/nell-marion-nugent/)
- [Wilmer L. Hall](https://www.daacs.org/authors/wilmer-l-hall/)
- [Merry A. Outlaw](https://www.daacs.org/authors/merry-a-outlaw/)
- [Beverly A. Bogley](https://www.daacs.org/authors/beverly-a-bogley/)
- [Alain C. Outlaw](https://www.daacs.org/authors/alain-c-outlaw/)
- [Steven Panning](https://www.daacs.org/authors/steven-panning/)
- [Dwayne W. Pickett](https://www.daacs.org/authors/dwayne-w-pickett/)
- [Dennis J. Pogue](https://www.daacs.org/authors/dennis-j-pogue/)
- [Esther C. White](https://www.daacs.org/authors/esther-c-white/)
- [Alexander Purdie](https://www.daacs.org/authors/alexander-purdie/)
- [Leslie Raymer](https://www.daacs.org/authors/leslie-raymer/)
- [Theodore Reinhart](https://www.daacs.org/authors/theodore-reinhart/)
- [Barbara Davis](https://www.daacs.org/authors/barbara-davis/)
- [Eric G. Ackermann](https://www.daacs.org/authors/eric-g-ackermann/)
- [Patricia Samford](https://www.daacs.org/authors/patricia-samford-2/)
- [Archibald Bolling Shepperson](https://www.daacs.org/authors/archibald-bolling-shepperson/)
- [F. H. Smith](https://www.daacs.org/authors/f-h-smith/)
- [Mechal Sobel](https://www.daacs.org/authors/mechal-sobel/)
- [Stanley South](https://www.daacs.org/authors/stanley-south/)
- [Alexander Spotswood](https://www.daacs.org/authors/alexander-spotswood/)
- [Mary A. Stephenson](https://www.daacs.org/authors/mary-a-stephenson/)
- [Thad W. Tate](https://www.daacs.org/authors/thad-w-tate/)
- [George Terry](https://www.daacs.org/authors/george-terry/)
- [Lorena S. Walsh](https://www.daacs.org/authors/lorena-s-walsh/)
- [Gregory Brown](https://www.daacs.org/authors/gregory-brown/)
- [Camille Wells](https://www.daacs.org/authors/camille-wells/)
- [Peter Weir](https://www.daacs.org/authors/peter-weir/)
- [Mark Wenger](https://www.daacs.org/authors/mark-wenger/)
- [John Metz](https://www.daacs.org/authors/john-metz/)
- [Thomas Wheaton](https://www.daacs.org/authors/thomas-wheaton/)
- [Amy Friedlander](https://www.daacs.org/authors/amy-friedlander/)
- [Patrick Garrow](https://www.daacs.org/authors/patrick-garrow/)
- [Anne Willis](https://www.daacs.org/authors/anne-willis/)
- [Ywone Edwards-Ingram](https://www.daacs.org/authors/ywone-edwards-ingram/)
- [Conny Graft](https://www.daacs.org/authors/conny-graft/)
- [Arthur Johnson](https://www.daacs.org/authors/arthur-johnson/)
- [Martha Katz-Hyman](https://www.daacs.org/authors/martha-katz-hyman/)
- [Michael Lord](https://www.daacs.org/authors/michael-lord/)
- [Christy S. Matthews](https://www.daacs.org/authors/christy-s-matthews/)
- [Ann Parker](https://www.daacs.org/authors/ann-parker/)
- [Kelly Ray](https://www.daacs.org/authors/kelly-ray/)
- [Julie Richter](https://www.daacs.org/authors/julie-richter/)
- [Christopher Wyckoff](https://www.daacs.org/authors/christopher-wyckoff/)
- [Waverly K. Winfree](https://www.daacs.org/authors/waverly-k-winfree/)
- [Peter Wood](https://www.daacs.org/authors/peter-wood/)
- [Louis B. Wright](https://www.daacs.org/authors/louis-b-wright/)
- [Elizabeth Sawyer](https://www.daacs.org/authors/elizabeth-sawyer/)
- [Jack McLaughlin](https://www.daacs.org/authors/jack-mclaughlin/)
- [Charles T. Cullen](https://www.daacs.org/authors/charles-t-cullen/)
- [John Cantanzariti](https://www.daacs.org/authors/john-cantanzariti/)
- [Barbara Oberg](https://www.daacs.org/authors/barbara-oberg/)
- [Fraser D. Neiman](https://www.daacs.org/authors/fraser-d-neiman-2/)
- [Ann Ramenofsky](https://www.daacs.org/authors/ann-ramenofsky/)
- [Ian Robertson](https://www.daacs.org/authors/ian-robertson/)
- [R. C. Dunnell](https://www.daacs.org/authors/r-c-dunnell/)
- [Andrew O'Shaughnessy](https://www.daacs.org/authors/andrew-oshaughnessy/)
- [Susan R. Stein](https://www.daacs.org/authors/susan-r-stein/)
- [Robert L. Self](https://www.daacs.org/authors/robert-l-self/)
- [Raymond Tubby](https://www.daacs.org/authors/raymond-tubby/)
- [J. Jefferson Looney](https://www.daacs.org/authors/j-jefferson-looney/)
- [Lynne Sussman](https://www.daacs.org/authors/lynne-sussman/)
- [Ed Chaney](https://www.daacs.org/authors/ed-chaney/)
- [Sidney Mintz](https://www.daacs.org/authors/sidney-mintz/)
- [Shannon L. McVey](https://www.daacs.org/authors/shannon-l-mcvey/)
- [Jillian E. Galle](https://www.daacs.org/authors/jillian-e-galle/)
- [Beatrix Arendt](https://www.daacs.org/authors/beatrix-arendt/)
- [Oriol Pi-Sunyer](https://www.daacs.org/authors/oriol-pi-sunyer/)
- [John Scholnick](https://www.daacs.org/authors/john-scholnick/)
- [Derek Wheeler](https://www.daacs.org/authors/derek-wheeler/)
- [Douglas W. Sanford](https://www.daacs.org/authors/douglas-w-sanford/)
- [Martha Hill](https://www.daacs.org/authors/martha-hill/)
- [Barbara J. Heath](https://www.daacs.org/authors/barbara-j-heath/)
- [Alan Kulikoff](https://www.daacs.org/authors/alan-kulikoff/)
- [Edward C. Harris](https://www.daacs.org/authors/edward-c-harris/)
- [Lucia C. Stanton](https://www.daacs.org/authors/lucia-c-stanton/)
- [Diana C. Crader](https://www.daacs.org/authors/diana-c-crader/)
- [M. Scott Shumate](https://www.daacs.org/authors/m-scott-shumate/)
- [Jesse Sawyer](https://www.daacs.org/authors/jesse-sawyer/)
- [Janice L. Abercrombie](https://www.daacs.org/authors/janice-l-abercrombie/)
- [Richard Slatten](https://www.daacs.org/authors/richard-slatten/)
- [James Abraham](https://www.daacs.org/authors/james-abraham/)
- [Natalie Adams](https://www.daacs.org/authors/natalie-adams/)
- [Richard M. Affleck](https://www.daacs.org/authors/richard-m-affleck/)
- [Anna Agbe-Davies](https://www.daacs.org/authors/anna-agbe-davies/)
- [Susan Trevarthen Andrews](https://www.daacs.org/authors/susan-trevarthen-andrews/)
- [Douglas V. Armstrong](https://www.daacs.org/authors/douglas-v-armstrong/)
- [Mark Fleischman](https://www.daacs.org/authors/mark-fleischman/)
- [Kenneth Kelly](https://www.daacs.org/authors/kenneth-kelly/)
- [Stephen C. Atkins](https://www.daacs.org/authors/stephen-c-atkins/)
- [David Babson](https://www.daacs.org/authors/david-babson/)
- [Edward Ball](https://www.daacs.org/authors/edward-ball/)
- [Kerri Saige Barile](https://www.daacs.org/authors/kerri-saige-barile/)
- [Lynsey Bates](https://www.daacs.org/authors/lynsey-bates/)
- [Alison K. Bell](https://www.daacs.org/authors/alison-k-bell/)
- [Michael Smith](https://www.daacs.org/authors/michael-smith/)
- [Ira Berlin](https://www.daacs.org/authors/ira-berlin/)
- [Bruce Bevan](https://www.daacs.org/authors/bruce-bevan/)
- [Charles A. Bodie](https://www.daacs.org/authors/charles-a-bodie/)
- [William H. Siener](https://www.daacs.org/authors/william-h-siener/)
- [Sara Bon-Harper](https://www.daacs.org/authors/sara-bon-harper/)
- [Jennifer Aultman](https://www.daacs.org/authors/jennifer-aultman/)
- [Nick Bon-Harper](https://www.daacs.org/authors/nick-bon-harper/)
- [B. W. Higman](https://www.daacs.org/authors/b-w-higman/)
- [George A. Aarons](https://www.daacs.org/authors/george-a-aarons/)
- [Karlis Karklins](https://www.daacs.org/authors/karlis-karklins/)
- [Elizabeth J. Reitz](https://www.daacs.org/authors/elizabeth-j-reitz/)
- [Joanne Bowen](https://www.daacs.org/authors/joanne-bowen/)
- [Julian Boyd](https://www.daacs.org/authors/julian-boyd/)
- [Donna C. Boyd](https://www.daacs.org/authors/donna-c-boyd/)
- [Lyman Henry Butterfield](https://www.daacs.org/authors/lyman-henry-butterfield/)
- [Loutrell Briggs](https://www.daacs.org/authors/loutrell-briggs/)
- [Alasdair Brooks](https://www.daacs.org/authors/alasdair-brooks/)
- [David A. Brown](https://www.daacs.org/authors/david-a-brown/)
- [Thane H. Harpole](https://www.daacs.org/authors/thane-h-harpole/)
- [P. Buchanan](https://www.daacs.org/authors/p-buchanan/)
- [Helen Bullock](https://www.daacs.org/authors/helen-bullock/)
- [Patti L. Byra](https://www.daacs.org/authors/patti-l-byra/)
- [Hannah B. Canel](https://www.daacs.org/authors/hannah-b-canel/)
- [Cary Carson](https://www.daacs.org/authors/cary-carson/)
- [Gary Wheeler Stone](https://www.daacs.org/authors/gary-wheeler-stone/)
- [Dell Upton](https://www.daacs.org/authors/dell-upton/)
- [Anna Gruber](https://www.daacs.org/authors/anna-gruber/)
- [Ann M. Smart](https://www.daacs.org/authors/ann-m-smart/)
- [Diana C. Johnson](https://www.daacs.org/authors/diana-c-johnson/)
- [Robert Carter](https://www.daacs.org/authors/robert-carter/)
- [Wade Catts](https://www.daacs.org/authors/wade-catts/)
- [Stuart Fiedel](https://www.daacs.org/authors/stuart-fiedel/)
- [Douglas Kellogg](https://www.daacs.org/authors/douglas-kellogg/)
- [Charles Cheek](https://www.daacs.org/authors/charles-cheek/)
- [Katherine Dinnel](https://www.daacs.org/authors/katherine-dinnel/)
- [Kathryn Wood](https://www.daacs.org/authors/kathryn-wood/)
- [E. A. Chappell](https://www.daacs.org/authors/e-a-chappell/)
- [Carol Ann Cody](https://www.daacs.org/authors/carol-ann-cody/)
- [John Coke](https://www.daacs.org/authors/john-coke/)
- [Cynthia Connor](https://www.daacs.org/authors/cynthia-connor/)
- [Margaret W. Cooper](https://www.daacs.org/authors/margaret-w-cooper/)
- [Heather L. Olson](https://www.daacs.org/authors/heather-l-olson/)
- [Anne L. Daniel](https://www.daacs.org/authors/anne-l-daniel/)
- [James Deetz](https://www.daacs.org/authors/james-deetz/)
- [Jean-Nicolas Desandrouins](https://www.daacs.org/authors/jean-nicolas-desandrouins/)
- [Leslie Ann Drucker](https://www.daacs.org/authors/leslie-ann-drucker/)
- [Ronald Anthony](https://www.daacs.org/authors/ronald-anthony/)
- [James Errante](https://www.daacs.org/authors/james-errante/)
- [Leland Ferguson](https://www.daacs.org/authors/leland-ferguson/)
- [Garrett Fesler](https://www.daacs.org/authors/garrett-fesler/)
- [Worthington Chauncey Ford](https://www.daacs.org/authors/worthington-chauncey-ford/)
- [E. A. Foster](https://www.daacs.org/authors/e-a-foster/)
- [M. A. Jobling](https://www.daacs.org/authors/m-a-jobling/)
- [P. de Kniff](https://www.daacs.org/authors/p-de-kniff/)
- [R. Meremet](https://www.daacs.org/authors/r-meremet/)
- [T. Zerjal](https://www.daacs.org/authors/t-zerjal/)
- [C. Tyler Smith](https://www.daacs.org/authors/c-tyler-smith/)
- [Maria Franklin](https://www.daacs.org/authors/maria-franklin/)
- [Patricia A. Gibbs](https://www.daacs.org/authors/patricia-a-gibbs/)
- [Henry Glassie](https://www.daacs.org/authors/henry-glassie/)

## References

- [First Settlements: The Organization of Labor and Capital in Virginia 1607-1625](https://www.daacs.org/references/first-settlements-the-organization-of-labor-and-capital-in-virginia-1607-1625/)
- [The Archaeology of Flowerdew Hundred Plantation: The Stone House Foundation Site - An Interim Report](https://www.daacs.org/references/the-archaeology-of-flowerdew-hundred-plantation-the-stone-house-foundation-site-an-interim-report/)
- [We're Still Here: Contemporary Virginia Indians Tell Their Stories](https://www.daacs.org/references/were-still-here-contemporary-virginia-indians-tell-their-stories/)
- [The Arrival of the First Africans to English North America](https://www.daacs.org/references/the-arrival-of-the-first-africans-to-english-north-america/)
- ["Others Not Christians in the Service of the English"](https://www.daacs.org/references/the-phases-of-conversion-a-new-chronology-for-the-rise-of-slavery-in-early-virginia/)
- [The African Experience of the "20. and Odd Negroes" Arriving in Virginia in 1619](https://www.daacs.org/references/the-african-experience-of-the-20-and-odd-negroes-arriving-in-virginia-in-1619/)
- [Flowerdew Hundred - An Historical Report](https://www.daacs.org/references/flowerdew-hundred-an-historical-report/)
- [Lists of the Livinge & the Dead in Virginia February 16, 1623](https://www.daacs.org/references/lists-of-the-livinge-the-dead-in-virginia-february-16-1623/)
- [Indian Ceramics from Coastal Plain Virginia](https://www.daacs.org/references/indian-ceramics-from-coastal-plain-virginia/)
- [A Field Report and Preliminary Analysis of a Stone Foundation Substructure at PG3, Flowerdew Hundred Foundation](https://www.daacs.org/references/a-field-report-and-preliminary-analysis-of-a-stone-foundation-substructure-at-pg3-flowerdew-hundred-foundation/)
- [Manufacturing Identity: Material Culture and Social Change in Seventeenth Century Virginia](https://www.daacs.org/references/manufacturing-identity-material-culture-and-social-change-in-seventeenth-century-virginia/)
- [44PG92 -- Flowerdew Hundred Site Report](https://www.daacs.org/references/44pg92-flowerdew-hundred-site-report/)
- [Domestic architecture of the Clifts Plantation Site: the social context of early Virginia building.](https://www.daacs.org/references/domestic-architecture-of-the-clifts-plantation-site-the-social-context-of-early-virginia-building/)
- [Field Archaeology of the Clifts Plantation Site, Westmoreland County, Virginia.](https://www.daacs.org/references/field-archaeology-of-the-clifts-plantation-site-westmoreland-county-virginia/)
- [American historical archeology: methods and results.](https://www.daacs.org/references/american-historical-archeology-methods-and-results/)
- [The Organization of Labor and Capital in Virginia: 1607-1625.](https://www.daacs.org/references/the-organization-of-labor-and-capital-in-virginia-1607-1625/)
- [Archaeological Discovery of the First Windmill in English America](https://www.daacs.org/references/archaeological-discovery-of-the-first-windmill-in-english-america/)
- [Archaeological Assessment, Testing, and Documentation of Threatened Fortification Features, Flowerdew Fort Site (44PG0065), and Stabilization of Exposed Foundation Remains, Flowerdew Stone Foundation Site (44PG0064), Prince George County, Virginia](https://www.daacs.org/references/archaeological-assessment-testing-and-documentation-of-threatened-fortification-features-flowerdew-fort-site-44pg0065-and-stabilization-of-exposed-foundation-remains-flowerdew-stone-foundation/)
- [The Archaeology of Piersey's Hundred: Virginia, within the Context of the Muster of 1624/5](https://www.daacs.org/references/the-archaeology-of-pierseys-hundred-virginia-within-the-context-of-the-muster-of-1624-5-2/)
- [The Records of the Virginia Company of London](https://www.daacs.org/references/the-records-of-the-virginia-company-of-london/)
- [American Slavery, American Freedom: The Ordeal of Colonial Virginia.](https://www.daacs.org/references/american-slavery-american-freedom-the-ordeal-of-colonial-virginia/)
- [Private Plantation: The Political Economy of Land in Early Virginia.](https://www.daacs.org/references/private-plantation-the-political-economy-of-land-in-early-virginia/)
- [Virginia Immigrants and Adventurers, 1607–1635, A Biographical Dictionary](https://www.daacs.org/references/virginia-immigrants-and-adventurers-1607-1635-a-biographical-dictionary/)
- [New Light on Virginia’s First Africans.](https://www.daacs.org/references/new-light-on-virginias-first-africans/)
- [The Complete Works of Captain John Smith](https://www.daacs.org/references/the-complete-works-of-captain-john-smith/)
- [Archaeological Manifestations of the Virginia Company Period: A Summary of Surviving Powhatan and English Settlements in Tidewater Virginia, Circa 1607-1624](https://www.daacs.org/references/archaeological-manifestations-of-the-virginia-company-period-a-summary-of-surviving-powhatan-and-english-settlements-in-tidewater-virginia-circa-1607-1624/)
- [The Powhatan Indians of Virginia: Their Traditional Culture](https://www.daacs.org/references/the-powhatan-indians-of-virginia-their-traditional-culture/)
- [The Powhatan Landscape: An Archaeological History of the Algonquian Chesapeake](https://www.daacs.org/references/the-powhatan-landscape-an-archaeological-history-of-the-algonquian-chesapeake/)
- [An Ethnohistory of the Nottoway, Meherrin and Weanock Indians of Southeastern Virginia](https://www.daacs.org/references/an-ethnohistory-of-the-nottoway-meherrin-and-weanock-indians-of-southeastern-virginia/)
- [A Space of Our Own: Redefining the Enslaved Household at Andrew Jackson's Hermitage Plantation](https://www.daacs.org/references/a-space-of-our-own-redefining-the-enslaved-household-at-andrew-jacksons-hermitage-plantation/)
- [Sweepin' Spirits: Power and Transformation on the Plantation Landscape](https://www.daacs.org/references/sweepin-spirits-power-and-transformation-on-the-plantation-landscape/)
- [Black Feminist Archaeology](https://www.daacs.org/references/black-feminist-archaeology/)
- [Material Culture and African-American Spirituality at the Hermitage](https://www.daacs.org/references/material-culture-and-african-american-spirituality-at-the-hermitage/)
- [The Earth Is Their Witness](https://www.daacs.org/references/the-earth-is-their-witness/)
- [Designing Women: Measuring Acquisition and Access at the Hermitage Plantation](https://www.daacs.org/references/designing-women-in-engendering-african-american-archaeology/)
- [Gender and Presentation of Self: An Example from The Hermitage](https://www.daacs.org/references/gender-and-presentation-of-self-an-example-from-the-hermitage/)
- [Power and Community: The Archaeology of Slavery at The Hermitage Plantation.](https://www.daacs.org/references/power-and-community-the-archaeology-of-slavery-at-the-hermitage-plantation/)
- [An Archaeological and Historical Assessment of the First Hermitage.](https://www.daacs.org/references/an-archaeological-and-historical-assessment-of-the-first-hermitage/)
- [A Field Report and Preliminary Analysis of a Stone Foundation Substructure at PG3, Flowerdew Hundred Plantation.](https://www.daacs.org/references/a-field-report-and-preliminary-analysis-of-a-stone-foundation-substructure-at-pg3-flowerdew-hundred-plantation/)
- [Forts of The Chieftains: A Study Of Vernacular, Classical, And Renaissance Influence On Defensible Town And Villa Plans In 17th-Century Virginia.](https://www.daacs.org/references/forts-of-the-chieftains-a-study-of-vernacular-classical-and-renaissance-influence-on-defensible-town-and-villa-plans-in-17th-century-virginia/)
- [Impermanent Architecture in the Southern American Colonies.](https://www.daacs.org/references/impermanent-architecture-in-the-southern-american-colonies/)
- [The Archaeology of Piersey’s Hundred: Virginia, within the Context of the Muster of 1624/5.](https://www.daacs.org/references/the-archaeology-of-pierseys-hundred-virginia-within-the-context-of-the-muster-of-1624-5/)
- [An Evaluation of Tobacco Pipe Stem Dating Formulas](https://www.daacs.org/references/an-evaluation-of-tobacco-pipe-stem-dating-formulas/)
- [Dating stem fragments of seventeenth and eighteenth century clay tobacco pipes.](https://www.daacs.org/references/dating-stem-fragments-of-seventeenth-and-eighteenth-century-clay-tobacco-pipes/)
- [RPostgreSQL: R Interface to the “PostgreSQL” Database System.](https://www.daacs.org/references/rpostgresql-r-interface-to-the-postgresql-database-system/)
- [Building an Archaeological Chronology for Morne Patate](https://www.daacs.org/references/archaeology-in-dominica-everyday-ecologies-and-economies-at-morne-patate/)
- [Building An Archaeological Chronology for Morne Patate.](https://www.daacs.org/references/building-an-archaeological-chronology-for-morne-patate-2/)
- [Flowerdew Hundred: The Archaeology of a Virginia Plantation, 1619-1864.](https://www.daacs.org/references/flowerdew-hundred-the-archaeology-of-a-virginia-plantation-1619-1864/)
- [Principles of Archaeological Stratigraphy.](https://www.daacs.org/references/principles-of-archaeological-stratigraphy/)
- [The Split-Apply-Combine Strategy for Data Analysis.](https://www.daacs.org/references/the-split-apply-combine-strategy-for-data-analysis/)
- [A New Method of Calculating Dates from Kaolin Pipe Stem Samples.](https://www.daacs.org/references/a-new-method-of-calculating-dates-from-kaolin-pipe-stem-samples/)
- [A History and Collection of Peter Herrmann Stoneware](https://www.daacs.org/references/a-history-and-collection-of-peter-herrmann-stoneware/)
- [Distinguishing Marks and Flowering Designs: Baltimore’s Utilitarian Stoneware Industry](https://www.daacs.org/references/17996/)
- [Archaeological Excavations in the East Garden, Stratford Hall Plantation, Westmoreland County, Virginia](https://www.daacs.org/references/archaeological-excavations-in-the-east-garden-stratford-hall-plantation-westmoreland-county-virginia/)
- [The Archaeology of Morley Jeffers Williams and the Restoration of Historic Landscapes at Stratford Hall, Mount Vernon, and Tryon Palace](https://www.daacs.org/references/the-archaeology-of-morley-jeffers-williams-and-the-restoration-of-historic-landscapes-at-stratford-hall-mount-vernon-and-tryon-palace/)
- [Stratford Hall: An Early Garden Restoration Revisited](https://www.daacs.org/references/stratford-hall-an-early-garden-restoration-revisited/)
- ["Jouer sur du velours": Archaeological Evidence of Gaming on Sites of Slavery in the Caribbean and United States](https://www.daacs.org/references/jouer-sur-du-velours-archaeological-evidence-of-gaming-on-sites-of-slavery-in-the-caribbean-and-united-states/)
- [Building an Archaeological Chronology for Morne Patate](https://www.daacs.org/references/building-an-archaeological-chronology-for-morne-patate/)
- [Testing Hypotheses of Carved Disc Usage: A Comparative Analysis of the Assemblage from Morne Patate, Dominica](https://www.daacs.org/references/testing-hypotheses-of-carved-disc-usage-a-comparative-analysis-of-the-assemblage-from-morne-patate-dominica/)
- [Mapping Water on Dominica: Environment and Enslavement under Colonialism Culture, Place and Nature](https://www.daacs.org/references/mapping-water-on-dominica-environment-and-enslavement-under-colonialism-culture-place-and-nature/)
- [Archaeological Survey of Colonial Dominica.](https://www.daacs.org/references/archaeological-survey-of-colonial-dominica/)
- [The Environmental Archaeology of Subsistence and the Socioecological Landscape at Morne Patate](https://www.daacs.org/references/the-environmental-archaeology-of-subsistence-and-the-socioecological-landscape-at-morne-patate/)
- [Dominica as an Evolving Landscape: Evidence of Changing Social, Political, and Economic Organization in the Eighteenth Century](https://www.daacs.org/references/dominica-as-an-evolving-landscape-evidence-of-changing-social-political-and-economic-organization-in-the-eighteenth-century/)
- [Everyday Economies and Ecologies of Plantation Life](https://www.daacs.org/references/everyday-economies-and-ecologies-of-plantation-life-2/)
- [Archaeology in Dominica: Everyday Ecologies and Economics at Morne Patate](https://www.daacs.org/references/everyday-economies-and-ecologies-of-plantation-life/)
- [Morne Patate House Yards, 1750-1900: An Overview](https://www.daacs.org/references/morne-patate-house-yards-1750-1900-an-overview/)
- [Archaeology and Enslaved Life on Coke's Plantation: An Early History of the Governor's Palace Land](https://www.daacs.org/references/palace-lands-report/)
- [Archaeological Research on African-American History: The Hermitage Slave Community](https://www.daacs.org/references/archaeological-research-on-african-american-history-the-hermitage-slave-community/)
- [Preliminary Report on the 1990 Excavation at the Hermitage Field Quarter Site.](https://www.daacs.org/references/preliminary-report-on-the-1990-excavation-at-the-hermitage-field-quarter-site/)
- [Summary Report of the 1990 Hermitage Field Quarter Excavation.](https://www.daacs.org/references/summary-report-of-the-1990-hermitage-field-quarter-excavation/)
- [Summary Report of the 1991 Field Quarter Excavation Hermitage Archaeology](https://www.daacs.org/references/summary-report-of-the-1991-field-quarter-excavation-hermitage-archaeology/)
- [Summary Report on the 1993 Archaeological Investigation of the Area Behind The Hermitage Mansion](https://www.daacs.org/references/summary-report-on-the-1993-archaeological-investigation-of-the-area-behind-the-hermitage-mansion/)
- [Cooper River Rediversion Canal Archaeological Survey.](https://www.daacs.org/references/cooper-river-rediversion-canal-archaeological-survey/)
- [Yaughan and Curriboo Plantations: Studies in Afro-American Archaeology.](https://www.daacs.org/references/yaughan-and-curriboo-plantations-studies-in-afro-american-archaeology/)
- [Acculteration and the Archaeological Record in the Carolina Lowcountry.](https://www.daacs.org/references/acculteration-archaeological-record-carolina-lowcountry/)
- [Archaeological Survey of a Proposed Development Tract Near Free State Road, Albemarle County, Virginia.](https://www.daacs.org/references/archaeological-survey-of-a-proposed-development-tract-near-free-state-road-albemarle-county-virginia/)
- [The Archaeology of Bowles’ Lot: Phase III Data Recovery Excavations at 44AB374, A Late 18th-19th Century Free African-American Rural Domestic Site in Albemarle County, Virginia.](https://www.daacs.org/references/the-archaeology-of-bowles-lot-phase-iii-data-recovery-excavations-at-44ab374-a-late-18th-19th-century-free-african-american-rural-domestic-site-in-albemarle-county-virginia/)
- [Phase I Archaeological Investigations of the U.S. Route 29 Corridor Study, Charlottesville and Albemarle County, Virginia.](https://www.daacs.org/references/phase-i-archaeological-investigations-of-the-u-s-route-29-corridor-study-charlottesville-and-albemarle-county-virginia/)
- [Phase II Archaeological Evaluations of Site 44AB374 and Site 44AB518, Belvedere Station Development Tract, Albemarle County, Virginia.](https://www.daacs.org/references/phase-ii-archaeological-evaluations-of-site-44ab374-and-site-44ab518-belvedere-station-development-tract-albemarle-county-virginia/)
- [Archaeological Identification of Cemetery Boundaries at the Bowles Family Cemetery within Site 44AB374, Tax Map Parcel 61-16, (Free State Road), Albemarle County, Virginia.](https://www.daacs.org/references/archaeological-identification-of-cemetery-boundaries-at-the-bowles-family-cemetery-within-site-44ab374-tax-map-parcel-61-16-free-state-road-albemarle-county-virginia/)
- [A Phase I Archaeological Survey at Free State: An Historical African-American Rural Community in Albemarle County, Virginia.](https://www.daacs.org/references/a-phase-i-archaeological-survey-at-free-state-an-historical-african-american-rural-community-in-albemarle-county-virginia/)
- [Will Books](https://www.daacs.org/references/will-books/)
- [Deed Books](https://www.daacs.org/references/deed-books/)
- [A Cultural Resources Reconnaissance Survey of the Proposed Belvedere Development Project, Albemarle County, Virginia.](https://www.daacs.org/references/a-cultural-resources-reconnaissance-survey-of-the-proposed-belvedere-development-project-albemarle-county-virginia/)
- [Minutes, Albemarle County Planning Commission, January 30, 2001](https://www.daacs.org/references/minutes-albemarle-county-planning-commission-january-30-2001/)
- [Dunlora Archaeological Survey](https://www.daacs.org/references/dunlora-archaeological-survey/)
- [Albemarle County Road Orders 1783-1816](https://www.daacs.org/references/albemarle-county-road-orders-1783-1816/)
- [Sketch of West Garden.  Unpublished image available from the Robert E. Lee Foundation Archives.](https://www.daacs.org/references/sketch-of-west-garden-unpublished-image-available-from-the-robert-e-lee-foundation-archives/)
- [The West Garden.  Electronic document, accessed January 14, 2016, (http://www.stratfordhall.org/plan-your-visit/gardens/history/).](https://www.daacs.org/references/the-west-garden-electronic-document-accessed-january-14-2016-httpwww-stratfordhall-orgplan-your-visitgardenshistory/)
- [The Vertebrate Faunal Analysis for the Stratford Hall Plantation Clay Borrow Pit. Unpublished manuscript on file with the Center for Historic Preservation, Mary Washington College, Fredericksburg, Virginia.](https://www.daacs.org/references/the-vertebrate-faunal-analysis-for-the-stratford-hall-plantation-clay-borrow-pit-unpublished-manuscript-on-file-with-the-center-for-historic-preservation-mary-washington-college-fredericksburg-vir/)
- [Memorandum on the Supposed Orangery.](https://www.daacs.org/references/memorandum-on-the-supposed-orangery-2/)
- [Stratford, Virginia Report on Investigations and Observations Made in Regard to Brickwork and Mortar.  Unpublished manuscript on file at Stratford Hall.](https://www.daacs.org/references/memorandum-on-the-supposed-orangery/)
- [Weekly Excavation Reports](https://www.daacs.org/references/weekly-excavation-reports/)
- [Archaeological Investigations in Support of the 1998 Conservation Program Stratford Hall Plantation.  John Milner Associates, Alexandria, Va.](https://www.daacs.org/references/archaeological-investigations-in-support-of-the-1998-conservation-program-stratford-hall-plantation-john-milner-associates-alexandria-va/)
- [Landscape Archaeology at Stratford 1996 Field Season. Unpublished manuscript on file with the Center for Historic Preservation, Mary Washington College, Fredericksburg, Va.](https://www.daacs.org/references/landscape-archaeology-at-stratford-1996-field-season-unpublished-manuscript-on-file-with-the-center-for-historic-preservation-mary-washington-college-fredericksburg-va/)
- [Stratford Hall Plantation: An Archaeological Assessment of the Innocenti Beds. Unpublished manuscript on file with the Center for Historic Preservation, Mary Washington College, Fredericksburg, Va.](https://www.daacs.org/references/landscape-archaeology-at-stratford-1998-field-season-unpublished-manuscript-on-file-with-the-center-for-historic-preservation-mary-washington-college-fredericksburg-va/)
- [Landscape Archaeology at Stratford 1995 Field Season. Unpublished manuscript on file with the Center for Historic Preservation, Mary Washington College, Fredericksburg, Va.](https://www.daacs.org/references/landscape-archaeology-at-stratford-1995-field-season-unpublished-manuscript-on-file-with-the-center-for-historic-preservation-mary-washington-college-fredericksburg-va/)
- [Landscape Archaeology at Stratford 1994 Field Season. Unpublished manuscript on file with the Center for Historic Preservation, Mary Washington College, Fredericksburg, Va.](https://www.daacs.org/references/landscape-archaeology-at-stratford-1994-field-season-unpublished-manuscript-on-file-with-the-center-for-historic-preservation-mary-washington-college-fredericksburg-va/)
- [Landscape Archaeology at Stratford 1993 Field Season. Unpublished manuscript on file with the Center for Historic Preservation, Mary Washington College, Fredericksburg, Va.](https://www.daacs.org/references/landscape-archaeology-at-stratford-1993-field-season-unpublished-manuscript-on-file-with-the-center-for-historic-preservation-mary-washington-college-fredericksburg-va/)
- [Landscape Archaeology at Stratford 1997 Field Season. Unpublished manuscript on file with the Center for Historic Preservation, Mary Washington College, Fredericksburg, Va.](https://www.daacs.org/references/landscape-archaeology-at-stratford-1997-field-season-center-for-historic-preservation-mary-washington-college-fredericksburg-va/)
- [Draft Technical Report for West Darden Area](https://www.daacs.org/references/draft-technical-report-for-west-darden-area/)
- [Stratford Hall : the Great House of the Lees. Garrett and Massie, Richmond, Va.](https://www.daacs.org/references/stratford-hall-the-great-house-of-the-lees-garrett-and-massie-richmond-va/)
- [Virginia Research Center for Archaeology Stratford Hall Survey Report](https://www.daacs.org/references/virginia-research-center-for-archaeology-stratford-hall-survey-report/)
- [Correspondence Analysis in R, with two- and three-dimensional graphics:   The ca package.  Journal of Statistical Software 20(3):1-13.](https://www.daacs.org/references/correspondence-analysis-in-r-with-two-and-three-dimensional-graphics-the-ca-package/)
- [Plotrix: a package in the red light district of R. R-News, 6(4): 8-12.](https://www.daacs.org/references/plotrix-a-package-in-the-red-light-district-of-r-r-news-64-8-12/)
- [Poplar Forest Research Report, Part 1: Early Poplar Forest, Stith Through Jefferson.](https://www.daacs.org/references/poplar-forest-research-report-part-1-early-poplar-forest-stith-through-jefferson/)
- [Geophysical Prospection of the Wingos Slave Quarter Site, Bedford County, Virginia.](https://www.daacs.org/references/geophysical-prospection-of-the-wingos-slave-quarter-site-bedford-county-virginia/)
- [Bedford County, Virginia, Taxable property & Tithes for 1782.](https://www.daacs.org/references/bedford-county-virginia-taxable-property-tithes-for-1782/)
- [Poplar Forest and Thomas Jefferson.](https://www.daacs.org/references/poplar-forest-and-thomas-jefferson/)
- [Hidden Lives: The Archaeology of Slave Life at Thomas Jefferson's Poplar Forest.](https://www.daacs.org/references/hidden-lives-the-archaeology-of-slave-life-at-thomas-jeffersons-poplar-forest/)
- [Report on the Paleoethnobotanical Materials from Wingo’s Site (44BE0298).](https://www.daacs.org/references/report-on-the-paleoethnobotanical-materials-from-wingos-site-44be0298/)
- [Final Report on Soil Chemistry Analysis of Wingo’s Quarter Site (44BE0298), Bedford County, Virginia.](https://www.daacs.org/references/final-report-on-soil-chemistry-analysis-of-wingos-quarter-site-44be0298-bedford-county-virginia/)
- [Understanding Slave Subsistence in the Context of Changing Agricultural Practices: Paleoethnobotany at Thomas Jefferson’s Poplar Forest.](https://www.daacs.org/references/understanding-slave-subsistence-in-the-context-of-changing-agricultural-practices-paleoethnobotany-at-thomas-jeffersons-poplar-forest/)
- [Archaeological Excavation at Wingo’s Quarter (44BE0298), Forest, Virginia, Results from the 2000-2012 Seasons.](https://www.daacs.org/references/archaeological-excavation-at-wingos-quarter-44be0298-forest-virginia-results-from-the-2000-2012-seasons/)
- [A Report on the Faunal Remains from Wingos Quarter.](https://www.daacs.org/references/a-report-on-the-faunal-remains-from-wingos-quarter/)
- [The Papers of Thomas Jefferson. Volume 16, 20 November 1789 to 4 July 1790.](https://www.daacs.org/references/the-papers-of-thomas-jefferson-volume-16-20-november-1789-to-4-july-1790/)
- [Thomas Jefferson's Farm Book, with Commentary and Relevant Extracts from other Writings.](https://www.daacs.org/references/thomas-jeffersons-farm-book-with-commentary-and-relevant-extracts-from-other-writings-2/)
- [Appendices for the Mount Pleasant Report](https://www.daacs.org/references/appendices-for-the-mount-pleasant-report/)
- [Reshaping Data with the Reshape Package.](https://www.daacs.org/references/reshaping-data-with-the-reshape-package/)
- [The Short Life and Strange Death of Ambrose Madison.](https://www.daacs.org/references/the-short-life-and-strange-death-of-ambrose-madison/)
- [A Brief History of the Mansion Grounds. Manuscript, James Madison’s Montpelier, Montpelier Station, VA.](https://www.daacs.org/references/a-brief-history-of-the-mansion-grounds-manuscript-james-madisons-montpelier-montpelier-station-va/)
- [Excavations at the Madison’s First Home, Mount Pleasant: Summary of  Archaeological Excavations 1997-2004.  Manuscript, James Madison’s  Montpelier, Montpelier Station, VA.](https://www.daacs.org/references/excavations-at-the-madisons-first-home-mount-pleasant-summary-of-archaeological-excavations-1997-2004-manuscript-james-madisons-montpelier-montpelier-station-va/)
- [Murder at Montpelier: Igbo Africans in Virginia.](https://www.daacs.org/references/murder-at-montpelier-igbo-africans-in-virginia/)
- [The Making of Montpelier: Col. James Madison and the Development of a  Piedmont Plantation, 1741-1774.](https://www.daacs.org/references/the-making-of-montpelier-col-james-madison-and-the-development-of-a-piedmont-plantation-1741-1774/)
- [RPostgreSQL: R interface to the PostgreSQL database system.](https://www.daacs.org/references/2013-rpostgresql-r-interface-to-the-postgresql-database-system/)
- [Simple and Canonical Correspondence Analysis Using the R Package anacor.](https://www.daacs.org/references/simple-and-canonical-correspondence-analysis-using-the-r-package-anacor/)
- [Getting things in order: An introduction to the R package seriation.](https://www.daacs.org/references/getting-things-in-order-an-introduction-to-the-r-package-seriation/)
- [R: A language and environment for statistical computing. R Foundation for Statistical Computing.](https://www.daacs.org/references/r-a-language-and-environment-for-statistical-computing-r-foundation-for-statistical-computing/)
- [gplot2: elegant graphics for data analysis.](https://www.daacs.org/references/gplot2-elegant-graphics-for-data-analysis/)
- [Measuring Time, Population, And Residential Mobility From The Surface at San Marcos Pueblo, North Central New Mexico.](https://www.daacs.org/references/measuring-time-population-and-residential-mobility-from-the-surface-at-san-marcos-pueblo-north-central-new-mexico/)
- [Initial Archaeological Investigations at Silver Bluff Plantation Aiken County, South Carolina.](https://www.daacs.org/references/initial-archaeological-investigations-at-silver-bluff-plantation-aiken-county-south-carolina/)
- [Indian Traders, Land and Power: Comparative Study of George Galphin on the Southern Frontier and Three Northern Traders](https://www.daacs.org/references/indian-traders-land-and-power-comparative-study-of-george-galphin-on-the-southern-frontier-and-three-northern-traders/)
- [Archaeological Field Records for Silver Bluff](https://www.daacs.org/references/archaeological-field-records-for-silver-bluff/)
- [Abbeville County Registry of Probate](https://www.daacs.org/references/will-of-george-galphin/)
- [Legacy of the Volcano:  Archaeology and Heritage at William Carr’s Little Bay Estate, Montserrat, WI.](https://www.daacs.org/references/legacy-of-the-volcano-archaeology-and-heritage-at-william-carrs-little-bay-estate-montserrat-wi/)
- [Preliminary Report: Little Bay Estate Project, Montserrat, West Indies](https://www.daacs.org/references/preliminary-report-little-bay-estate-project-montserrat-west-indies/)
- [Narrative Report of March 2007 Archaeological Investigations at the Montserrat National Trust Heritage Site at Little Bay.](https://www.daacs.org/references/narrative-report-of-march-2007-archaeological-investigations-at-the-montserrat-national-trust-heritage-site-at-little-bay/)
- [Building Freedom: Nineteenth Century Domestic Architecture on Barbados Sugar Plantations.](https://www.daacs.org/references/building-freedom-nineteenth-century-domestic-architecture-on-barbados-sugar-plantations/)
- [“Plantation Redware and Radiolaria: The Application of Scanning Electron Microscopy to Barbadian Ceramics From the Early Colonial Era.”](https://www.daacs.org/references/plantation-redware-and-radiolaria-the-application-of-scanning-electron-microscopy-to-barbadian-ceramics-from-the-early-colonial-era/)
- [Afro-Barbadian Healthcare During the Emancipation Era.](https://www.daacs.org/references/afro-barbadian-healthcare-during-the-emancipation-era/)
- [Education, Literacy and Ink Pots: Contested Identities in Post-Emancipation Barbados.](https://www.daacs.org/references/education-literacy-and-ink-pots-contested-identities-in-post-emancipation-barbados/)
- [Wash House Kitchen Pit NISP MNI Meat Weight Biomass.](https://www.daacs.org/references/wash-house-kitchen-pit-nisp-mni-meat-weight-biomass/)
- [An Inventory of the Estate of Lawrence Washington, 7-8 March.](https://www.daacs.org/references/an-inventory-of-the-estate-of-lawrence-washington-7-8-march/)
- [Restoring the Mount Vernon Servants’ Hall.](https://www.daacs.org/references/restoring-the-mount-vernon-servants-hall/)
- [Archaeology at George Washington’s Mount Vernon: 1931-1987.](https://www.daacs.org/references/archaeology-at-george-washingtons-mount-vernon-1931-1987/)
- [The Papers of George Washington: Diaries vol. 1, 1748-1765.](https://www.daacs.org/references/the-papers-of-george-washington-diaries-vol-1-1748-1765-2/)
- [George Washington’s Mount Vernon: At Home in Revolutionary America.](https://www.daacs.org/references/george-washingtons-mount-vernon-at-home-in-revolutionary-america-2/)
- [The Papers of George Washington: Revolutionary War Series vol. 2](https://www.daacs.org/references/the-papers-of-george-washington-revolutionary-war-series-vol-2/)
- [Map of Good Hope Estate, Trelawny, Jamaica.](https://www.daacs.org/references/map-of-good-hope-estate-trelawny-jamaica/)
- [Good Hope Estate: Inventory of Tools, Slaves, Cattle, Mules.](https://www.daacs.org/references/good-hope-estate-inventory-of-tools-slaves-cattle-mules/)
- [Atlantic Families : Lives and Letters in the Later Eighteenth Century: Lives and Letters in the Later Eighteenth Century.](https://www.daacs.org/references/atlantic-families -lives-and-letters-in-the-later-eighteenth-century-lives-and-letters-in-the-later-eighteenth-century/)
- [History of the Parish of Trelawny.](https://www.daacs.org/references/history-of-the-parish-of-trelawny/)
- [Good Hope, Trelawny Parish, Jamaica.](https://www.daacs.org/references/good-hope-trelawny-parish-jamaica/)
- [The Handbook of Jamaica: Comprising Historical, Statistical and General Information Concerning the Island.](https://www.daacs.org/references/the-handbook-of-jamaica-comprising-historical-statistical-and-general-information-concerning-the-island/)
- [Map of the Island of Jamaica; Map D.](https://www.daacs.org/references/map-of-the-island-of-jamaica-map-d/)
- [The Late Fire at Good Hope Estate.](https://www.daacs.org/references/the-late-fire-at-good-hope-estate/)
- [The Good Hope Slave Hospital, Trelawny, Jamaica: An Architectural Study, 1798-2014.](https://www.daacs.org/references/the-good-hope-slave-hospital-trelawny-jamaica-an-architectural-study-1798-2014/)
- [Map of Honorable Paul C. Cameron's Land on Flat, Eno, and Neuse Rivers in Durham, Wake, and Granville Counties, March 1890.](https://www.daacs.org/references/map-of-honorable-paul-c-camerons-land-on-flat-eno-and-neuse-rivers-in-durham-wake-and-granville-counties-march-1890/)
- [Searching for a Slave Cemetery in Barbados, West Indies: A Bioarchaeological and Ethnohistorical Investigation.](https://www.daacs.org/references/searching-for-a-slave-cemetery-in-barbados-west-indies-a-bioarchaeological-and-ethnohistorical-investigation/)
- [The Role of Caves and Gullies in Escape, Mobility, and the Construction of Community Networks Among Enslaved Peoples of Barbados.](https://www.daacs.org/references/the-role-of-caves-and-gullies-in-escape-mobility-and-the-construction-of-community-networks-among-enslaved-peoples-of-barbados/)
- [Plantation Slave Settlements in Barbados, 1650s-1834.](https://www.daacs.org/references/plantation-slave-settlements-in-barbados-1650s-1834/)
- [The Archaeology of Alcohol and Drinking.](https://www.daacs.org/references/the-archaeology-of-alcohol-and-drinking/)
- [Plantation Slavery in Barbados: An Archaeological and Historical Investigation.](https://www.daacs.org/references/plantation-slavery-in-barbados-an-archaeological-and-historical-investigation/)
- [Blurring Disciplinary Boundaries: The Material Culture of Improvement During  the Age of Abolition in Barbados.](https://www.daacs.org/references/blurring-disciplinary-boundaries-the-material-culture-of-improvement-during-the-age-of-abolition-in-barbados/)
- [Chronological Inference and DAACS.](https://www.daacs.org/references/chronological-inference-and-daacs/)
- [Archaeological Reconnaissance and Intensive Training of Endangered Areas of the Stagville Center, Durham County, North Carolina](https://www.daacs.org/references/archaeological-reconnaissance-and-intensive-training-of-endangered-areas-of-the-stagville-center-durham-county-north-carolina/)
- [Recording Plantation Communities](https://www.daacs.org/references/recording-plantation-communities/)
- [Cameron Family Papers, 1757-1978 (bulk 1770-1894).](https://www.daacs.org/references/cameron-family-papers-1757-1978-bulk-1770-1894/)
- [Piedmont Plantation: the Bennehan-Cameron Family and Lands in North Carolina.](https://www.daacs.org/references/piedmont-plantation-the-bennehan-cameron-family-and-lands-in-north-carolina/)
- [A Preliminary Report on Stagville Plantation: The Land and the People](https://www.daacs.org/references/a-preliminary-report-on-stagville-plantation-the-land-and-the-people/)
- [The Stagville Plantation Store and Its Implications Regarding Plantation Archaeology](https://www.daacs.org/references/the-stagville-plantation-store-and-its-implications-regarding-plantation-archaeology/)
- [The 1977 Stagville Field School: A Botanical, Geological, and Archaeological Study of Horton Grove.](https://www.daacs.org/references/the-1977-stagville-field-school-a-botanical-geological-and-archaeological-study-of-horton-grove/)
- [Draft Report: Archaeological Reconnaissance at the Hart House, Horton Grove, Stagville Center, Durham, County.](https://www.daacs.org/references/draft-report-archaeological-reconnaissance-at-the-hart-house-horton-grove-stagville-center-durham-county/)
- [Bridging the Gap Between Archaeologists and the Public: Excavations at Silver Bluff Plantation, the George Galphin Site](https://www.daacs.org/references/bridging-the-gap-between-archaeologists-and-the-public-excavations-at-silver-bluff-plantation-the-george-galphin-site/)
- [SRARP Field School at Galphin's Trading Post on Silver Bluff Plantation. ](https://www.daacs.org/references/srarp-field•-school-at-galphins-trading-post-on-silver-bluff-plantation/)
- [Colonial Period Archaeology at Silver Bluff](https://www.daacs.org/references/colonial-period-archaeology-at-silver-bluff/)
- [An Archaeological Study of the Rich Neck Slave Quarter and Enslaved Domestic Life.](https://www.daacs.org/references/an-archaeological-study-of-the-rich-neck-slave-quarter-and-enslaved-domestic-life/)
- [Ceramic Variation Among Slave Sites at the Hermitage, TN](https://www.daacs.org/references/ceramic-variation-among-slave-sites-at-the-hermitage-tn/)
- [Mends and Mystery Buildings: A case study of inter-structure cross-mended objects from Monticello's Mulberry Row Reassessment Project](https://www.daacs.org/references/mends-and-mystery-buildings-a-case-study-of-inter-structure-cross-mended-objects-from-monticellos-mulberry-row-reassessment-project/)
- [Tangible Interaction: Evidence from Stobo Plantation](https://www.daacs.org/references/tangible-interaction-evidence-from-stobo-plantation/)
- [Lowcountry Plantations, The Catawba Nation, and River Burnished Pottery](https://www.daacs.org/references/lowcountry-plantations-the-catawba-nation-and-river-burnished-pottery/)
- [Whose Trash is it, Anyway? A Stratigraphic and Ceramic Analysis of the South Grove Midden.](https://www.daacs.org/references/whose-trash-is-it-anyway-a-stratigraphic-and-ceramic-analysis-of-the-south-grove-midden/)
- [Montpelier, Jamaica: A Plantation Community in Slavery and Freedom, 1739-1912.](https://www.daacs.org/references/montpelier-jamaica-a-plantation-community-in-slavery-and-freedom-1739-1912/)
- [Recovering an early 18th century Afro-Jamaican Community: Archaeology of the Slave Village at Seville, Jamaica.](https://www.daacs.org/references/recovering-an-early-18th-century-afro-jamaican-community-archaeology-of-the-slave-village-at-seville-jamaica-2/)
- [An Archaeological Perspective on the African-American Slave Diet at Mount Vernon.](https://www.daacs.org/references/an-archaeological-perspective-on-the-african-american-slave-diet-at-mount-vernons-house-for-families/)
- [The Afro-Jamaican House-Yard: An Archaeological and Ethnohistorical Perspective.](https://www.daacs.org/references/the-afro-jamaican-house-yard-an-archaeological-and-ethnohistorical-perspective/)
- [An Osteological Analysis of 18th Century Human Skeletal Remains from Utopia I (44JC32), Kingsmill on the James, James City County, Virginia.](https://www.daacs.org/references/an-osteological-analysis-of-18th-century-human-skeletal-remains-from-utopia-i-44jc32-kingsmill-on-the-james-james-city-county-virginia/)
- [Strong is the Bond of Kinship: West African Ancestor Shrines and Subfloor Pits on African-American Quarters.](https://www.daacs.org/references/strong-is-the-bond-of-kinship-west-african-ancestor-shrines-and-subfloor-pits-on-african-american-quarters/)
- [Power Runs in Many Channels: Subfloor Pits and West African-Based Spiritual Traditions in Colonial Virginia.](https://www.daacs.org/references/power-runs-in-many-channels-subfloor-pits-and-west-african-based-spiritual-traditions-in-colonial-virginia/)
- [Historical Archaeology at Kingsmill: The 1974 Season.](https://www.daacs.org/references/historical-archaeology-at-kingsmill-the-1974-season/)
- [Living Arrangements among Enslaved Women and Men at an Early Eighteenth-Century Virginia Quartering Site.](https://www.daacs.org/references/living-arrangements-among-enslaved-women-and-men-at-an-early-eighteenth-century-virginia-quartering-site/)
- [Back to Utopia: An Interim Report on Renewed Archaeological Excavations at the Utopia Quarter, Field Seasons 1993-1996. Results of Shovel Testing. Volume V.](https://www.daacs.org/references/back-to-utopia-an-interim-report-on-renewed-archaeological-excavations-at-the-utopia-quarter-field-seasons-1993-1996-results-of-shovel-testing-volume-v/)
- [Phase I Archaeological Survey of 270 Acres at the Former Camp Wallace Army Training Base at Kingsmill on the James, James City County, Virginia.](https://www.daacs.org/references/phase-i-archaeological-survey-of-270-acres-at-the-former-camp-wallace-army-training-base-at-kingsmill-on-the-james-james-city-county-virginia/)
- [A Record of the Bray Family, 1658-ca.1800.](https://www.daacs.org/references/a-record-of-the-bray-family-1658-ca-1800/)
- [James Bray (II) Will and Inventory.](https://www.daacs.org/references/james-bray-ii-will-and-inventory/)
- [Kingsmill Plantations, 1619-1800: Archaeology of Country Life in Colonial Virginia.](https://www.daacs.org/references/kingsmill-plantations-1619-1800-archaeology-of-country-life-in-colonial-virginia/)
- [Back to Utopia: An Interim Report on Renewed Archaeological Excavations at the Utopia Quarter, Field Seasons 1993-1996. Period 2 Occupation, ca. 1700-1730. Volume II.](https://www.daacs.org/references/back-to-utopia-an-interim-report-on-renewed-archaeological-excavations-at-the-utopia-quarter-field-seasons-1993-1996-period-2-occupation-ca-1700-1730-volume-ii/)
- [Back to Utopia: An Interim Report on Renewed Archaeological Excavations at the Utopia Quarter, Field Seasons 1993-1996. Period 1 Occupation, ca. 1675-1700. Volume I.](https://www.daacs.org/references/back-to-utopia-an-interim-report-on-renewed-archaeological-excavations-at-the-utopia-quarter-field-seasons-1993-1996-period-1-occupation-ca-1675-1700-volume-i/)
- [Virginia Magazine of History and Biography.](https://www.daacs.org/references/virginia-magazine-of-history-and-biography/)
- [From Houses to Homes: An Archaeological Case Study of Household Formation at the Utopia Slave Quarter, ca. 1675 to 1775.](https://www.daacs.org/references/from-houses-to-homes-an-archaeological-case-study-of-household-formation-at-the-utopia-slave-quarter-ca-1675-to-1775/)
- [From Slavery to Unfreedom in the Plantation Society of St. Kitts, W.I.](https://www.daacs.org/references/from-slavery-to-unfreedom-in-the-plantation-society-of-st-kitts-w-i/)
- [The Governor's Palace: Historical Notes ca. 1930](https://www.daacs.org/references/the-governors-palace-historical-notes/)
- [Ludwell Family.](https://www.daacs.org/references/ludwell-family/)
- [Adjusting the Focus: Site Detection at Monticello.](https://www.daacs.org/references/adjusting-the-focus-site-detection-at-monticello/)
- [Intra- and Inter-Regional Analysis of Colonoware: Interpreting Patterns in Manufacture and Use.](https://www.daacs.org/references/intra-and-inter-regional-analysis-of-colonoware-interpreting-patterns-in-manufacture-and-use-2/)
- [Mulberry Row Reassessment: The Building l Site.](https://www.daacs.org/references/mulberry-row-reassessment-the-building-l-site/)
- [Nevis Island 1677-8](https://www.daacs.org/references/nevis-island-1677-8/)
- [Butler of Nevis](https://www.daacs.org/references/butler-of-nevis/)
- [Archaeology and Film: The Unequal Partnership.](https://www.daacs.org/references/archaeology-and-film-the-unequal-partnership/)
- [Settlement patterns and the Origins of African Jamaican Society: Seville plantation, St. Ann's Bay, Jamaica.](https://www.daacs.org/references/settlement-patterns-and-the-origin-of-african-jamaican-society/)
- [Lady Nugent's Journal](https://www.daacs.org/references/lady-nugents-journal/)
- [Jamaica Surveyed: Plantation Maps and Plans of the Eighteenth and Nineteenth Centuries.](https://www.daacs.org/references/jamaica-surveyed-plantation-maps-and-plans-of-the-eighteenth-and-nineteenth-centuries/)
- [Floral History of the Mona Campus, UWI.](https://www.daacs.org/references/floral-history-of-the-mona-campus-uwi/)
- [A Note on the Origins of the Names Papine and Mona.](https://www.daacs.org/references/a-note-on-the-origins-of-the-names-papine-and-mona/)
- [Freedom in Jamaica.](https://www.daacs.org/references/freedom-in-jamaica/)
- [Flight and Rebellion: Slave Resistance in Eighteenth-Century Virginia.](https://www.daacs.org/references/flight-and-rebellion-slave-resistance-in-eighteenth-century-virginia/)
- [Summary Report on the 1995 Hermitage Field Quarter Excavation.](https://www.daacs.org/references/summary-report-on-the-1995-hermitage-field-quarter-excavation/)
- [The early colonial landscape and history of St. Kitts and Nevis: Historical archaeology for the Nevis Heritage Project in June-August 2003.](https://www.daacs.org/references/the-early-colonial-landscape-and-history-of-st-kitts-and-nevis-historical-archaeology-for-the-nevis-heritage-project-in-june-august-2003/)
- [Frequency seriation, correspondence analysis, and Woodland-Period ceramic assemblage variation in the Deep South](https://www.daacs.org/references/frequency-seriation-correspondence-analysis-and-woodland-period-ceramic-assemblage-variation-in-the-deep-south/)
- [Archaeological Counterpoint: Jamaica and the Chesapeake in the 18th century.](https://www.daacs.org/references/archaeological-counterpoint-jamaica-and-the-chesapeake-in-the-18th-century/)
- [An East Indian Laborer’s Household in Nineteenth-century Jamaica: A Case for Understanding Cultural Diversity through Space, Chronology, and Material Analysis.](https://www.daacs.org/references/an-east-indian-laborers-household-in-19th-century-jamaica-a-case-for-understanding-cultural-diversity-through-space-chronology-and-material-analysis/)
- [House-Yard Burials of Enslaved Laborers in Eighteenth-Century Jamaica.](https://www.daacs.org/references/house-yard-burials-of-enslaved-laborers-in-eighteenth-century-jamaica/)
- [Spatial Transformations in African Jamaican Housing at Seville Plantation.](https://www.daacs.org/references/spatial-transformations-in-african-jamaican-housing-at-seville-plantation/)
- [Building a Regional Chronology from Diverse Digital Data: an example from Jamaica](https://www.daacs.org/references/building-a-regional-chronology-from-diverse-digital-data-an-example-from-jamaica/)
- [Between Rural and Urban: The Archaeology Of Slavery And Informal Markets In  Eighteenth Century Jamaica](https://www.daacs.org/references/between-rural-and-urban-the-archaeology-of-slavery-and-informal-markets-in-eighteenth-century-jamaica/)
- [Provisioning Early American Towns. The Chesapeake: A Multidisciplinary Case Study, Final Performance Report.](https://www.daacs.org/references/provisioning-early-american-towns-the-chesapeake-a-multidisciplinary-case-study-final-performance-report/)
- [Model Consumers? Clues to Ceramic Acquisition at Slave Quarter Sites in the Greater Chesapeake.](https://www.daacs.org/references/model-consumers-clues-to-ceramic-acquisition-at-slave-quarter-sites-in-the-greater-chesapeake/)
- [Archaeology at Stratford: The Old Orchard Field, The 1998 Field School Season.](https://www.daacs.org/references/archaeology-at-stratford-the-old-orchard-field-the-1998-field-school-season/)
- [A Black Feminist–Inspired Archaeology?](https://www.daacs.org/references/a-black-feminist-inspired-archaeology/)
- [Archaeological Testing at Holly Hills.](https://www.daacs.org/references/archaeological-testing-at-holly-hills/)
- [Adventurers of Purse and Person VIRGINIA 1607-1624/5.](https://www.daacs.org/references/adventurers-of-purse-and-person-virginia-1607-16245/)
- [Interim Report: The Archaeology of Rich Neck Plantation, VDHR File Number 97-1411-F.](https://www.daacs.org/references/interim-report-the-archaeology-of-rich-neck-plantation-vdhr-file-number-97-1411-f/)
- ['The little spots allow'd them': The Archaeological Study of African-American Yards.](https://www.daacs.org/references/the-little-spots-allowd-them-the-archaeological-study-of-african-american-yards/)
- [Telling Time for Archaeologists.](https://www.daacs.org/references/telling-time-for-archaeologists/)
- [Enslaving Virginia Resource Book.](https://www.daacs.org/references/enslaving-virginia-resource-book/)
- [Whose Trash is it, Anyway: A Stratigraphic and Ceramic Analysis of the South Grove Midden (44FX762/17), Mount Vernon, Virginia.](https://www.daacs.org/references/whose-trash-is-it-anyway-a-stratigraphic-and-ceramic-analysis-of-the-south-grove-midden-44fx76217-mount-vernon-virginia-3/)
- [Digging for Trash and Finding Treasure at Mount Vernon.](https://www.daacs.org/references/digging-for-trash-and-finding-treasure-at-mount-vernon/)
- [The Papers of George Washington, Diaries vol. 1, 1748-1765.](https://www.daacs.org/references/the-papers-of-george-washington-diaries-vol-1-1748-1765/)
- [Whose Trash is This? Unraveling Ethnostratigraphy on Monticello Mountain.](https://www.daacs.org/references/whose-trash-is-this-unraveling-ethnostratigraphy-on-monticello-mountain/)
- [Interpreting the Occupational Histories of Two Late-Eighteenth-Century Slave Quarters at Monticello.](https://www.daacs.org/references/interpreting-the-occupational-histories-of-two-late-eighteenth-century-slave-quarters-at-monticello/)
- [A First Look at a Colonial Farm Quartering Site at Monticello.](https://www.daacs.org/references/a-first-look-at-a-colonial-farm-quartering-site-at-monticello/)
- [Monticello Before the Mansion: A Comparative Study of Early Domestic and Industrial Structures on Mulberry Row](https://www.daacs.org/references/monticello-before-the-mansion-a-comparative-study-of-early-domestic-and-industrial-structures-on-mulberry-row/)
- [Jefferson Fathered Slave's Last Child.](https://www.daacs.org/references/jefferson-fathered-slaves-last-child/)
- [The Papers of Thomas Jefferson.](https://www.daacs.org/references/the-papers-of-thomas-jefferson/)
- [Summary Report on the 1993 Hermitage Mansion Yard Excavation](https://www.daacs.org/references/8462/)
- [Community among Enslaved African Americans on the Hermitage Plantation, 1820s-1850s.](https://www.daacs.org/references/community-among-enslaved-african-americans-on-the-hermitage-plantation-1820s-1850s/)
- [Report of Excavations Conducted at Triplex North](https://www.daacs.org/references/report-of-excavations-conducted-at-triplex-north/)
- [Results of the 1976 Season of the Hermitage Archaeology Project.](https://www.daacs.org/references/results-of-the-1976-season-of-the-hermitage-archaeology-project/)
- [The Papers of Thomas Jefferson Digital Edition, Main Series, Volume 20 (1 April-4 August 1791).](https://www.daacs.org/references/the-papers-of-thomas-jefferson-digital-edition-main-series-volume-20-1-april-4-august-1791-university-of-virginia-press-rotunda-charlottesville/)
- [Patterns of Tea and Tableware Consumption of Late Eighteenth-Century Slave Quarter Sites.](https://www.daacs.org/references/patterns-of-tea-and-tableware-consumption-of-late-eighteenth-century-slave-quarter-sites/)
- [An Elemental Approach to Ceramic Stylistic Analysis.](https://www.daacs.org/references/an-elemental-approach-to-ceramic-stylistic-analysis/)
- [Material Culture, Social Relations, And Spatial Organization On A Colonial Frontier: The Pope Site (44SN180), Southampton County, Virginia.](https://www.daacs.org/references/material-culture-social-relations-and-spatial-organization-on-a-colonial-frontier-the-pope-site-44sn180-southampton-county-virginia/)
- [Phase III Data Recovery Investigations at 18CV362, Ashcomb.](https://www.daacs.org/references/phase-iii-data-recovery-investigations-at-18cv362-ashcombs-quarter-historic-component-and-awapantop-prehistoric-component/)
- [Chapline Place: Phase III Archeological Investigations Of Site 18CV344, A Mid-Eighteenth To Early-Nineteenth Century Residential Site, Calvert County, Maryland.](https://www.daacs.org/references/chapline-place-phase-iii-archeological-investigations-of-site-18cv344-a-mid-eighteenth-to-early-nineteenth-century-residential-site-calvert-county-maryland/)
- [Final Report For A “Phase I And II” Archaeological Investigation Of The Proposed Young Property’s Young Archaeological Site (18CV344), Prince Frederick, Calvert County, Maryland.](https://www.daacs.org/references/final-report-for-a-phase-i-and-ii-archaeological-investigation-of-the-proposed-young-propertys-young-archaeological-site-18cv344-prince-frederick-calvert-county-maryland/)
- [Thomas Jefferson’s Memorandum Books: Accounts, with Legal Records and Miscellany, 1767-1826.](https://www.daacs.org/references/thomas-jeffersons-memorandum-books-accounts-with-legal-records-and-miscellany-1767-1826-2/)
- [Monticello: building notebook, page 10 of 52. N106; K77.](https://www.daacs.org/references/monticello-building-notebook-page-10-of-52-n106-k77/)
- [Monticello: mountaintop (plat). N225; K169. ](https://www.daacs.org/references/monticello-mountaintop-plat-n225-k169/)
- [Summary of Archaeological Excavations by Site. Mulberry Row Project.](https://www.daacs.org/references/summary-of-archaeological-excavations-by-site-mulberry-row-project/)
- [The Zooarchaeology of the Storehouse and the Dry Well at Monticello.](https://www.daacs.org/references/the-zooarchaeology-of-the-storehouse-and-the-dry-well-at-monticello/)
- [Monticello: dependencies (cross-section).  N60; K33.](https://www.daacs.org/references/monticello-dependencies-cross-section-n60-k33/)
- [Monticello: dependencies (plan). N56; K31.](https://www.daacs.org/references/monticello-dependencies-plan-n56-k31/)
- [Monticello: building notebook, page 11 of 52. N107; K78. ](https://www.daacs.org/references/monticello-building-notebook-page-11-of-52-n107-k78/)
- [Monticello: dependencies (study plan).  N32; K10. ](https://www.daacs.org/references/monticello-dependencies-study-plan-n32-k10/)
- [Studies for plans for dependencies with brick estimates. N59.](https://www.daacs.org/references/studies-for-plans-for-dependencies-with-brick-estimates-n59/)
- [Archaeology at Monticello: Artifacts of Everyday Life in the Plantation Community.](https://www.daacs.org/references/archaeology-at-monticello-artifacts-of-everyday-life-in-the-plantation-community/)
- [THOMAS JEFFERSON, Poplar Forest, to MARTHA JEFFERSON. 1814 June 6. ](https://www.daacs.org/references/thomas-jefferson-poplar-forest-to-martha-jefferson-1814-june-6/)
- [The Levy Family and Monticello, 1834-1923: Saving Thomas Jefferson's House.](https://www.daacs.org/references/the-levy-family-and-monticello-1834-1923-saving-thomas-jeffersons-house/)
- [World Guide to Dolls.](https://www.daacs.org/references/world-guide-to-dolls/)
- [What Clothes Reveal: The Language of Clothing in Colonial and Federal America.](https://www.daacs.org/references/what-clothes-reveal-the-language-of-clothing-in-colonial-and-federal-america/)
- [Slave Health and Southern Distinctiveness.](https://www.daacs.org/references/slave-health-and-southern-distinctiveness/)
- [Intra- and Inter-Regional Analysis of Colonoware: Interpreting Patterns in Manufacture and Use.](https://www.daacs.org/references/intra-and-inter-regional-analysis-of-colonoware-interpreting-patterns-in-manufacture-and-use/)
- [The History of Needlework Tools and Accessories.](https://www.daacs.org/references/the-history-of-needlework-tools-and-accessories/)
- [Phase III Archaeological Investigation of the NAVAIR Site 18ST642.](https://www.daacs.org/references/phase-iii-archaeological-investigation-of-the-navair-site-18st642/)
- [Phase II Archaeological Investigation of the NAVAIR Site - 18ST642.](https://www.daacs.org/references/phase-ii-archaeological-investigation-of-the-navair-site-18-st-642/)
- ['Champaign Country': A Social History of an Eighteenth Century Lowcountry Parish in South Carolina, St. Johns Berkeley County.](https://www.daacs.org/references/champaign-country-a-social-history-of-an-18th-century-lowcountry-parrish-in-south-carolina-st-johns-berkeley/)
- [Slavery at Monticello.](https://www.daacs.org/references/slavery-at-monticello/)
- [Free Some Day: The African-American Families of Monticello.](https://www.daacs.org/references/free-some-day-the-african-american-families-of-monticello/)
- [A Guide to Gloucester County, Virginia, historical manuscripts, 1651-1865.](https://www.daacs.org/references/a-guide-to-gloucester-county-virginia-historical-manuscripts-1651-1865/)
- [Delftware Chronology: A New Approach to Dating English Tin-Glazed Ceramics.](https://www.daacs.org/references/delftware-chronology-a-new-approach-to-dating-english-tin-glazed-ceramics-2/)
- [Ceramics for the Archaeologist.](https://www.daacs.org/references/ceramics-for-the-archaeologist/)
- ["In Digging My Dry Well": Examining Early Life on Monticello Mountain.](https://www.daacs.org/references/in-digging-my-dry-well-examining-early-life-on-monticello-mountain/)
- [Pottery Analysis: A Source Book.](https://www.daacs.org/references/pottery-analysis-a-source-book/)
- [ 'Constantly Employed': Chronological and Regional Differences in Tool Use at Seven Slave Sites in the Virginia Chesapeake.](https://www.daacs.org/references/constantly-employed-chronological-and-regional-differences-in-tool-use-at-seven-slave-sites-in-the-virginia-chesapeake/)
- [African American Women and Medicine: Expanding Interpretations of Colono Ware.](https://www.daacs.org/references/african-american-women-and-medicine-expanding-interpretations-of-colono-ware/)
- [Modeling Social Dynamics in Colonial and Antebellum Slave Architecture: Monticello in Historical Perspective.](https://www.daacs.org/references/modeling-social-dynamics-in-colonial-and-antebellum-slave-architecture-monticello-in-historical-perspective/)
- [Comment on Bliege Bird, R. and E.A. Smith, "Signaling Theory, Strategic Interaction, and Symbolic Capital."](https://www.daacs.org/references/comment-on-bliege-bird-r-and-e-a-smith-signaling-theory-strategic-tinteraction-and-symbolic-capital/)
- [Mount Vernon Historic Structures Report, Volume 1.](https://www.daacs.org/references/mount-vernon-historic-structures-report-volume-1/)
- [Pettus and Utopia: A Comparison of the Faunal Remains from Two Late Seventeenth Century Virginia Households.](https://www.daacs.org/references/pettus-and-utopia-a-comparison-of-the-faunal-remains-from-two-late-seventeenth-century-virginia-households/)
- [Monticello Historic Structure Report, Volume I.](https://www.daacs.org/references/monticello-historic-structure-report-volume-i/)
- [The Papers of Thomas Jefferson Digital Edition, Main Series, Volume 18 (4 November 1790).](https://www.daacs.org/references/the-papers-of-thomas-jefferson-digital-edition-main-series-volume-18-4-november-179024-january-1791-ed-barbara-b-oberg-and-j-jefferson-looney-charlottesville-university-of-virginia-press-rotunda/)
- [Saving Monticello: The Levy Family.](https://www.daacs.org/references/saving-monticello-the-levy-familys-epic-quest-to-rescue-the-house-that-jefferson-built/)
- [Tobacco and Slaves: The Development of Southern Cultures in the Chesapeake, 1680-1800.](https://www.daacs.org/references/tobacco-and-slaves-the-development-of-southern-cultures-in-the-chesapeake-1680-1800/)
- [Archaeology of Chesapeake Common Folks: Artifacts of Definition and Change Among the Rich and Poor at Kingsmill and Monticello, 1650-1810.](https://www.daacs.org/references/archaeology-of-chesapeake-common-folks-artifacts-of-definition-and-change-among-the-rich-and-poor-at-kingsmill-and-monticello-1650-1810/)
- [An Interim Report on Historical Archaeology at Kingsmill: The 1972 Season.](https://www.daacs.org/references/an-interim-report-on-historical-archaeology-at-kingsmill-the-1972-season/)
- [Monticello Black History/Craft Life Archaeological Project, 1984-1985.](https://www.daacs.org/references/monticello-black-historycraft-life-archaeological-project-1984-1985/)
- [THOMAS JEFFERSON, Washington, to EDMUND BACON. 1808 December 6. ](https://www.daacs.org/references/thomas-jefferson-washington-to-edmund-bacon-1808-december-6/)
- [Monticello: survey notes, page 2 of 3. N203.2; K167i .](https://www.daacs.org/references/monticello-survey-notes-page-2-of-3-n203-2-k167i/)
- [Monticello: stone house (slave quarters). N38; K16.](https://www.daacs.org/references/monticello-stone-house-slave-quarters-n38-k16/)
- [Monticello: outbuildings, circa 1776-1778. N88; K57. ](https://www.daacs.org/references/monticello-outbuildings-circa-1776-1778-n88-k57/)
- [Monticello: outbuildings and garden (study), circa 1776-1778.  N87; K56.](https://www.daacs.org/references/monticello-outbuildings-and-garden-study-circa-1776-1778-n87-k56/)
- [A Comparative Analysis of African-American Adornment Practices in the Chesapeake.](https://www.daacs.org/references/a-comparative-analysis-of-african-american-adornment-practices-in-the-chesapeake/)
- ["Your Humble Servant": Free Artisans in the Monticello Community.](https://www.daacs.org/references/your-humble-servant-free-artisans-in-the-monticello-community/)
- [Museums and American Slavery.](https://www.daacs.org/references/museums-and-american-slavery/)
- [Executive Journals of the Council of Colonial Virginia, Volume V (1 November 1739).](https://www.daacs.org/references/executive-journals-of-the-council-of-colonial-virginia-volume-v-1-november-1739-7-may-1754/)
- [The Archaeology of Slave Life at Thomas Jefferson.](https://www.daacs.org/references/the-archaeology-of-slave-life-at-thomas-jeffersons-monticello-mulberry-row-slave-quarters-r-s-t/)
- [The Archaeology of Mr. Jefferson.](https://www.daacs.org/references/the-archaeology-of-mr-jeffersons-slaves/)
- [Building o: An Archaeological Reanalysis of a Mulberry Row Slave Quarter.](https://www.daacs.org/references/building-o-an-archaeological-reanalysis-of-a-mulberry-row-slave-quarter/)
- [Mona Past and Present: The History and Heritage of the Mona Campus, University of the West Indies.](https://www.daacs.org/references/mona-past-and-present-the-history-and-heritage-of-the-mona-campus-university-of-the-west-indies/)
- [The Cross is a Magic Sign: Marks on Eighteenth Century Bowls from South Carolina.](https://www.daacs.org/references/the-cross-is-a-magic-sign-marks-on-eighteenth-century-bowls-from-south-carolina/)
- [Building D Site Report: The Blacksmith and Nailers' Shop at Jefferson's Monticello.](https://www.daacs.org/references/building-d-site-report-the-blacksmith-and-nailers-shop-at-jeffersons-monticello/)
- [The History of Jamaica Ceramics, 1655-1840.](https://www.daacs.org/references/the-history-of-jamaica-ceramics-1655-1840-m-phil-thesis-department-of-history-and-archaeology-university-of-west-indies-mona/)
- [Seriation Method and Its Evaluation. ](https://www.daacs.org/references/seriation-method-and-its-evaluation/)
- [JAMES DINSMORE to THOMAS JEFFERSON. 1809 February 24.](https://www.daacs.org/references/james-dinsmore-to-thomas-jefferson-1809-february-24/)
- [George Washington.](https://www.daacs.org/references/george-washingtons-mount-vernon-at-home-in-revolutionary-america/)
- [Historical Background of the First Hermitage.](https://www.daacs.org/references/historical-background-of-the-first-hermitage/)
- [The Papers of Thomas Jefferson. Vol. 16, November 1789-July 1790.](https://www.daacs.org/references/the-papers-of-thomas-jefferson-vol-16-november-1789-july-1790/)
- [Acquire This: A Study of Ceramic Stylistic Variability at Monticello, Mount Vernon, and Stratford Hall.](https://www.daacs.org/references/acquire-this-a-study-of-ceramic-stylistic-variability-at-monticello-mount-vernon-and-stratford-hall/)
- [The Papers of George Washington: Colonial Series](https://www.daacs.org/references/the-papers-of-george-washington-colonial-series/)
- [Home is Where the Trash is: Excavating the Early Households of Mount Vernon.](https://www.daacs.org/references/home-is-where-the-trash-is-excavating-the-early-households-of-mount-vernon/)
- [Cultural Landscape Study, Volume 1: Chapters 1-4.  ](https://www.daacs.org/references/cultural-landscape-study-volume-1-chapters-1-4/)
- [Finding Families within the Communities Enslaved on the Mona and Papine Estates, 1817-1832.](https://www.daacs.org/references/finding-families-within-the-communities-enslaved-on-the-mona-and-papine-estates-1817-1832/)
- [A Study of Excavated Material from Papine.](https://www.daacs.org/references/a-study-of-excavated-material-from-papine/)
- [Identifying Change in household- and specialist-produced coarse earthenware from 18th and 19th century Jamaican villages.](https://www.daacs.org/references/identifying-change-in-household-and-specialist-produced-coarse-earthenware-from-18th-and-19th-century-jamaican-villages/)
- [The Papers of George Washington: Colonial Series](https://www.daacs.org/references/the-papers-of-george-washington-colonial-series-2/)
- [Archaeological Excavation of the Levy Tomb/ Stonehouse Site, Mulberry Row, Monticello: Preliminary Report. Manuscript on file at the Department of Archaeology, Thomas Jefferson Foundation, Charlottesville, Virginia.](https://www.daacs.org/references/archaeological-excavation-of-the-levy-tomb-stonehouse-site-mulberry-row-monticello-preliminary-report-manuscript-on-file-at-the-department-of-archaeology-thomas-jefferson-foundation-charlottesv/)
- [A House But Not A Home? Measuring "Householdness" in the Daily Lives of Monticello's "Nail Boys."](https://www.daacs.org/references/a-house-but-not-a-home-measuring-householdness-in-the-daily-lives-of-monticellos-nail-boys/)
- [The Nailery Addition "j."](https://www.daacs.org/references/the-nailery-addition-j/)
- [Account Book.](https://www.daacs.org/references/account-book/)
- [Between Urban and Rural: Organization of Local Pottery in Eighteenth-Century Jamaica.](https://www.daacs.org/references/between-urban-and-rural-organization-of-local-pottery-in-eighteenth-century-jamaica/)
- [An Archaeology of Black Markets: Local Ceramics and Economies in Eighteenth-Century Jamaica.](https://www.daacs.org/references/an-archaeology-of-black-markets-local-ceramics-and-economies-in-eighteenth-century-jamaica/)
- [Enduring substances, trying theories: the Caribbean region as oikoinoume. ](https://www.daacs.org/references/enduring-substances-trying-theories-the-caribbean-region-as-oikoinoume/)
- [Monticello: surveyed land (plat). N201; K167h. ](https://www.daacs.org/references/monticello-surveyed-land-plat-n201-k167h/)
- [Plan for a nailery. N191.](https://www.daacs.org/references/plan-for-a-nailery-n191/)
- [THOMAS JEFFERSON to EDMUND BACON. 1808 October 17. ](https://www.daacs.org/references/thomas-jefferson-to-edmund-bacon-1808-october-17/)
- [EDMUND BACON to THOMAS JEFFERSON. 1808 October 21. ](https://www.daacs.org/references/edmund-bacon-to-thomas-jefferson-1808-october-21/)
- [EDMUND BACON, Monticello, to THOMAS JEFFERSON. 1808 November 17. ](https://www.daacs.org/references/edmund-bacon-monticello-to-thomas-jefferson-1808-november-17/)
- [EDMUND BACON to THOMAS JEFFERSON. 1809 January 12.](https://www.daacs.org/references/edmund-bacon-to-thomas-jefferson-1809-january-12/)
- [THOMAS JEFFERSON  to JAMES DINSMORE. 1809 February 27.](https://www.daacs.org/references/thomas-jefferson-to-james-dinsmore-1809-february-27/)
- [Historical Background of Mattapany, St. Mary's County, Maryland.](https://www.daacs.org/references/historical-background-of-mattapany-st-marys-county-maryland/)
- [The lost world of Monticello: an evolutionary perspective. ](https://www.daacs.org/references/the-lost-world-of-monticello-an-evolutionary-perspective/)
- [Research Notes: Kitchen. South Wing Research. ](https://www.daacs.org/references/research-notes-kitchen-south-wing-research-2/)
- [The Papers of Thomas Jefferson. Volume 32, 1 June 1800 to 16 February 1801. Princeton University Press, Princeton, New Jersey. ](https://www.daacs.org/references/the-papers-of-thomas-jefferson-volume-32-1-june-1800-to-16-february-1801-princeton-university-press-princeton-new-jersey/)
- [The Papers of Thomas Jefferson. Volume 35, 1 August to 30 November 1801. Princeton University Press, Princeton, New Jersey. ](https://www.daacs.org/references/the-papers-of-thomas-jefferson-volume-35-1-august-to-30-november-1801-princeton-university-press-princeton-new-jersey/)
- [The Papers of Thomas Jefferson. Volume 31, 1 February 1799 to 31 May 1800. Princeton University Press, Princeton, New Jersey.](https://www.daacs.org/references/the-papers-of-thomas-jefferson-volume-31-1-february-1799-to-31-may-1800-princeton-university-press-princeton-new-jersey/)
- [Artisan Housing at Monticello: The Stewart/Watkins Site.](https://www.daacs.org/references/artisan-housing-at-monticello-the-stewartwatkins-site/)
- [Mocha, Banded, Cat's Eye, and Other Factory-Made Slipware](https://www.daacs.org/references/mocha-banded-cats-eye-and-other-factory-made-slipware/)
- [Personal Communication](https://www.daacs.org/references/personal-communication/)
- [Consumption.](https://www.daacs.org/references/consumption/)
- [Mulberry Row Project](https://www.daacs.org/references/mulberry-row-project/)
- [Excavations at Mulberry Row, Monticello.](https://www.daacs.org/references/excavations-at-mulberry-row-monticello/)
- [The Collaboration of Thomas Jefferson and John Hemings: Furniture Attributed to the Monticello Joinery.](https://www.daacs.org/references/the-collaboration-of-thomas-jefferson-and-john-hemings-furniture-attributed-to-the-monticello-joinery/)
- [Monticello: orchard and vineyard (plat). N234; K168g.](https://www.daacs.org/references/monticello-orchard-and-vineyard-plat-n234-k168g/)
- [Spatial and Multivariate Analysis, Random Sampling Error, and Analytical Noise: Empirical Bayesian Methods at Teotihuacan, Mexico.](https://www.daacs.org/references/spatial-and-multivariate-analysis-random-sampling-error-and-analytical-noise-empirical-bayesian-methods-at-teotihuacan-mexico/)
- [Costly signaling and gendered social strategies among slaves in the 18th-century Chesapeake.  ](https://www.daacs.org/references/costly-signaling-and-gendered-social-strategies-among-slaves-in-the-18th-century-chesapeake/)
- [Human biogeography: evidence for our place in nature.](https://www.daacs.org/references/human-biogeography-evidence-for-our-place-in-nature/)
- [An Empire Divided: The American Revolution and the British Caribbean. ](https://www.daacs.org/references/an-empire-divided-the-american-revolution-and-the-british-caribbean/)
- [Monticello: outbuildings and garden (early study). N85; K55a. ](https://www.daacs.org/references/monticello-outbuildings-and-garden-early-study-n85-k55a/)
- [Monticello: notebook of improvements, 1804-1807. N171; K161 and K162 ](https://www.daacs.org/references/monticello-notebook-of-improvements-1804-1807-n171-k161-and-k162/)
- [Monticello: farm book notes, page 2 of 3. N182.2; K164. ](https://www.daacs.org/references/monticello-farm-book-notes-page-2-of-3-n182-2-k164/)
- [Monticello: surveyed land (plat). N204; K167j. ](https://www.daacs.org/references/monticello-surveyed-land-plat-n204-k167j/)
- [Monticello: 4th roundabout (plat). N214; K168c.](https://www.daacs.org/references/monticello-4th-roundabout-plat-n214-k168c/)
- [Monticello: 2nd roundabout (plat). N216; K168e.](https://www.daacs.org/references/monticello-2nd-roundabout-plat-n216-k168e/)
- [Monticello: surveyed land (plat). N218; K168g. ](https://www.daacs.org/references/monticello-surveyed-land-plat-n218-k168g/)
- [Monticello: building insurance. N133; K136.](https://www.daacs.org/references/monticello-building-insurance-n133-k136/)
- [Jefferson and Monticello: The Biography of a Builder.](https://www.daacs.org/references/jefferson-and-monticello-the-biography-of-a-builder/)
- [The Papers of Thomas Jefferson: Retirement Series Volume 1. March 1809 to November 1809. Princeton University Press, Princeton, New Jersey.](https://www.daacs.org/references/the-papers-of-thomas-jefferson-retirement-series-volume-1-march-1809-to-november-1809-princeton-university-press-princeton-new-jersey/)
- [The Papers of Thomas Jefferson. Volume 34, 1 May to 31 July 1801. Princeton University Press, Princeton, New Jersey. ](https://www.daacs.org/references/the-papers-of-thomas-jefferson-volume-34-1-may-to-31-july-1801-princeton-university-press-princeton-new-jersey/)
- [Virginia Magazine of History and Biography 51:4:377.](https://www.daacs.org/references/virginia-magazine-of-history-and-biography-514377/)
- [Refining the Temporal Dimension in Historical Archaeology: Dating Seville Plantation.](https://www.daacs.org/references/refining-the-temporal-dimension-in-historical-archaeology-dating-seville-plantation/)
- [Virginia Gleanings in England.](https://www.daacs.org/references/virginia-gleanings-in-england/)
- [The First Gentlemen of Virginia: Intellectual Qualities of the Early Colonial Ruling Class.](https://www.daacs.org/references/the-first-gentlemen-of-virginia-intellectual-qualities-of-the-early-colonial-ruling-class/)
- [York County, Deeds, Orders, and Wills, Volume 4.](https://www.daacs.org/references/york-county-deeds-orders-and-wills-volume-4/)
- [York County Deeds and Bonds (YCD).](https://www.daacs.org/references/york-county-deeds-and-bonds-ycd/)
- [York County Records (YCR).](https://www.daacs.org/references/york-county-records-ycr/)
- [York County Rent Roll (YCRR).](https://www.daacs.org/references/york-county-rent-roll-ycrr/)
- [Thomas Jefferson](https://www.daacs.org/references/thomas-jeffersons-farm-book-with-commentary-and-relevant-extracts-from-other-writings/)
- [A Report on the Archaeological Excavations at Monticello, Charlottesville: The Stewart/Watkins House 1989-1990. Manuscript on File at the Department of Archaeology, Thomas Jefferson Foundation, Charlottesville, Virginia.](https://www.daacs.org/references/a-report-on-the-archaeological-excavations-at-monticello-charlottesville-the-stewartwatkins-house-1989-1990-manuscript-on-file-at-the-department-of-archaeology-thomas-jefferson-foundation-charlo/)
- [William and Mary Quarterly 2:4.](https://www.daacs.org/references/william-and-mary-quarterly-24/)
- [William and Mary Quarterly 24:40.](https://www.daacs.org/references/william-and-mary-quarterly-2440/)
- [The Laws of Virginia; being a Supplement to Hening's the Statutes at Large, 1700-1750.](https://www.daacs.org/references/the-laws-of-virginia-being-a-supplement-to-henings-the-statutes-at-large-1700-1750/)
- [Black Majority.](https://www.daacs.org/references/black-majority/)
- [Slave Life, Slave Society, and Tobacco Production in the Tidewater Chesapeake, 1620-1820.](https://www.daacs.org/references/slave-life-slave-society-and-tobacco-production-in-the-tidewater-chesapeake-1620-1820/)
- [From Calibar to Carter's Grove: The History of a Virginia Slave Community.](https://www.daacs.org/references/from-calibar-to-carters-grove-the-history-of-a-virginia-slave-community/)
- [Kingsmill Plantation: A Cultural Analysis.](https://www.daacs.org/references/kingsmill-plantation-a-cultural-analysis/)
- [Colonial History of South Carolina.](https://www.daacs.org/references/colonial-history-of-south-carolina/)
- [Jefferson's Designs for Remodeling the Governor's Palace.](https://www.daacs.org/references/jeffersons-designs-for-remodeling-the-governors-palace/)
- [An Archaeological Survey of "The Governor's Land", James City County, Virginia.](https://www.daacs.org/references/an-archaeological-survey-of-the-governors-land-james-city-county-virginia/)
- [The Negro in Eighteenth-Century Williamsburg.](https://www.daacs.org/references/the-negro-in-eighteenth-century-williamsburg/)
- [Master Plan: 1997-2006.](https://www.daacs.org/references/master-plan-1997-2006/)
- [Virginia Gazette.](https://www.daacs.org/references/virginia-gazette-2/)
- [Virginia Magazine of History and Biography 1:1:178.](https://www.daacs.org/references/virginia-magazine-of-history-and-biography-11178/)
- [The Architecture of Jefferson's Mulberry Row: Changes in Form, 1770-1826.](https://www.daacs.org/references/the-architecture-of-jeffersons-mulberry-row-changes-in-form-1770-1826/)
- [Eighteenth-Century History of the Ludwell Family at Rich Neck Plantation in Williamsburg, Virginia.](https://www.daacs.org/references/eighteenth-century-history-of-the-ludwell-family-at-rich-neck-plantation-in-williamsburg-virginia/)
- [The World They Made Together: Black and White Values in 18th-Century Virginia.](https://www.daacs.org/references/the-world-they-made-together-black-and-white-values-in-18th-century-virginia/)
- [Method and Theory in Historical Archaeology.](https://www.daacs.org/references/method-and-theory-in-historical-archaeology/)
- [The Official letters of Alexander Spotswood, Lieutenant-Governor of the Colony of Virginia, 1710-1722.](https://www.daacs.org/references/the-official-letters-of-alexander-spotswood-lieutenant-governor-of-the-colony-of-virginia-1710-1722/)
- [Archaeology at Stratford: The Old Orchard Field (2nd Season) - The 1999 Field School Season.](https://www.daacs.org/references/archaeology-at-stratford-the-old-orchard-field-2nd-season-the-1999-field-school-season/)
- [Archaeology at Stratford: The Old Orchard Field (3rd Season), The 2000 Field School Season.](https://www.daacs.org/references/archaeology-at-stratford-the-old-orchard-field-3rd-season-the-2000-field-school-season/)
- [The Building in the Old Orchard at Stratford: A Test Case for the Digital Archaeological Archive of Chesapeake Slavery.](https://www.daacs.org/references/the-building-in-the-old-orchard-at-stratford-a-test-case-for-the-digital-archaeological-archive-of-chesapeake-slavery/)
- [John Paradise and Lucy Ludwell of London and Williamsburg.](https://www.daacs.org/references/john-paradise-and-lucy-ludwell-of-london-and-williamsburg/)
- [A Report on the Archaeological Excavations of Servant's Houses "r," "s," and "t," and the Related Landscape.](https://www.daacs.org/references/a-report-on-the-archaeological-excavations-of-servants-houses-r-s-and-t-and-the-related-landscape/)
- [Middle Range Theory and Plantation Archaeology: An Analysis of Domestic Slavery at Monticello, Albemarle County, Virginia, ca. 1770-1830.](https://www.daacs.org/references/middle-range-theory-and-plantation-archaeology-an-analysis-of-domestic-slavery-at-monticello-albemarle-county-virginia-ca-1770-1830/)
- [The Archaeology of Plantation Slavery in Piedmont Virginia: Context and Process.](https://www.daacs.org/references/the-archaeology-of-plantation-slavery-in-piedmont-virginia-context-and-process/)
- [Landscape, Change, and Community at Stratford Hall Plantation: An Archaeological and Cultural Perspective.](https://www.daacs.org/references/landscape-change-and-community-at-stratford-hall-plantation-an-archaeological-and-cultural-perspective/)
- [Virginia Gazette.](https://www.daacs.org/references/virginia-gazette/)
- [Archaeobotanical Analysis from Data Recovery Excavations at the North Hill and Quarter Sites, Jefferson's Poplar Forest: A Study of Enslaved African-American Subsistence Patterns.](https://www.daacs.org/references/archaeobotanical-analysis-from-data-recovery-excavations-at-the-north-hill-and-quarter-sites-jeffersons-poplar-forest-a-study-of-enslaved-african-american-subsistence-patterns/)
- [Unpaginated manuscript of 1984 field results at site 44JC298.](https://www.daacs.org/references/unpaginated-manuscript-of-1984-field-results-at-site-44jc298/)
- [Archaeological Investigations of a Probable Slave Quarter at Rich Neck Plantation, 44WB52.](https://www.daacs.org/references/archaeological-investigations-of-a-probable-slave-quarter-at-rich-neck-plantation-44wb52/)
- [The Archaeology of African-American Slavery and Material Culture.](https://www.daacs.org/references/the-archaeology-of-african-american-slavery-and-material-culture/)
- [Slave Lifeways at Mount Vernon: An Archaeological Perspective.](https://www.daacs.org/references/slave-lifeways-at-mount-vernon-an-archaeological-perspective/)
- [The Domestic Architecture of Slavery at George Washington's Mount Vernon.](https://www.daacs.org/references/the-domestic-architecture-of-slavery-at-george-washingtons-mount-vernon/)
- [Summary Report on the "House for Families" Slave Quarter Site (44FX762/40-47), Mount Vernon Plantation, Mount Vernon, Virginia.](https://www.daacs.org/references/summary-report-on-the-house-for-families-slave-quarter-site-44fx76240-47-mount-vernon-plantation-mount-vernon-virginia/)
- [Privy Council Registers.](https://www.daacs.org/references/privy-council-registers/)
- [Personal Work Time and the Presence of Tools at Two Slave Quarter Sites in Central Virginia.](https://www.daacs.org/references/personal-work-time-and-the-presence-of-tools-at-two-slave-quarter-sites-in-central-virginia/)
- [Rich Man, Poor Man: Status Definition in Two Seventeenth-Century Ceramic Assemblages from Kingsmill.](https://www.daacs.org/references/rich-man-poor-man-status-definition-in-two-seventeenth-century-ceramic-assemblages-from-kingsmill/)
- [Exploring Stewart Castle Estate.](https://www.daacs.org/references/exploring-stewart-castle-estate/)
- [Exploring Stewart Castle Estate.](https://www.daacs.org/references/exploring-stewart-castle-estate-2/)
- [Inventory of Estate.](https://www.daacs.org/references/inventory-of-estate/)
- [Phase I/II Archaeological Investigations of the Palace Pasture: Lot 178 in Block 34 of Colonial Williamsburg's Historic Area.](https://www.daacs.org/references/phase-iii-archaeological-investigations-of-the-palace-pasture-lot-178-in-block-34-of-colonial-williamsburgs-historic-area/)
- [Archaeological Investigation of the Elizabeth Hemings Site (44AB438).](https://www.daacs.org/references/archaeological-investigation-of-the-elizabeth-hemings-site-44ab438/)
- [How Can Bayesian Smoothing and Correspondence Analysis Help Decipher the Occupational Histories of Late-Eighteenth Century Slave Quarters at Monticello?](https://www.daacs.org/references/how-can-bayesian-smoothing-and-correspondence-analysis-help-decipher-the-occupational-histories-of-late-eighteenth-century-slave-quarters-at-monticello/)
- [Thomas Jefferson's Architectural Drawings, Compiled and with Commentary and a Checklist.](https://www.daacs.org/references/thomas-jeffersons-architectural-drawings-compiled-and-with-commentary-and-a-checklist/)
- [Cavaliers and Pioneers: Abstracts of Virginia Land Patents and Grants, 1623-1666, Volume I.](https://www.daacs.org/references/cavaliers-and-pioneers-abstracts-of-virginia-land-patents-and-grants-1623-1666-volume-i/)
- [Cavaliers and Pioneers: Abstracts of Virginia Land Patents and Grant.](https://www.daacs.org/references/cavaliers-and-pioneers-abstracts-of-virginia-land-patents-and-grant/)
- [An Archaeological Survey of Stratford Plantation, Westmoreland County, Virginia.](https://www.daacs.org/references/an-archaeological-survey-of-stratford-plantation-westmoreland-county-virginia/)
- [Responses of the Chesapeake Plantation System to Culture Changes in the Late 18th Century: The Evidence from Kingsmill and Stratford.](https://www.daacs.org/references/responses-of-the-chesapeake-plantation-system-to-culture-changes-in-the-late-18th-century-the-evidence-from-kingsmill-and-stratford/)
- [Sub-Floor Pits and Slavery in 18th- and Early 19th-Century Virginia.](https://www.daacs.org/references/sub-floor-pits-and-slavery-in-18th-and-early-19th-century-virginia/)
- [Evolutionary game theory, Sub-floor Pits, and the Social Dynamics of Chesapeake Slavery.](https://www.daacs.org/references/evolutionary-game-theory-sub-floor-pits-and-the-social-dynamics-of-chesapeake-slavery/)
- [Dissecting Plowzone Palimpsests with Bayesian Spatial Smoothing and Correspondence Analysis.](https://www.daacs.org/references/dissecting-plowzone-palimpsests-with-bayesian-spatial-smoothing-and-correspondence-analysis/)
- [Coincidence or Causal Connection? The Relationship between Thomas Jefferson's Visits to Monticello and Sally Hemings's Conceptions.](https://www.daacs.org/references/coincidence-or-causal-connection-the-relationship-between-thomas-jeffersons-visits-to-monticello-and-sally-hemingss-conceptions/)
- [Executive Journals of the Council of Colonial Virginia, Volume I (11 June 1680 -22 June 1699).](https://www.daacs.org/references/executive-journals-of-the-council-of-colonial-virginia-volume-i-11-june-1680-22-june-1699/)
- [Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry.](https://www.daacs.org/references/slave-counterpoint-black-culture-in-the-eighteenth-century-chesapeake-and-lowcountry/)
- [The Munsell Book of Color.](https://www.daacs.org/references/the-munsell-book-of-color/)
- [Munsell Soil Color Charts.](https://www.daacs.org/references/munsell-soil-color-charts/)
- [Archaeological Testing at Rich Neck.](https://www.daacs.org/references/archaeological-testing-at-rich-neck/)
- [Continuity and Change: Colono Ware as a Coping Tool for African Americans.](https://www.daacs.org/references/continuity-and-change-colono-ware-as-a-coping-tool-for-african-americans/)
- ["Fashionable Sugar Dishes, Latest Fashion Ware": The Creamware Revolution in the Eighteenth-Century Chesapeake.](https://www.daacs.org/references/fashionable-sugar-dishes-latest-fashion-ware-the-creamware-revolution-in-the-eighteenth-century-chesapeake/)
- [Records of Colonial Gloucester County, Virginia, Volume II.](https://www.daacs.org/references/records-of-colonial-gloucester-county-virginia-volume-ii/)
- [History of the Governor's Land at Two Rivers, James City County, Virginia.](https://www.daacs.org/references/history-of-the-governors-land-at-two-rivers-james-city-county-virginia/)
- [Littletown Plantation, 1700-1745.](https://www.daacs.org/references/littletown-plantation-1700-1745/)
- [Virginia Will Records.](https://www.daacs.org/references/virginia-will-records/)
- [A Report on the Archaeological Excavations at Monticello, Charlottesville, Virginia, 1982-1983.](https://www.daacs.org/references/a-report-on-the-archaeological-excavations-at-monticello-charlottesville-virginia-1982-1983/)
- [The Jeffersons at Shadwell: The Social and Material World of a Virginia Plantation.](https://www.daacs.org/references/the-jeffersons-at-shadwell-the-social-and-material-world-of-a-virginia-plantation/)
- [Thomas Jefferson, Architect. Original Designs in the Coolidge Collection of the Massachusetts Historical Society with an Essay and Notes by Fiske Kimball.](https://www.daacs.org/references/thomas-jefferson-architect-original-designs-in-the-coolidge-collection-of-the-massachusetts-historical-society-with-an-essay-and-notes-by-fiske-kimball/)
- [Dictionary of Virginia Biography, Volume 1.](https://www.daacs.org/references/dictionary-of-virginia-biography-volume-1/)
- [Lee Family Papers, 1638-1867.](https://www.daacs.org/references/lee-family-papers-1638-1867/)
- [Ludwell Papers, 1678-1828 (1879).](https://www.daacs.org/references/ludwell-papers-1678-1828-1879/)
- [Preliminary Analysis of Archaeobotanical Material Recovered from Middleburg Plantation, South Carolina.](https://www.daacs.org/references/preliminary-analysis-of-archaeobotanical-material-recovered-from-middleburg-plantation-south-carolina/)
- [Analysis of Pollen from Poplar Forest.](https://www.daacs.org/references/analysis-of-pollen-from-poplar-forest/)
- [Agricultural Construction on the East Branch of Cooper River from 1780-1825.](https://www.daacs.org/references/agricultural-construction-on-the-east-branch-of-cooper-river-from-1780-1825/)
- [Rice and Slaves.](https://www.daacs.org/references/rice-and-slaves/)
- [An Interim Report on the Excavation at Kingsmill Plantation: The 1973 Season.](https://www.daacs.org/references/an-interim-report-on-the-excavation-at-kingsmill-plantation-the-1973-season/)
- [An Interim Report on Historical Archaeology at Kingsmill: The 1975 Season.](https://www.daacs.org/references/an-interim-report-on-historical-archaeology-at-kingsmill-the-1975-season/)
- [Monticello: park (plat). N221; K168j. ](https://www.daacs.org/references/monticello-park-plat-n221-k168j/)
- [Monticello: 3rd roundabout (plat). N215; K168d. ](https://www.daacs.org/references/monticello-3rd-roundabout-plat-n215-k168d/)
- [Monticello: Survey notes. N213; K168b. ](https://www.daacs.org/references/monticello-survey-notes-n213-k168b/)
- [Monticello: survey notes.  N196; K167d.](https://www.daacs.org/references/monticello-survey-notes-n196-k167d/)
- [Monticello: east roads and fields (plat).  N194; K167b. ](https://www.daacs.org/references/monticello-east-roads-and-fields-plat-n194-k167b/)
- [Monticello: estate lands (plat).  N209; K168.](https://www.daacs.org/references/monticello-estate-lands-plat-n209-k168/)
- [Inventory of the Estate of Lucy L. Paradise.](https://www.daacs.org/references/inventory-of-the-estate-of-lucy-l-paradise/)
- [Garden Book [electronic edition].](https://www.daacs.org/references/garden-book-electronic-edition/)
- [Monticello: timber zone (plat).  N130; K94e. ](https://www.daacs.org/references/monticello-timber-zone-plat-n130-k94e/)
- [Monticello: south field (plat). N131; K94f. ](https://www.daacs.org/references/monticello-south-field-plat-n131-k94f/)
- [Monticello: south field (plat). N132; K94g.](https://www.daacs.org/references/monticello-south-field-plat-n132-k94g/)
- [A Report on Excavations of the Poplar Forest Quarter, North Hill and Wingos Quarters.](https://www.daacs.org/references/a-report-on-excavations-of-the-poplar-forest-quarter-north-hill-and-wingos-quarters/)
- [Household Structure and Fertility on Jamaican Slave Plantations: A Nineteenth-Century Example.](https://www.daacs.org/references/household-structure-and-fertility-on-jamaican-slave-plantations-a-nineteenth-century-example/)
- [The Letterbooks of Isaac Jackson, Jamaican Planting Attorney, 1839-1843.](https://www.daacs.org/references/the-letterbooks-of-isaac-jackson-jamaican-planting-attorney-1839-1843/)
- [Plantation Jamaica, 1750-1850: Capital and Control in a Colonial Economy.](https://www.daacs.org/references/plantation-jamaica-1750-1850-capital-and-control-in-a-colonial-economy/)
- [A Brief History of Middleburg.](https://www.daacs.org/references/a-brief-history-of-middleburg/)
- [The Governor's Palace in Williamsburg: A Cultural History.](https://www.daacs.org/references/the-governors-palace-in-williamsburg-a-cultural-history/)
- [A Guide to Artifacts of Colonial America.](https://www.daacs.org/references/a-guide-to-artifacts-of-colonial-america/)
- [Report on the Archaeological Testing for the Proposed Tree Screen, March-April.](https://www.daacs.org/references/report-on-the-archaeological-testing-for-the-proposed-tree-screen-march-april/)
- [An Interim Report on the 1993 Excavations: The Quarter Site at Poplar Forest, Forest, Virginia.](https://www.daacs.org/references/an-interim-report-on-the-1993-excavations-the-quarter-site-at-poplar-forest-forest-virginia/)
- [Slavery and Consumerism: A Case Study from Central Virginia.](https://www.daacs.org/references/slavery-and-consumerism-a-case-study-from-central-virginia/)
- [Buttons, Beads, and Buckles: Contextualizing Adornment Within the Bounds of Slavery.](https://www.daacs.org/references/buttons-beads-and-buckles-contextualizing-adornment-within-the-bounds-of-slavery/)
- [Bounded Yards and Fluid Borders: Landscapes of Slavery at Poplar Forest.](https://www.daacs.org/references/bounded-yards-and-fluid-borders-landscapes-of-slavery-at-poplar-forest/)
- [Engendering Choice: Slavery and Consumerism in Central Virginia.](https://www.daacs.org/references/engendering-choice-slavery-and-consumerism-in-central-virginia/)
- [The Digital Archaeological Archive of Chesapeake Slavery and Internet Technologies.](https://www.daacs.org/references/the-digital-archaeological-archive-of-chesapeake-slavery-and-internet-technologies/)
- [Gloucester County Land Tax Records, 1930 and 1974.](https://www.daacs.org/references/gloucester-county-land-tax-records-1930-and-1974/)
- [The Palace Lands, 1700-1790.](https://www.daacs.org/references/the-palace-lands-1700-1790/)
- [Folk Housing in Middle Virginia: A Structural Analysis of Historic Artifacts.](https://www.daacs.org/references/folk-housing-in-middle-virginia-a-structural-analysis-of-historic-artifacts/)
- [Rich Neck plat.](https://www.daacs.org/references/rich-neck-plat/)
- [Kingsmill Plantation, James City County.](https://www.daacs.org/references/kingsmill-plantation-james-city-county/)
- [Exchanging Our Country Marks: The Transformation of African Identities in the Colonial and Antebellum South.](https://www.daacs.org/references/exchanging-our-country-marks-the-transformation-of-african-identities-in-the-colonial-and-antebellum-south/)
- [Thomas Jefferson and Sally Hemings: An American Controversy.](https://www.daacs.org/references/thomas-jefferson-and-sally-hemings-an-american-controversy/)
- [Letters of William Lee, 1766-1783.](https://www.daacs.org/references/letters-of-william-lee-1766-1783/)
- [Out of Site, Out of Mind: The Archaeology of an Enslaved Virginian Household, ca. 1740-1778.](https://www.daacs.org/references/out-of-site-out-of-mind-the-archaeology-of-an-enslaved-virginian-household-ca-1740-1778/)
- [Strategic Consumption: Archaeological Evidence for Costly Signaling among Enslaved Men and Women in the 18th-Century Chesapeake.](https://www.daacs.org/references/strategic-consumption-archaeological-evidence-for-costly-signaling-among-enslaved-men-and-women-in-the-18th-century-chesapeake/)
- [Conspicuous consumption and gendered social strategies among slaves in 18th-century Jamaica and Virginia.](https://www.daacs.org/references/conspicuous-consumption-and-gendered-social-strategies-among-slaves-in-18th-century-jamaica-and-virginia/)
- [Consumption and gendered social strategies among slaves in Jamaica and the Chesapeake: an archaeological perspective.](https://www.daacs.org/references/consumption-and-gendered-social-strategies-among-slaves-in-jamaica-and-the-chesapeake-an-archaeological-perspective/)
- [Toward regional consensus: The Digital Archaeological Archive of Chesapeake Slavery.](https://www.daacs.org/references/toward-regional-consensus-the-digital-archaeological-archive-of-chesapeake-slavery/)
- [Waterscape Archaeology: A Survey for 18th Century Boat Landings at Middleburg Plantation, Berkeley County, South Carolina.](https://www.daacs.org/references/waterscape-archaeology-a-survey-for-18th-century-boat-landings-at-middleburg-plantation-berkeley-county-south-carolina/)
- [Finding Colonial Afro-American Settlement Patterns on Middleburg Plantation, East Branch Cooper River, Berkeley County, South Carolina.](https://www.daacs.org/references/finding-colonial-afro-american-settlement-patterns-on-middleburg-plantation-east-branch-cooper-river-berkeley-county-south-carolina/)
- [Uncommon Ground: Archaeology and Early African America, 1650-1800.](https://www.daacs.org/references/uncommon-ground-archaeology-and-early-african-america-1650-1800/)
- [Survey of Plantation Sites along the East Branch of the Cooper River: A Model for Predicting Archaeological Site Location.](https://www.daacs.org/references/survey-of-plantation-sites-along-the-east-branch-of-the-cooper-river-a-model-for-predicting-archaeological-site-location/)
- [Coke-Garrett House Historical Report, Block 27, Building 1, Lot 279-280.](https://www.daacs.org/references/coke-garrett-house-historical-report-block-27-building-1-lot-279-280-3/)
- [American Historical Archaeology: Methods and Results.](https://www.daacs.org/references/american-historical-archaeology-methods-and-results/)
- [Map of the Environs of Williamsburg, in Virginia.](https://www.daacs.org/references/map-of-the-environs-of-williamsburg-in-virginia/)
- [The Spiers Landing Site: Archaeological Investigations in Berkeley County, South Carolina.](https://www.daacs.org/references/the-spiers-landing-site-archaeological-investigations-in-berkeley-county-south-carolina/)
- [Social Responsibility and the American History Museum.](https://www.daacs.org/references/social-responsibility-and-the-american-history-museum/)
- [Slave Demography and Family Formation: A Community Study of the Ball Family Plantations, 1720-1896.](https://www.daacs.org/references/slave-demography-and-family-formation-a-community-study-of-the-ball-family-plantations-1720-1896/)
- [A Note on Changing Patterns of Slave Fertility in the South Carolina Rice District, 1735-1865.](https://www.daacs.org/references/a-note-on-changing-patterns-of-slave-fertility-in-the-south-carolina-rice-district-1735-1865/)
- [Inventory of Estate of John Coke, 1768, February 15.](https://www.daacs.org/references/inventory-of-estate-of-john-coke-1768-february-15/)
- ["Sleep On and Take Your Rest": Black Mortuary Behavior on the East Branch of the Cooper River, South Carolina.](https://www.daacs.org/references/sleep-on-and-take-your-rest-black-mortuary-behavior-on-the-east-branch-of-the-cooper-river-south-carolina/)
- [Phase II Archaeological Investigations: Site 44WB90, Williamsburg, Virginia.](https://www.daacs.org/references/phase-ii-archaeological-investigations-site-44wb90-williamsburg-virginia/)
- [The Diary of Robert Carter (1721-1727).](https://www.daacs.org/references/the-diary-of-robert-carter-1721-1727/)
- [The Executive Papers.](https://www.daacs.org/references/the-executive-papers/)
- [The Letterbooks of Robert Carter, Volumes 1-4.](https://www.daacs.org/references/the-letterbooks-of-robert-carter-volumes-1-4/)
- [Personal Property Tax Lists, 1782-1805.](https://www.daacs.org/references/personal-property-tax-lists-1782-1805/)
- [Burwell Papers.](https://www.daacs.org/references/burwell-papers/)
- [Burwell Petition.](https://www.daacs.org/references/burwell-petition/)
- [Burwell v. Johnson.](https://www.daacs.org/references/burwell-v-johnson/)
- [The Contextual Meaning of the 1830s Landscape at Middleburg Plantation, Berkeley County, South Carolina.](https://www.daacs.org/references/the-contextual-meaning-of-the-1830s-landscape-at-middleburg-plantation-berkeley-county-south-carolina/)
- [Poplar Forest's Schist Smoking Pipes.](https://www.daacs.org/references/poplar-forests-schist-smoking-pipes/)
- [The Consumer Revolution in Colonial British America: Why Demand?](https://www.daacs.org/references/the-consumer-revolution-in-colonial-british-america-why-demand/)
- [Measuring Settlement Pattern Change on the Monticello Plantation Home Farm.](https://www.daacs.org/references/measuring-settlement-pattern-change-on-the-monticello-plantation-home-farm/)
- [Archaeological Survey at Monticello and Tufton: A Report on the 1981 Season.](https://www.daacs.org/references/archaeological-survey-at-monticello-and-tufton-a-report-on-the-1981-season/)
- [Charleston Gardens.](https://www.daacs.org/references/charleston-gardens/)
- [Analysis of Ceramics and Glass from the Quarter Site.](https://www.daacs.org/references/analysis-of-ceramics-and-glass-from-the-quarter-site/)
- [Archaeology at Fairfield Plantation, Home of the Burwells: 2002 Excavation Report.](https://www.daacs.org/references/archaeology-at-fairfield-plantation-home-of-the-burwells-2002-excavation-report/)
- [Coke-Garrett House Historical Report, Block 27, Building 1, Lot 279-280.](https://www.daacs.org/references/coke-garrett-house-historical-report-block-27-building-1-lot-279-280/)
- [Coke-Garrett House Historical Report, Block 27, Building 1, Lot 279-280.](https://www.daacs.org/references/coke-garrett-house-historical-report-block-27-building-1-lot-279-280-2/)
- [Plowzone Archaeology: The Identification of Slaves' Dwellings on Plowed Sites at Monticello.](https://www.daacs.org/references/plowzone-archaeology-the-identification-of-slaves-dwellings-on-plowed-sites-at-monticello/)
- [Site Characterization: The Definition of Archaeological Sites using Survey and Excavation Data.](https://www.daacs.org/references/site-characterization-the-definition-of-archaeological-sites-using-survey-and-excavation-data/)
- [The Use of Exterior Domestic Space by Enslaved Field Hands: Plowzone Analysis from Monticello.](https://www.daacs.org/references/the-use-of-exterior-domestic-space-by-enslaved-field-hands-plowzone-analysis-from-monticello/)
- [Faunal Remains from the House for Families Cellar.](https://www.daacs.org/references/faunal-remains-from-the-house-for-families-cellar/)
- [Foodways in the 18th-century Chesapeake.](https://www.daacs.org/references/foodways-in-the-18th-century-chesapeake/)
- [Surveillance and Production on Stewart Castle Estate: A GIS-based analysis of models of plantation spatial organization.](https://www.daacs.org/references/surveillance-and-production-on-stewart-castle-estate-a-gis-based-analysis-of-models-of-plantation-spatial-organization/)
- [Thomas Jefferson](https://www.daacs.org/references/thomas-jeffersons-memorandum-books-accounts-with-legal-records-and-miscellany-1767-1826/)
- [Many Thousands Gone: The First Two Centuries of Slavery in North America.](https://www.daacs.org/references/many-thousands-gone-the-first-two-centuries-of-slavery-in-north-america/)
- [The Family Letters of Thomas Jefferson.](https://www.daacs.org/references/the-family-letters-of-thomas-jefferson/)
- [A Ground-Penetrating Radar Survey at Fairfield.](https://www.daacs.org/references/a-ground-penetrating-radar-survey-at-fairfield/)
- [Thomas Jefferson](https://www.daacs.org/references/thomas-jeffersons-garden-book-1766-1824-with-relevant-extracts-from-his-other-writings/)
- [Methods in the Analysis of Slave-Occupied Plowzone Sites at Monticello.](https://www.daacs.org/references/methods-in-the-analysis-of-slave-occupied-plowzone-sites-at-monticello/)
- [Creole Transformation from Slavery to Freedom: Historical Archaeology of the East End Community, St. John, Virgin Islands.](https://www.daacs.org/references/creole-transformation-from-slavery-to-freedom-historical-archaeology-of-the-east-end-community-st-john-virgin-islands/)
- [Tanner Road Settlement: The Archaeology of Racism on Limerick Plantation.](https://www.daacs.org/references/tanner-road-settlement-the-archaeology-of-racism-on-limerick-plantation/)
- [Slaves in the Family.](https://www.daacs.org/references/slaves-in-the-family/)
- [Causes and Creations: Exploring the Relationship between 19th Century Slave Insurrections, Landscape and Architecture at Middleburg Plantation, Berkeley County, South Carolina.](https://www.daacs.org/references/causes-and-creations-exploring-the-relationship-between-19th-century-slave-insurrections-landscape-and-architecture-at-middleburg-plantation-berkeley-county-south-carolina/)
- [Faunal Analysis for Poplar Forest Feature 1206.](https://www.daacs.org/references/faunal-analysis-for-poplar-forest-feature-1206/)
- [Poplar Forest Quarter Site Faunal Analysis.](https://www.daacs.org/references/poplar-forest-quarter-site-faunal-analysis/)
- [Faunal Analysis of North Hill Features, Poplar Forest.](https://www.daacs.org/references/faunal-analysis-of-north-hill-features-poplar-forest/)
- [Appraisement of the Estate of Philip Ludwell Esqr, Decd.](https://www.daacs.org/references/appraisement-of-the-estate-of-philip-ludwell-esqr-decd/)
- [The Old Village and the Great House: An Archaeological and Historical Examination of Drax Hall Plantation, St. Ann's Bay, Jamaica.](https://www.daacs.org/references/the-old-village-and-the-great-house-an-archaeological-and-historical-examination-of-drax-hall-plantation-st-anns-bay-jamaica/)
- [Archaeology and Ethnohistory of the Caribbean Plantation.](https://www.daacs.org/references/archaeology-and-ethnohistory-of-the-caribbean-plantation/)
- [Cultural transformation within Enslaved Laborer Communities in the Caribbean.](https://www.daacs.org/references/cultural-transformation-within-enslaved-laborer-communities-in-the-caribbean/)
- [An East Indian Laborer's Household in 19th Century Jamaica.](https://www.daacs.org/references/an-east-indian-laborers-household-in-19th-century-jamaica/)
- [Jessups Dig a Key in US/Caribbean Historical Link.](https://www.daacs.org/references/jessups-dig-a-key-in-uscaribbean-historical-link/)
- [Early African-American Domestic Architecture from Berkeley County, South Carolina.](https://www.daacs.org/references/early-african-american-domestic-architecture-from-berkeley-county-south-carolina/)
- [Power and Space: Settlement Pattern Change at Middleburg Plantation, Berkeley County, South Carolina.](https://www.daacs.org/references/power-and-space-settlement-pattern-change-at-middleburg-plantation-berkeley-county-south-carolina/)
- [Artifact Distributions and Spatial Patterning at the Rich Neck Slave Quarter.](https://www.daacs.org/references/artifact-distributions-and-spatial-patterning-at-the-rich-neck-slave-quarter/)
- [Preliminary Findings from the Rich Neck Slave Quarter Excavations.](https://www.daacs.org/references/preliminary-findings-from-the-rich-neck-slave-quarter-excavations/)
- [An Analysis of Several Enigmatic Features from the Rich Neck Plantation Site.](https://www.daacs.org/references/an-analysis-of-several-enigmatic-features-from-the-rich-neck-plantation-site/)
- [Archaeological Excavation of a Small Cellar on Rich Neck Plantation.](https://www.daacs.org/references/archaeological-excavation-of-a-small-cellar-on-rich-neck-plantation/)
- [Faunal Analysis of Slave Quarter Site at Poplar Forest.](https://www.daacs.org/references/faunal-analysis-of-slave-quarter-site-at-poplar-forest/)
- [Slave Diet at Monticello.](https://www.daacs.org/references/slave-diet-at-monticello/)
- [Georgian Worldview: Its Definition, History, and Influence on the Material World of Thomas Jefferson.](https://www.daacs.org/references/georgian-worldview-its-definition-history-and-influence-on-the-material-world-of-thomas-jefferson/)
- [Following the Yellow Brick Road: The DAACS-Munsell Color Range System.](https://www.daacs.org/references/following-the-yellow-brick-road-the-daacs-munsell-color-range-system/)
- [Virginia Publick Claims, Gloucester Count.](https://www.daacs.org/references/virginia-publick-claims-gloucester-count/)
- [Summary of Archaeological and Documentary Evidence for Excavated and Standing Buildings on Mulberry Row.](https://www.daacs.org/references/summary-of-archaeological-and-documentary-evidence-for-excavated-and-standing-buildings-on-mulberry-row/)
- [Jefferson at Monticello.](https://www.daacs.org/references/jefferson-at-monticello/)
- [Archaeological Excavations at Monticello, Charlottesville, Virginia.](https://www.daacs.org/references/archaeological-excavations-at-monticello-charlottesville-virginia/)
- [A Report on the Archaeological Excavations at Monticello, Charlottesville, Virginia, 1979-1981.](https://www.daacs.org/references/a-report-on-the-archaeological-excavations-at-monticello-charlottesville-virginia-1979-1981/)
- [The Archaeology of Slave Life at Thomas Jefferson's Monticello: "A Wolf by the Ears."](https://www.daacs.org/references/the-archaeology-of-slave-life-at-thomas-jeffersons-monticello-a-wolf-by-the-ears/)
- [Mulberry Row: Slave Life at Thomas Jefferson's Monticello.](https://www.daacs.org/references/mulberry-row-slave-life-at-thomas-jeffersons-monticello/)
- [The Archaeology of Plantation Slavery at Thomas Jefferson's Monticello: Context and Process in an American Slave Society.](https://www.daacs.org/references/the-archaeology-of-plantation-slavery-at-thomas-jeffersons-monticello-context-and-process-in-an-american-slave-society/)

## Glossary Items

- [Quadrat ID](https://www.daacs.org/glossary/quadrat-id/)
- [Glass Attributes](https://www.daacs.org/glossary/glass-attributes/)
- [Ceramic Attributes](https://www.daacs.org/glossary/ceramic-attributes/)
- [Button Attributes](https://www.daacs.org/glossary/button-attributes/)
- [Buckle Attributes](https://www.daacs.org/glossary/buckle-attributes/)
- [Bead Attributes](https://www.daacs.org/glossary/bead-attributes/)
- [Phase](https://www.daacs.org/glossary/phase/)
- [Utensil Attributes](https://www.daacs.org/glossary/utensil-attributes/)
- [Tobacco Pipe Attributes](https://www.daacs.org/glossary/tobacco-pipe-attributes/)
- [All Other Artifact Attributes](https://www.daacs.org/glossary/all-other-artifact-attributes/)
- [General Artifact Attributes](https://www.daacs.org/glossary/general-artifact-attributes/)
- [Mean Ceramic Date (MCD)](https://www.daacs.org/glossary/mean-ceramic-date-mcd/)
- [Harris Matrix](https://www.daacs.org/glossary/harris-matrix/)
- [Deposit Type](https://www.daacs.org/glossary/deposit-type/)
- [TPQp95](https://www.daacs.org/glossary/tpqp95/)
- [TPQp90](https://www.daacs.org/glossary/tpqp90/)
- [TPQ](https://www.daacs.org/glossary/tpq/)
- [Stratigraphic Group](https://www.daacs.org/glossary/stratigraphic-group/)
- [Site](https://www.daacs.org/glossary/site/)
- [Correspondence analysis (CA)](https://www.daacs.org/glossary/correspondence-analysis-ca/)
- [Context Sample](https://www.daacs.org/glossary/context-sample/)
- [Feature Group](https://www.daacs.org/glossary/feature-group/)
- [Feature Number](https://www.daacs.org/glossary/feature-number/)
- [Mean-Ceramic-Date type (MCD type)](https://www.daacs.org/glossary/mean-ceramic-date-type-mcd-type/)
- [Feature](https://www.daacs.org/glossary/feature/)
- [Feature Types](https://www.daacs.org/glossary/feature-types/)
- [Context](https://www.daacs.org/glossary/context/)
- [Unit Types](https://www.daacs.org/glossary/unit-types/)

## Regions

- [Caribbean](https://www.daacs.org/regions/caribbean/)
- [North America](https://www.daacs.org/regions/north-america/)

## Stylistic Elements

- [Botanical Band 63](https://www.daacs.org/stylistic_element/botanical-band-63/) - Description: This band consists of a repeating pattern of flowers each of which consists of two leaves, a stem, and circular bud. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color
- [Plain Band 15](https://www.daacs.org/stylistic_element/plain-band-15/) - Description: Plain Band 15 is a wide, raised, flat band. Stylistic Genre: Not Applicable Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Molded No Applied Color Plain Band 15 Individual A
- [Lingzhi/Sacred Fungus](https://www.daacs.org/stylistic_element/lingzhisacred-fungus/) - Description: A depiction of a lingzhi or sacred fungus/mushroom, characterized by a tall plant with several overlapping leaves and scrolls. Most often found on Chinese porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd Stylistic Genre Overglaze, handpainted
- [Palm Leaf/Fan](https://www.daacs.org/stylistic_element/palmleaf/) - Description: Depiction of a fan made of palm fronds found on Chinese Porcelain. This element is one of many auspicious symbols often found in the “Hundred Antiquities” handpainted pattern. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Imari
- [Botanical, unid.](https://www.daacs.org/stylistic_element/botanical-unid/) - Description: This classification should be used when small, unidentifiable portions of a botanical element are present on a sherd. It is often the case that one can identify the decoration as having botanical elements but cannot specify what types of botanical elements are there (could be anything from a large composite arrangement to a band
- [Scroll 03](https://www.daacs.org/stylistic_element/scroll03/) - Description: Any literal depiction of rolled up paper. This example is one of many auspicious symbols within the “Hundred Antiquities” pattern. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Imari Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Hatched Line Band, unid.](https://www.daacs.org/stylistic_element/trellis-band-unid-2/) - Description: This classification should be used when small, unidentifiable portions of a Hatched band are present on a sherd. It is often the case that the decoration can be identified as a Hatched band but there is not enough present to name the exact Hatched band. Hatched Band, unid. should be used in these cases.
- [Vase](https://www.daacs.org/stylistic_element/vase/) - Description: Any depiction of a vase. Vase does not need to appear to be ceramic. It must be oblong in shape and may hold flowers or other objects. Vase may or may not include a stand, as shown here. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color,
- [Buddhist Symbol](https://www.daacs.org/stylistic_element/buddhistsymbol/) - Description: Any depiction of a book. Example image is one of the auspicious symbols found in “Hundred Antiquities” pattern. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/ Exterior Location Decorative Technique Color Stylistic Element Motif
- [Book](https://www.daacs.org/stylistic_element/book/) - Description: Any depiction of a book. Example image is one of the auspicious symbols found in “Hundred Antiquities” pattern. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Imari Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base
- [Pig](https://www.daacs.org/stylistic_element/pig/) - Description: Any depiction of a pig. Current examples include Chinese Porcelain tureen or other serving dish handles in the shape of pig heads. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color
- [Crenulated Edge](https://www.daacs.org/stylistic_element/crenelated-edge/) - Description: Notches or indentations along the rim of a vessel. It looks like someone took a small, round stick (pencil-like tool) and repeatedly impressed the edge of the vessel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Scalloped Edge 03, Straight](https://www.daacs.org/stylistic_element/scalloped-edge-03-straight/) - Description: Use this element to describe edges only on Colonoware or Coarse Earthenwware, unid. Greater than 25.1 millimeters between peaks Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Rim Cut No Applied Color Scalloped Edge 03, Straight Individual A
- [Scalloped Edge 02, Straight](https://www.daacs.org/stylistic_element/scalloped-edge-02-straight/) - Description: Use this element to describe edges only on Colonoware or Coarse Earthenwware, unid. 10.1-25 millimeter between peaks Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Rim Cut No Applied Color Scalloped Edge 02, Straight Individual A
- [Scalloped Edge 01, Slanted](https://www.daacs.org/stylistic_element/scalloped-edge-01-slanted/) - Description: Use this element to describe edges only on Colonoware or Coarse Earthenwware, unid. 0-10 millimeters between peaks of scallops. Scallops are oriented slightly diagonally. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Rim Cut No Applied Color Scalloped Edge 01, Slanted Individual
- [Scalloped Edge 01, Straight](https://www.daacs.org/stylistic_element/scalloped-edge-01-straight/) - Description: Use this element to describe edges only on Colonoware or Coarse Earthenwware, unid. 0-10 millimeters between peaks of scallops. Cataloging Example for Depicted Sherd: Stylistic Genre None (leave field blank) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Rim Cut No Applied Color Scalloped Edge 01, Straight Individual A
- [Notched](https://www.daacs.org/stylistic_element/notched/) - Description: (Usually parallel) Beveled notches cut into a sherd, usually on the rim or lip. Seen on coarse earthenware such as Colonoware and Native American coarseware. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color
- [Husk Chain Band 18](https://www.daacs.org/stylistic_element/husk-chain-band-13-2/) - Description: Similar to Husk Chain Band 13, it is comprised of a chain of stylized flowers on their sides: Unlike Husk Chain Band 13, these flowers have no “stem,” only radiating leaves with a “bloom” composed of three dots. The flower is repeated end to end. The two bounding bands are part of the band
- [Basketwork](https://www.daacs.org/stylistic_element/basketwork/) - Description: Molded or engine-turned lines that are incised onto a vessel body. Basketwork is a general term used to capture all variation in this element type. For example, these finely turned lines might be executed in different widths, directions and over a molded or fluted body. Any combination of these lines should be cataloged as
- [Spearhead Band 15](https://www.daacs.org/stylistic_element/spearhead-band-15/) - Description: A band of spearheads comprised of “triangle” elements suspended from a single line, each comprised of mirrored scrolls forming the base of the triangle. The spearheads or points alternate with open circles in the “white space” between them. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative
- [Chain Band 14](https://www.daacs.org/stylistic_element/chain-band-14/) - Description: Band is defined by alternating ovals and X’s with horizontal lines through the middle so that the X’s and ovals appear to be attached. May or may not be bound by plain bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging
- [Chain Band 12](https://www.daacs.org/stylistic_element/chain-band-12-3/) - Description: Like Chain Band 03, this is a band of overlapping/connected circles; however, in this band, portions of the circles are painted, as in example shown. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Blue, molded/stamped/incised
- [Chain Band 13](https://www.daacs.org/stylistic_element/chain-band-12-2/) - Description: Band consists of larger oval links attached with smaller oval links in between. The names of each of the fifteen states are painted inside the larger links. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Handle Terminal 04](https://www.daacs.org/stylistic_element/handle-terminal-04/) - Description: A molded element comprised of three adjacent and connected scrolls, with the swirled circle visible from the side profile. This element is located at the terminal of a handle and is typically found on refined earthenware flower vases. Stylistic Genre: None (leave this field blank) Cataloging Example for depicted sherd: Stylistic Genre Handpainted
- [Molded Edge 09](https://www.daacs.org/stylistic_element/molded-edge-09/) - Description: Characterized by large grass like leaves extending down from a scroll type rim. Large floral medallion hangs down at regular interval with smaller buds spaced in between. Stylistic Genre: Molded Edge Decoration, other Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior
- [Molded Edge 08](https://www.daacs.org/stylistic_element/molded-edge-08/) - Description: Characterized by a row of foliage/feathers extending down from the rim and a band of “fish scale” elements below it. The dots are molded on this example, but can also be painted. This is also called “Fish Scales and Feathers ” by the staff at the Maryland Archaeological Conservation Laboratory (see image). Stylistic Genre:
- [Bird, crane](https://www.daacs.org/stylistic_element/bird-crane/) - Description: Any depiction of a crane, which is a large, long-legged, long-necked bird that inhabits large wetlands usually. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre Famille Verte Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base
- [Mosquito](https://www.daacs.org/stylistic_element/mosquito/) - Description: Any depiction of a mosquito, characterized by large wings with long and thin legs. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre Famille Verte Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base Painted over, free
- [Folded Rim](https://www.daacs.org/stylistic_element/folded-rim/) - Description: Seen primarily on Native American sherds. A thickened rim created by added/applied clay. Note that folded rims are different from "rolled" rims that are primarily seen on refined wares. We do not record rolled rims as decoration (this type of information can be recorded in the "Notes" field.) Stylistic Genre: Not Applicable Cataloging Example for
- [Barley](https://www.daacs.org/stylistic_element/barley/) - Description: Molded decoration usually seen on White Salt-glazed stoneware, Creamware, and Whieldon wares. Barley decoration is characterized by raised beads (or barleys) that have a wavy, molded pattern surrounding the beads, as if imitating barley husks. Do not record the type of edge (rim) unless it is “spiked” (see “Scalloped edge, spiked”). Cataloging Example
- [Scalloped Edge, Spiked](https://www.daacs.org/stylistic_element/scalloped-edge-spiked/) - Description: Use this element only for stonewares and refined earthenwares. This scalloped edge is characterizedby accentuated points at the peaks of scalloped rims. It often appears on White Salt Glazed Stoneware rims with molded marley patterns. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Sanskrit](https://www.daacs.org/stylistic_element/sanskrit/) - Description: Characters, often stylized, depicting the Sanskrit language. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Muted Dark Sanskrit Individual A,
- [Circle Band 18](https://www.daacs.org/stylistic_element/circle-band-18/) - Description: A single band of connected, closed circles. It can be bound by a plain band either above or below it. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, hand painted Interior/Exterior Location Decorative Technique Color Stylistic
- [Handle Terminal 06](https://www.daacs.org/stylistic_element/handle-terminal-06/) - Description: This molded botanical element is located at the terminal of a handle and is a stylized flower and sprig. It is typically found on refined earthenwares. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for depicted sherd: Stylistic Genre None (leave field blank) Interior/Exterior
- [Trellis Band 47](https://www.daacs.org/stylistic_element/trellis-band-47/) - Description: This element has Trellis Band 25 as the base, with a single dot at the point where each crossed line meets. Note that in the example, the dot appears to be at the intersection of the crosshatching. A variation shows a diamond rather than a dot at the points of intersection. A second variation
- [Trellis Band 49](https://www.daacs.org/stylistic_element/trellis-band-49/) - Description: This band has elements from both Trellis Bands 46 and 47. The central element of the band consists of alternating Vs. Dots float in the negative spaces above and below the Vs. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted
- [Scallop Band 19](https://www.daacs.org/stylistic_element/scallop-band-19/) - Description: Similar to Scallop Band 05. This element consists of a band of scallops with dots or smaller scallops within the larger scallop. The band in this example is stacked with a plain band, but the plain band is a separate element. Stylistic Genre: The genre for this stylistic element depends on a combination of
- [Spearhead Band 14](https://www.daacs.org/stylistic_element/spearhead-band-14/) - Description: A band comprised of a three-lobed spearhead alternating with a vertical line that has a ball at the end. Similar to Spearhead Band 10 with the addition of the line/ball element. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Husk Chain Band 17](https://www.daacs.org/stylistic_element/16293/) - Description: A band of repeated chevrons running in the same direction. Each chevron has ends split into three blades, that look a bit like the tops of wheat. There is a plain band above and below the chevrons. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Scroll Band 08](https://www.daacs.org/stylistic_element/scroll-band-08/) - Description: A band of alternating outlined scrolls (with no fill) oriented in opposite directions, bordered by a single plain band above and a double band below. Stylistic Genre: The genre for this stylistic element depends on acombination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique
- [Diced Square/Rectangle Band 19](https://www.daacs.org/stylistic_element/diced-squarerectangle-band-19/) - Description: This is an inlaid slip band composed of three rows, the top and bottom row consisting of rectangles and the middle row consisting of rectangles with one pointed side. The rows alternate with areas of "blank space." Stylistic Genre: Slipware, factory made Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location
- [Dash Band 03](https://www.daacs.org/stylistic_element/dash-band-06-2/) - Description: Dash Band 03 is characterized by wide, painted rectangles, each of which are divided by a single line. These wide rectangles with linear dividers are framed above and below by double plain bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Plume, unidentifiable](https://www.daacs.org/stylistic_element/plume-unidentifiable/) - Description: Use this term when you have part of a plume element, but cannot identify the exact one. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Dot/Diaper/Basketweave Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal
- [Handle Terminal 05](https://www.daacs.org/stylistic_element/handle-terminal-05/) - Description: Located at the terminal of a handle, this molded botanical element is a stylized leaf, that curves or “swoops” off to one side of the handle. In some cases the bottom handle terminus swoops to one side while the upper handle terminus swoops to the other side. Stylistic Genre: The genre for this stylistic element
- [Tile Corner: Ox-head 01](https://www.daacs.org/stylistic_element/tile-corner-ox-head-01/) - Description: A handpainted element exclusively used at the corners of fireplace tiles. It comes in several variations, but this element always consists of three basic features: two mirroring scrolls, a pair of protruding horns on either side of the scrolls, and a spearhead element at the center. This motif usually repeats on each of the
- [Tile Corner: Flower 01](https://www.daacs.org/stylistic_element/tile-corner-flower-01/) - Description: This corner element on Delft tiles is characterized by the flower head (center of a flower) with multiple petals radiating from the center. This element is similar to DAACS stylistic element, “Floral, radiating bloom 01." Flower 01 is similar to Flower style #68 in Van Dam and Tichelaar 1984. Stylistic Genre: The genre for
- [Tile Corner: Fleur-de-lis 01](https://www.daacs.org/stylistic_element/fleur-de-lis/) - Description: A stylized lily composed of three petals bound together near their bases. This element should be specifically used for fleur-de-lis in the corner of Delft tiles. This example is not illustrated in Van Dam and Tichelaar 1984. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Botanical Band 03](https://www.daacs.org/stylistic_element/botanical-band-03/) - Description: Molded band of leaf medallions composed of four leaves surrounding a central “berry” or molded bead. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, Other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Base Molded No Applied Color Botanical Band 03 Individual A
- [Botanical Band 02](https://www.daacs.org/stylistic_element/botanical-band-02/) - Description: A line or chain of botanical elements, as depicted, painted horizontally around a vessel. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, over free hand Red, Muted Dark Botanical Band 02 Individual A Exterior Proximal Rim Painted, over free hand Yellow, Muted
- [Botanical Band 01](https://www.daacs.org/stylistic_element/botanical-band-01/) - Description: This band consists of alternating diagonal unattached lines or “branches” with small leaves forming a zigzag pattern. There is a cluster of four dots or “berries” at the end of each line or “branch.” This band is most often seen on overglaze Chinese porcelains. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted
- [Plain Band 09](https://www.daacs.org/stylistic_element/plain-band-09/) - Description: Plain Band 09 is characterized by an unconnected grouping of bands following a thin-thick-thin pattern. The bands are separated by a space of undecorated glazed vessel (“white space”). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Plain Band 12](https://www.daacs.org/stylistic_element/plain-band-12/) - Description: Multiple stacked solid colored bands define Plain Band 12. There is NO white space separating each band. Each colored band does not have to follow a specific order. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Slip, lathe/engine turned Yellow-Red,
- [Plain Band 14](https://www.daacs.org/stylistic_element/plain-band-14/) - Description: Plain Band 14 is a triple band that encircles a vessel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free
- [Plain Band 11](https://www.daacs.org/stylistic_element/plain-band-11/) - Description: Two adjoining bands characterize Plain Band 11. One solid thick band follows the edge of the vessel. The second band is a thin, darker band painted at the base of the wider first band. If this band is on a scalloped edge vessel, it follows the scalloped edge. Stylistic Genre: The genre for this
- [Plain Band 08](https://www.daacs.org/stylistic_element/plain-band-08/) - Description: Two adjoining bands of color, either a combination of thin-thick or two bands of similar thickness, define Plain Band 08. There is no “white space” between these two bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic
- [Plain Band 07](https://www.daacs.org/stylistic_element/plain-band-07/) - Description: Plain Band 07 is composed of two parallel lines. One thick upper band and one thin lower band. There is a space separating the two bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome,
- [Plain Band 05](https://www.daacs.org/stylistic_element/plain-band-05/) - Description: Plain Band 05 is simply two thin parallel bands that encircle a vessel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted,
- [Plain Band 04](https://www.daacs.org/stylistic_element/plain-band-04/) - Description: Plain Band 04 is a solid color enclosed by two thinner lines. It follows a thin-thick-thin pattern. While the thin-thick-thin pattern is familiar to other plain bands such as 03, Plain Band 04 is most often executed in two colors. The thin bands are one color and the central, thick band is a separate
- [Plain Band 03](https://www.daacs.org/stylistic_element/plain-band-03/) - Description: Plain Band 03 is defined by three separate painted bands that are ordered by size: thin-thick-thin. Extending off the bottom line are small curved lines or ticks. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location
- [Plain Band 02](https://www.daacs.org/stylistic_element/plain-band-02/) - Description: Plain Band 02 is one of the few bands whose classification is linked to decorative technique. Plain Band 02 is formed on a lathe and is characterized by repeated slipped or painted, engine turned bands. The repeated bands can either be a single color separated by “white space,” the body of the vessel, or
- [Handle Terminal 03](https://www.daacs.org/stylistic_element/handle-terminal-03/) - Description: A molded botanical element comprised of multiple stylized leaves of varying form, stacked and adjacent to one another. This element is located at the terminal of a handle and is found on refined earthenwares. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for depicted
- [Water Buffalo](https://www.daacs.org/stylistic_element/water-buffalo/) - Description: Depiction of a water buffalo, often found on Chinese porcelain. Often have large curved horns. Associated with “Boy on Buffalo” pattern. Note: If unable to determine whether animal is a water buffalo, use “Animal, unid.” Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Coin](https://www.daacs.org/stylistic_element/coin/) - Description: A depiction of a coin, often seen on Chinese Porcelain. Do not use for unidentified circular symbols (see “Medallion, unid.” or “Floral medallion”). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd Stylistic Genre Imari Interior/Exterior Location Decorative Technique
- [Crab](https://www.daacs.org/stylistic_element/crab/) - Description: A depiction of a crab. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd Stylistic Genre Imari Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base Painted, over free hand Gilt Crab Individual A Interior Base Painted, over free hand
- [Handle Terminal 02](https://www.daacs.org/stylistic_element/handle-terminal-02/) - Description: A molded botanical element comprised of stacked stylized leaves. This element is located at the terminal of a handle and is found on refined earthenwares. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for depicted sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative
- [Handle Terminal 01](https://www.daacs.org/stylistic_element/handle-terminal-01/) - Description: A molded botanical element comprised of three rounded and stylized leaves with impressed curved lines. This element is located at the terminal of a handle and is found on refined earthenwares. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for depicted sherd: Stylistic Genre
- [Husk Chain Band 16](https://www.daacs.org/stylistic_element/husk-chain-band-15-2/) - Description: A band of repeating chevrons oriented in one direction. There is a band of dashes above and below the band of chevrons. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic
- [Plume, Botanical](https://www.daacs.org/stylistic_element/plume-botanical-2/) - Description: A swirly, leaf-like, botanical element that functions as a divider between molded or painted designs, including those found on edge decorated wares such as White Salt Glaze and Whieldon, and overglazed Chinese porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Sherd
- [Circle Band 17](https://www.daacs.org/stylistic_element/circle-band-17/) - Description: The decorative arts term for this element is a guilloche (shown here on Black Basalt). A band composed of two or more elements twisted/wound together horizontally, resulting in circular openings that are often filled with “ornaments,” in this case botanical elements. Stylistic Genre: The genre for this stylistic element depends on a combination of
- [Wavy Band 08](https://www.daacs.org/stylistic_element/wavy-band-08/) - Description: This band is characterized by two, solid, wavy lines that run parallel. Seen most often on over-glaze porcelain. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, over free hand Unidentifiable Wavy Band 08 Individual A
- [Cable Band 03](https://www.daacs.org/stylistic_element/cable-band-03/) - Description: This molded band is often seen on refined wares like Creamware. It is characterized by repeated, thin molded diagonal lines. Cataloging Example for Depicted Sherd Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Lid Molded No Applied Color Cable Band 03 Individual A
- [Angular Edge](https://www.daacs.org/stylistic_element/angular-edge-3/) - Description: This edge differs from a scalloped edge in that it has a straight edge that is angled, rather than a curved edge. Note that the patterned band is Beaded Band 05. Cataloging Example for Depicted Sherd Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Molded No Applied Color
- [Trellis Band 08](https://www.daacs.org/stylistic_element/trellis-band-08/) - Description: Repeating double-lined Xs with dash decoration in the interstices characterize this band. A single dash is painted in the upper and lower open triangular spaces made by the Xs while groups of four dashes (forming either an "X" or a cross) fill the open diamond-shaped spaces. This band is identical to Trellis Band 05
- [Star Band 03](https://www.daacs.org/stylistic_element/star-band-03/) - Description: Star Band 03 is composed of a single row of stars or asterisks alternating with “tick marks” in the spaces between. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Spearhead Band 10](https://www.daacs.org/stylistic_element/spearhead-band-10/) - Description: This spearhead band has scalloped peaks alternating with a spearhead composed of three petals. It is similar to Spearhead Band 01 except this band has an additional plain band touching the spearhead band. The plain band near the rim is gilt in this example making it difficult to discern in the image. Stylistic Genre:
- [Beaded Band 05](https://www.daacs.org/stylistic_element/beaded-band-05/) - Description: Repeated short vertical lines that create small channels characterize Beaded Band 05. The example to the left shows this band at the foot ring/base of a vessel. Stylistic Genre: Molded Edge Decoration, other Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Base
- [Molded Edge 07](https://www.daacs.org/stylistic_element/molded-edge-07/) - Description: Characterized by a scalloped edge with a row of dots below the rim. The dots are molded on this example, but can also be painted. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration,
- [Molded Edge 06](https://www.daacs.org/stylistic_element/molded-edge-06/) - Description: “Strings” of herringbone columns extending down from rim. Sections of the herringbone pattern are separated by a bow element. May or may not be painted. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre Molded Edge Decoration, other
- [Molded Edge 05](https://www.daacs.org/stylistic_element/molded-edge-05/) - Description: A molded band named “Grass & Daisies ” by the staff at the Maryland Archaeological Conservation Laboratory (see image at Jefferson Patterson Museum's website). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Both Depicted Sherds: Stylistic Genre Molded Edge Decoration,
- [Molded Edge 04](https://www.daacs.org/stylistic_element/molded-edge-04/) - Description: This element consists of a scalloped rim with a band of raised dots along the rim and a band of plumage directly beneath. All the three portions are painted to varying degrees. *NOTE: like certain shell-edge patterns, the scalloped rim is not recorded but assumed to be inherent in the stylistic element. Stylistic Genre:
- [Molded Edge 03](https://www.daacs.org/stylistic_element/molded-edge-03/) - Description: Consists of a molded element running along the interior rim, which looks like a twisted rope. Hanging down from this element is an area of herringbone pattern. Sections of the herringbone pattern are separated by a botanical swag-like element. May or may not be painted. Stylistic Genre: Molded Edge Decoration, Other Cataloging Example for
- [Molded Edge 02](https://www.daacs.org/stylistic_element/molded-edge-02/) - Description: Consists of a molded element running along the interior rim, which looks like a twisted rope. Hanging down from this element is a row of fern leaves. Stylistic Genre: Molded Edge Decoration, Other Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior
- [Molded Edge 01](https://www.daacs.org/stylistic_element/molded-edge-01/) - Description: A variation of Botanical Band 43/”Stylized Foliage” (see http://www.jefpat.org/diagnostic/PostColonial%20Ceramics/Shell%20Edged%20Wares/Embossed%20thumbnails.htm). Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Molded Edge 01 Individual A Interior Proximal Rim Molded Not Applicable Molded Edge 01
- [Shell Edge 26](https://www.daacs.org/stylistic_element/shell-edge-26/) - Description: Molded lines extending down at a slight diagonal from an unscalloped edge. A thin line of paint follows the edge. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative Technique Color
- [Dogtooth Band 02](https://www.daacs.org/stylistic_element/dogtooth-band-02/) - Description: This band is similar to Dogtooth Band 1: a saw-tooth motif that extends downward from a single solid line. In addition, a dot is placed in the middle of each triangle. On the underside of the saw-tooth extends a small spearhead or arrow. There is NOT a second solid line enclosing the entire pattern. This
- [Half-Circle Band 03](https://www.daacs.org/stylistic_element/half-circle-band-03/) - Description: Suspended from a single band that encircles the entire vessel are repeating overlapping half-circles or arcs. Unlike Half-Circle Band 1 and 2, whose half- circles connect at a point, the ends of these half-circles overlap to form an X. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique,
- [Shell Edge 01](https://www.daacs.org/stylistic_element/shell-edge-01/) - Description: Rococo shell edge. The rococo style is the earliest of the shell edge designs. It includes an undulating rim and incised, wavy lines around the edge. The molded design is carefully painted blue or green, following the edge of the vessel. The shell design may incorporate a molded ‘bud’ at intervals among the wavy
- [Half-Circle Band 07](https://www.daacs.org/stylistic_element/half-circle-band-07/) - Description: This band is identical to Half-Circle Band 5, except open circles are attached to each point of the arch. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Diced Square/Rectangle Band 12](https://www.daacs.org/stylistic_element/checkerboard-band-05/) - Description: The band consists of a single row of checkerboards (colored squares alternating with squares composed of “white space” of the vessel) alternating with a plain band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location
- [Diced Square/Rectangle Band 11](https://www.daacs.org/stylistic_element/checkerboard-band-02/) - Description: An inlaid slip band of alternating colored squares, some of which have a single dot in the middle, seen here alternating with “marbleized” squares. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color
- [Wavy Band 07](https://www.daacs.org/stylistic_element/wavy-band-07/) - Description: Two parallel wavy lines running around the vessel. One is solid; the other is made up of dots. These dots are found on both sides of the wavy line. Seen most often on overglaze porcelain. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior
- [Wavy Band 04](https://www.daacs.org/stylistic_element/wavy-band-04/) - Description: A solid wavy line that has dots on one side of the line characterizes Wavy Band 04. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, over free hand Unidentifiable Wavy Band 04 Individual A
- [Shell Edge 11](https://www.daacs.org/stylistic_element/shell-edge-11/) - Description: Unscalloped edge with molded wavy lines. The large molded lines descending down from the edge are wavy, with smaller, thinner wavy lines also extending down. Note that Shell Edge 11 can also have applied color. Found primarily on pearlware, sometimes on early whiteware. Stylistic Genre: Select Shell Edge plus the appropriate color (i.e. Shell
- [Husk Chain Band 14](https://www.daacs.org/stylistic_element/roulette-band-02-2/) - Description: A series of repeating chevrons running in the same direction. The chevrons may or may not extend from a central line. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherds: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color
- [Fish Roe Band 09](https://www.daacs.org/stylistic_element/fish-roe-band-09/) - Description: Characterized by a continuous band of connected fish roe (half-circles with dots) painted beneath a plain band. A single dot is connected to the middle of each fish roe, and hangs below it. Note that the fish roe sometimes overlap one another as seen in the second example. Stylistic Genre: The genre for this
- [Husk Chain Band 03](https://www.daacs.org/stylistic_element/husk-chain-band-03/) - Description: A chain of arrow-shaped elements separated by two or three dots creates this band. The combination of arrows and dots almost gives the impression of streamlined birds flying in a circle. It may have a thin plain band both above and below the arrows or the band may be “free floating”. Note that
- [Chain Band 06](https://www.daacs.org/stylistic_element/chain-band-06/) - Description: A chain of connected oblong open circles (unlike Chain Band 04, where the circles are closed). This band can either be flanked by plain bands or not. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze,
- [Chain Band 04](https://www.daacs.org/stylistic_element/chain-band-04/) - Description: A simple band composed of interlocking ovals between two simple bands. It can either have a painted background as seen in this example, or it can have no background. Similar to Chain Band 06, except the links of Chain Band 06 are not completely closed. Stylistic Genre: The genre for this stylistic element depends
- [Diced Square/Rectangle Band 18](https://www.daacs.org/stylistic_element/diced-squarerectangle-band-18/) - Description: Inlaid slip forms rows composed of alternating squares and rectangles in the pattern of a long rectangle followed by two short rectangles or squares. The columns of inlaid slip are curved or “twisted” to create a wavy appearance. Stylistic Genre: Slipware, factory made Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior
- [Wavy Band 02](https://www.daacs.org/stylistic_element/wavy-band-02/) - Description: A single wavy band of dots. The dot size can vary. Seen most often on overglaze porcelain. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, over free hand Yellow, Muted Medium Wavy Band 02 Individual A
- [Shell Edge 02](https://www.daacs.org/stylistic_element/shell-edge-02/) - Description: Even scallop with wavy lines. The rim is regularly scalloped rather than undulating (think repeating arcs) and sometimes has intermittent molded "buds" as seen in Examples B and C. The wavy, engraved lines descending down from the edge complete the shell motif. Found primarily on pearlware, sometimes on early whiteware. Stylistic Genre: Shell Edge.
- [Scalloped Edge](https://www.daacs.org/stylistic_element/scalloped-edge/) - Description: Use this element to describe edges on refined earthenware, stoneware, and porcelain (Not Colonoware or Coarse Earthenware, unid.). Scalloped Edge describes any molded rim or vessel edge that is scalloped. The edge may be heavily scalloped or simply indented at a few points along the rim. DO NOT use Scalloped Edge to describe Royal Pattern,
- [Circle Band 07](https://www.daacs.org/stylistic_element/circle-band-07/) - Description: Series of flower-like circles with two elements (examples of elements include half-circles or pointed elements) on the top and bottom of each circle. The area surrounding the circles may or may not be filled in with color. Shown here as a rouletted, painted band. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made
- [Beaded Band 03](https://www.daacs.org/stylistic_element/beaded-band-03/) - Description: A band of rouletted beads with a vertical line between. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Rouletted No Applied
- [Husk Chain Band 10](https://www.daacs.org/stylistic_element/husk-chain-band-10/) - Description: This band is a horizontal row of curved lines that arch away from a center band. They look a bit like arrows (or the husk chain) that have bisected and separated. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Fish Roe Band 08](https://www.daacs.org/stylistic_element/fish-roe-band-08/) - Description: Connected “fish roe” (with a single dot painted inside each) suspended from a painted double band. (Note that the double band is part of the Fish Roe Band). A hanging botanical element is attached to a diamond between two of the fish roe (and presumably at intervals along the fish roe band). Stylistic Genre:
- [Husk Chain Band 04](https://www.daacs.org/stylistic_element/husk-chain-band-04/) - Description: A series of non-connected arrows characterizes Husk Chain Band 4. It may have a thin plain band both above and below the arrows or the band may be “free floating”. This band can appear on both scalloped edge and non-scalloped edge vessels. Stylistic Genre: The genre for this stylistic element depends on a combination
- [Common Cable](https://www.daacs.org/stylistic_element/common-cable-2/) - Description: A slipped element that consists of a connected “chain” of dots, each formed with two or more different slips dropped by a slip cup. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made
- [Cordoned](https://www.daacs.org/stylistic_element/cordoned/) - Description: One or more incised or molded straight bands encircling a vessel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Example A: Stylistic Genre None (leave this field blank) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Incised, lathe/engine-turned
- [Dogtooth Band 03](https://www.daacs.org/stylistic_element/dogtooth-band-03/) - Description: Dogtooth Band 3 is characterized by a saw-tooth band that has dots between the "teeth." This design may or may not have a lower plain band. It is often painted along a scalloped edge. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Landscape/Hills](https://www.daacs.org/stylistic_element/landscapehills/) - Description: Landscape/Hills is used to describe any painted element that represents a landscape, such as hills, mountains, and rocks. The elements may appear in the foreground and/or background. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location
- [Roulette Band 15](https://www.daacs.org/stylistic_element/roulette-band-15/) - Description: Composed of a row of impressed leaf-shaped pieces, each with impressed, vertical connected chevrons like “veins” of a leaf. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Plain Band 01](https://www.daacs.org/stylistic_element/plain-band-01/) - Description: Plain Band 01 is a single stripe of color. Plain Band 01 can be thick or thin--the size of the band does not influence its classification. These examples show Plain Band 1 on the proximal rim of the vessel but it can be seen on any portion of a decorated vessel except the exterior
- [Water, body of](https://www.daacs.org/stylistic_element/water-body-of/) - Description: A range of shading techniques characterizes bodies of water. Identifying water usually includes other images within the scene. Water is usually represented by lines of varying thicknesses that give emphasis to objects on the water or land protruding into the water. Cataloging Example for Top Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique
- [Plain Band 06](https://www.daacs.org/stylistic_element/plain-band-06/) - Description: Plain Band 06 is one of the few bands where location defines the band. Plain Band 06 is always located directly on the rim (the protocol is to record it as "exterior") of the vessel, be it a plate or a tea bowl. As indicated in the picture, Plain Band 06 is executed on
- [Trellis 01](https://www.daacs.org/stylistic_element/trellis-01/) - Description: Trellis 1 occurs most often in patches on the vessel, rather than in a band format. It is characterized by the crossed lines that form one or more levels of diamond- or square-shaped lattice. A small X is painted at the intersection of each line. Most often seen on overglaze Chinese porcelain. Stylistic Genre:
- [Trellis 02](https://www.daacs.org/stylistic_element/trellis-02/) - Description: Trellis 2 is characterized by double-lined Xs that have a cross at the intersection of each X. Half-circles connect each triangular segment created by the double-lined Xs. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location
- [Swag Band 06](https://www.daacs.org/stylistic_element/swag-band-06/) - Description: Repeated half-circles with smaller “teardrops” drawn between each half-circle characterizes this Swag 6. These circles are suspended from a single line. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Fish Roe Band 10](https://www.daacs.org/stylistic_element/fish-roe-band-10/) - Description: Characterized by a continuous band of connected fish roe (half-circles with dots) painted beneath a plain band. A single vertical line is painted between each fish roe. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense
- [Squirrel](https://www.daacs.org/stylistic_element/squirrel/) - Description: A depiction of a squirrel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base Painted, under free hand Purple-Blue, Intense Dark Squirrel Scene Combination A Interior Base
- [Floral, radiating bloom 03](https://www.daacs.org/stylistic_element/floral-radiating-bloom-03/) - Description: This is composed of three elements: A central lotus radiating bloom flanked by two identical botanical elements composed of curved botanical elements facing in opposite directions from one another. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre Handpainted
- [Deer](https://www.daacs.org/stylistic_element/deer/) - Description: A depiction of a deer. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd Stylistic Genre Handpainted blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base Painted, under free hand Purple-Blue, Intense Dark Deer Scene Combination A Interior
- [Beaded Band 01](https://www.daacs.org/stylistic_element/beaded-band-01/) - Description: A single band of beads in a recessed panel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Molded No Applied Color
- [Botanical Band 61](https://www.daacs.org/stylistic_element/roulette-band-01-2/) - Description: A chevron-like band with leaves and berries impressed into the clay characterizes Roulette Band 1. The leaves radiate from a center dot, or “berry,” which are all connected via a centerline that encircles the entire vessel. Cataloging Example for Depicted Sherd: Stylistic Genre None (leave field blank) Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Dots](https://www.daacs.org/stylistic_element/dots/) - Description: Use Dots to describe any randomly placed dots on a vessel. This may include one or several. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim
- [Fish Roe, unid.](https://www.daacs.org/stylistic_element/fish-roe-unid/) - Description: Use this term when you have one or more fish roe but you cannot identify the element they form. They may be in a small group or seen individually. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic
- [Scalloped Edge, unid.](https://www.daacs.org/stylistic_element/scalloped-edge-unid/) - Description: Use this element to describe edges only on Colonoware or Coarse Earthenwware, unid. when small, unidentifiable portions of a scalloped edge are present on a sherd but not enough to measure the distance between scallops. Stylistic Genre: Not Applicable
- [Medallion, Gr](https://www.daacs.org/stylistic_element/medallion-gr/) - Description: Cipher of King George I, II, or III. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Blue, molded/stamped/incised Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Medallion, GR Individual
- [Checkerboard/Diamonds](https://www.daacs.org/stylistic_element/checkerboarddiamonds/) - Description: Decoration most often seen on Westerwald vessels. This element covers both the standard square checkerboard as well as squares oriented on their corners, i.e. diamonds. Cataloging Example for Depicted Sherd: Stylistic Genre Blue, Molded/stamped/incised Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Incised, free hand No Applied Color Checkerboard/Diamonds Individual A Exterior
- [Bull's Eye](https://www.daacs.org/stylistic_element/bulls-eye/) - Description: Decoration consisting of concentric circles of alternating colored clay. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Bull's Eye Inlay Yellow, Muted Dark Bull's Eye Individual A Exterior Body Bull's Eye Inlay Yellow-Red, Muted Medium Bull's Eye Individual A
- [Circle Band 03](https://www.daacs.org/stylistic_element/circle-band-03-2/) - Description: Circle Band 03 consists of a band of connected open circles bound by a plain band above and below it. A horizontal dash band runs along the circle centers and two vertical “ticks” are placed at the center of each circle creating a dashed cross appearance inside each circle. Stylistic Genre: The genre for
- [Child](https://www.daacs.org/stylistic_element/child/) - Description: Any element showing a human child. Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre None (Leave this field blank.) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Sprig Molded No Applied Color Child Individual A
- [Basket Weave 03](https://www.daacs.org/stylistic_element/basket-weave-03/) - Description: Often seen on White Salt-glazed stoneware, this stylistic element is characterized by a pierced lattice-like design, often part of a dot/diaper type combination band. Cataloging Example for Depicted Sherd Stylistic Genre Dot/Diaper/Basketweave Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Perforate Unidentified Molded No Applied Color Basket Weave 03 Individual A
- [Basket Weave 02](https://www.daacs.org/stylistic_element/basket-weave-02/) - Description: Thin, molded ribbed strips of ceramic, most often Creamware, which are woven together to form a basket-like vessel. The thin ribbed segments are called Basket Weave 2. Please note that this stylistic element does not necessarily reflect the form of the vessel. Cataloging Example for Depicted Sherd Stylistic Genre None (leave this field blank)
- [Bamboo 02](https://www.daacs.org/stylistic_element/bamboo-02/) - Description: Seen on handles. Characterized by regularly spaced molded and painted “ribs” meant to mimic cane joints. Cataloging Example for Depicted Sherd Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Handle Painted, under free hand Yellow, Muted Dark Bamboo 02 Individual A Exterior Handle Molded Not Applicable Bamboo 02
- [Animal, unidentifiable](https://www.daacs.org/stylistic_element/animal-unidentifiable-3/) - Description: Use this stylistic element when there is a decorative element that represents part of an animal, for instance a head, but when there is not enough of the body to determine the specific type of animal. This designation can also be used for stylized animals, when the type of animal cannot be determined.
- [Acanthus Leaves](https://www.daacs.org/stylistic_element/acanthus-leaves/) - Description: Acanthus leaves are most often molded decorative elements on refined stonewares, such as Black Basalt or Rosso Antico. Cataloging Example for Depicted Sherd Stylistic Genre None (leave blank) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Sprig Molded No Applied Color Acanthus Leaves Individual A
- [Facet/Panel](https://www.daacs.org/stylistic_element/facetpanel/) - Description: Composed of many sides. These can be either flat sides or can be slightly rounded. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Incised, lathe/engine-turned No
- [Fluted](https://www.daacs.org/stylistic_element/basketwork-2/) - Description: A fluted stylistic element is a molded part of the vessel (it can also be incised, lathe/engine-turned) that has channels or depressions. Fluting is best thought of as long channels or depressions as opposed to ribbing, which is defined as long raised ridges or bumps. Stylistic Genre: Not Applicable Cataloging Example for Depicted Sherd:
- [Hunt Scene](https://www.daacs.org/stylistic_element/hunt-scene/) - Description: Any combination of elements that form a hunt scene. This usually involves natural elements, such as trees or bushes, dogs and men. In the case of the example, this is a sprig-molded image of riders on horses, hounds, and a fox racing through the woods. Stylistic Genre: The genre for this stylistic element depends on
- [Man](https://www.daacs.org/stylistic_element/man/) - Description: Any depiction of a man. This can vary from the molded head seen on porcelain to hand-painted male figures in Chinoiserie scenes like the hand and arm seen in the other example. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for the
- [Floral Medallion](https://www.daacs.org/stylistic_element/floral-medallion/) - Description: One might think of Floral Medallions as a single flower viewed from above—a plan view of a flower without stems. Floral Medallions are most often painted on the interior bottom of a teabowl, bowl, or saucer. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Medallion, unid.](https://www.daacs.org/stylistic_element/medallion-unid/) - Description: Most often seen on Westerwald, this stylistic element is used whenever a sprigged element can be identified as a medallion, but cannot be specifically identified beyond that. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for depicted sherd: Stylistic Genre Not Applicable Interior/Exterior Location
- [Mythical Creature](https://www.daacs.org/stylistic_element/mythical-creature/) - Description: Any depiction of a mythical creature, such as a griffon seen sprigged on the Rosso Antico example. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Sprig Molded
- [Ribbed](https://www.daacs.org/stylistic_element/ribbed/) - Description: A molded portion of a vessel that has long convex ridges. Note the difference between “flutes” and “ribs”: flutes are concave and ribs are convex. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior
- [Ribbed, Three Lines](https://www.daacs.org/stylistic_element/ribbed-three-lines/) - Description: Ribbed, three lines are most often seen on the handle of Chinese porcelain teawares. Three molded ribs on the exterior of a handle lie adjacent to one another. The three ribs can look at bit like a cockscomb. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color,
- [Scales 01](https://www.daacs.org/stylistic_element/scales-01/) - Description: Molded element resembling layers of fish scales. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Molded Not Applicable Scales 01 Individual A Exterior Body
- [Trellis 03](https://www.daacs.org/stylistic_element/trellis-03/) - Description: Series of alternating lines that cross each other at an angle. The decorative technique for this stylistic element can be either molded (as seen in the first example) or hand painted (seen below). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Example A:
- [Tick Mark](https://www.daacs.org/stylistic_element/tick-mark/) - Description: A series of parallel lines incised on the lip of a vessel that is oriented more or less perpendicular to the rim itself. Seen primarily on coarsewares like Colonoware and Native American coarseware. Stylistic Genre: Not Applicable Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Stippled](https://www.daacs.org/stylistic_element/stippled/) - Description: Stippled can be used to describe both molded and painted surfaces. Stippling is characterized by small, densely repeated dots that are either molded or painted. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative
- [Squares](https://www.daacs.org/stylistic_element/squares-3/) - Description: This element is a repeating pattern of molded squares. Stylistic Genre: The genre for this stylistic element depends on acombination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Molded Not Applied Color Squares Individual A
- [Plain Edge](https://www.daacs.org/stylistic_element/plain-edge/) - Description: Plain Edge is a very simple upturned molded edge. This edge is seen primarily on flat Creamware vessels. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic
- [Fish Roe Band 11](https://www.daacs.org/stylistic_element/geometric-band-09/) - Description: Characterized by a single row of fish roe suspended from a plain band. Extending from the row of fish roe are long and narrow triangles, which reach, but do not necessarily touch, a double band. Finally, overlapping half-circles or arcs suspended from the bottom of the line (Half-Circle Band 03). Stylistic Genre: The genre
- [Plume, Feather](https://www.daacs.org/stylistic_element/plume-feather-2/) - Description: A molded feather that functions as a divider between molded designs on edge or marley decorated wares such as White Salt Glaze and Whieldon. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Dot/Diaper/Basketweave Interior/Exterior Location Decorative
- [Wavy Band 16](https://www.daacs.org/stylistic_element/wavy-band-16/) - Description: One or more incised or molded bands encircling a vessel in a zigzag pattern. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Incised, lathe/engine-Turned No Applied Color Wavy Band 16 Individual A
- [Wavy Band 14](https://www.daacs.org/stylistic_element/wavy-band-14/) - Description: A single, solid wavy band similar to Wavy Band 03, but with feathery wisps extending from the underside of the band (Note: This band is pictured here with Fish Roe Band 05). Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim
- [Wavy Band 13](https://www.daacs.org/stylistic_element/wavy-band-13/) - Description: Two wavy bands that are offset and stacked on top of each other. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Slip, inlaid Neutrals, Dark Wavy Band 13 Individual A
- [Wavy Band 11](https://www.daacs.org/stylistic_element/wavy-band-11/) - Description: This element consists of a single straight line with a wavy line overlapping it. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Neutrals, Dark Wavy Band 11 Individual A Exterior Proximal Rim Painted, under free hand
- [Wavy Band 09](https://www.daacs.org/stylistic_element/wavy-band-09-2/) - Description: Two parallel wavy lines running around the vessel. One is solid; the other is made up of dots. A solid wavy line with dots on one-side of the line. Seen most often on overglaze porcelain. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior
- [Wavy Band 03](https://www.daacs.org/stylistic_element/wavy-band-03/) - Description: A single, solid wavy band. This band can have both large and small undulating curves. Seen most often on overglaze porcelain. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, over free hand Red, Intense Medium Wavy Band 03 Individual A
- [Trellis Band, unid.](https://www.daacs.org/stylistic_element/trellis-band-unid/) - Description: This classification should be used when small, unidentifiable portions of a Trellis band are present on a sherd. It is often the case that the decoration can be identified as a Trellis band but there is not enough present to name the exact Trellis band. Trellis Band, unid. should be used in these cases.
- [Trellis Band 48](https://www.daacs.org/stylistic_element/trellis-band-48/) - Description: This band is similar to Trellis Band 27 except this band is composed of a single X alternating with double Xs and triple Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Muted Dark Trellis Band
- [Trellis Band 46](https://www.daacs.org/stylistic_element/trellis-band-46/) - Description: This could be thought of as “half of a trellis band”. Triple lined V’s instead of X’s form the central element of the band. Single lined hatch marks form V’s in the negative spaces between. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Trellis Band 45](https://www.daacs.org/stylistic_element/trellis-band-45/) - Description: Double lined X’s form the central part of the central element of the band. Smaller single lined diamonds are located in the spaces between X’s. Each diamond has a dot in the center. Half-circles are painted above and below the cross bars of the X’s. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Trellis Band 43](https://www.daacs.org/stylistic_element/trellis-band-43/) - Description: Very similar to Trellis Band 18: Composed of concentric Xs or crosshatching with a disconnected X inside the diamond-shaped cells between the Xs. The difference between the two is that the X’s on this band are composed of double lines that overlap one another, as opposed to the X’s that are not overlapping in
- [Trellis Band 42](https://www.daacs.org/stylistic_element/trellis-band-42/) - Description: Very similar to Trellis Band 33: A band composed of a single row of X’s with a cross in each X, creating an asterisk. A single dot is located in the middle of the diamond negative space between the X’s. This band the addition of three vertical dots down the midline of each diamond:
- [Trellis Band 41](https://www.daacs.org/stylistic_element/trellis-band-41/) - Description: A single row of X’s with slightly smaller diamonds transposed over each X junction. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Muted Dark Trellis Band 41 Individual A
- [Trellis Band 40](https://www.daacs.org/stylistic_element/trellis-band-40/) - Description: The blurry effect in this example is the result of the paint running. Triple lined X’s create a single trellis row. Curved four-sided shapes are painted in the center of each X and half circles are painted at the top and bottom of the band, in between the X’s. Cataloging Example for Depicted
- [Trellis Band 39](https://www.daacs.org/stylistic_element/trellis-band-39/) - Description: A single row of double lined X’s with open circles in the diamond shaped spaces between X’s. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 39 Individual A
- [Trellis Band 38](https://www.daacs.org/stylistic_element/trellis-band-38/) - Description: Similar to Trellis Band 37, but with single lined X’s instead of double: Single lined X’s create a single-row band. A single lined cross is painted at the junction of each cross, creating an asterisk. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior
- [Trellis Band 37](https://www.daacs.org/stylistic_element/trellis-band-37/) - Description: Double lined X’s create a single-row band. A single lined cross is painted at the junction of each cross. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 37 Individual A
- [Trellis Band 36](https://www.daacs.org/stylistic_element/trellis-band-36/) - Description: Double lined X’s alternate with single lined X’s. A thick, single lined cross is painted on all X junctions. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 36 Individual A
- [Trellis Band 02](https://www.daacs.org/stylistic_element/trellis-band-02/) - Description: This Trellis Band is characterized by intersecting parallel lines that are most often arranged on a diagonal to form a diamond pattern. A small X or cross is painted at the intersection of each line. The background of the band can be shaded with a darker blue or it can be left blank.
- [Trellis Band 03](https://www.daacs.org/stylistic_element/trellis-band-03/) - Description: Alternating single and double-lined Xs bounded by two to four horizontal bands. This band can have a solid, colored background. If the band has a colored background, record the color of the background; otherwise, simply record the color of the Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location
- [Trellis Band 04](https://www.daacs.org/stylistic_element/trellis-band-04/) - Description: This detailed trellis band is characterized by repeating double-lined Xs that have a cross where the double-lined Xs meet. There are two short ticks at the upper and lower junctions of the double-crossed Xs. This band is also seen with triple-lined Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior
- [Trellis Band 05](https://www.daacs.org/stylistic_element/trellis-band-05/) - Description: Repeating double-lined Xs with dot decoration in the interstices characterize this band. A single dot is painted in the upper and lower open triangular spaces made by the Xs. Groups of four dots fill the open diamond-shaped space. This band is identical to Trellis Band 08 except that it has dashes instead of dots.
- [Trellis Band 06](https://www.daacs.org/stylistic_element/trellis-band-06/) - Description: Intersecting parallel lines arranged on a diagonal to form a crosshatching pattern. Small ticks project downward into each diamond-shaped cell. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 06 Individual A
- [Trellis Band 07](https://www.daacs.org/stylistic_element/trellis-band-07/) - Description: Solid-lined Xs that alternate with smaller, nonintersecting dashed Xs define Trellis Band 07. This band is identical to Trellis Band 12 except that it has double-lined Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue,
- [Trellis Band 09](https://www.daacs.org/stylistic_element/trellis-band-09/) - Description: The basis of this band is the classic crossed lines that form one or more levels of diamond-shaped lattice. The defining characteristic of this band is the small circle or square painted around each intersection of crossed lines. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color
- [Trellis Band 10](https://www.daacs.org/stylistic_element/trellis-band-10/) - Description: Four oblong lobes forming an X, with half-circles in the triangular spaces at the top and bottom of the X. In the diamond-shaped cell between the oblong, lobed Xs is a normal, single-lined X. A variant of this band has half-circles on either side of the X in addition to the top and bottom
- [Trellis Band 11](https://www.daacs.org/stylistic_element/trellis-band-11/) - Description: Trellis Band 11 is characterized by flowers with four petals that are oriented in such a way that the petals create a diamond pattern. This band is seen both with and without dots and with and without a solid background. A taller version of this band can be seen, with the top half of
- [Trellis Band 12](https://www.daacs.org/stylistic_element/trellis-band-12/) - Description: Double-line solid Xs that alternate with smaller dashed Xs define Trellis Band 12. This band is very similar to Trellis Band 07 except that this band has double-lined solid Xs instead of single-lined Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior
- [Trellis Band 13](https://www.daacs.org/stylistic_element/trellis-band-13/) - Description: Single Xs with crosshatching in between. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 13 Individual A Interior Proximal Rim Painted, under free hand Purple-Blue, Muted Dark Trellis Band 13 Individual
- [Trellis Band 14](https://www.daacs.org/stylistic_element/trellis-band-14/) - Description: Repeating double- or triple-lined Xs with dash decoration in the interstices between, above, and below the Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 14 Adjacent Combination A
- [Trellis Band 15](https://www.daacs.org/stylistic_element/trellis-band-15-2/) - Description: A band of squares broken into quadrants. Double-lined Xs are circumscribed by these quartered squares. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 15 Individual A
- [Trellis Band 16](https://www.daacs.org/stylistic_element/trellis-band-16/) - Description: Trellis Band 16 is characterized by crossed double lines that form a repeating diamond pattern. Inside of each diamond “cell” is a single lined X. Another single lined X is inside the top triangle formed by the diamonds. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color
- [Trellis Band 17](https://www.daacs.org/stylistic_element/trellis-band-17-2/) - Description: This trellis band is characterized by the classic trellis: single crossed lines that form a diamond shaped pattern. Inside the larger diamonds sits small diamonds that contain four short diagonal lines. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted,
- [Trellis Band 18](https://www.daacs.org/stylistic_element/trellis-band-17/) - Description: Composed of concentric Xs or crosshatching with a disconnected X inside the diamond-shaped cells between the Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 18 Individual A
- [Trellis Band 19](https://www.daacs.org/stylistic_element/trellis-band-19/) - Description: Two connected rows of a lobed X’s with a cluster of four hatch marks in the open spaces. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 19 Individual A
- [Trellis Band 20](https://www.daacs.org/stylistic_element/trellis-band-20/) - Description: This band is similar to Trellis Band 18. It consists of concentric Xs or crosshatching with a connected X (Trellis Band 18 has a disconnected X) inside the diamond-shaped cells between the Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim
- [Trellis Band 21](https://www.daacs.org/stylistic_element/trellis-band-21/) - Description: This band consists of a series of concentric Xs or crosshatching with an interrupted circle behind each X (so that it is divided into quarters by the X). Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand
- [Trellis Band 23](https://www.daacs.org/stylistic_element/trellis-band-23/) - Description: A series of crossed double lines forming a lattice pattern. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 23 Individual A
- [Trellis Band 25](https://www.daacs.org/stylistic_element/trellis-band-25/) - Description: A series of single lines, forming a lattice pattern. Lines than bound this band may vary in color. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 25 Individual A Interior Proximal Rim
- [Trellis Band 26](https://www.daacs.org/stylistic_element/trellis-band-26/) - Description: This band is similar to Trellis Band 2 except it is only half of the band. Trellis Band 26 appears as a zigzag line with half crosses at the vertices of the zigzags. It can either have a painted background as seen in this example, or it can have no background. Cataloging Example for
- [Trellis Band 27](https://www.daacs.org/stylistic_element/trellis-band-27/) - Description: This band is similar to Trellis Band 14&15. Repeating double-Xs with single Xs in the interstices between double-Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 27 Individual A
- [Trellis Band 29](https://www.daacs.org/stylistic_element/trellis-band-29/) - Description: Repeating double-lined Xs with dot decoration in the interstices characterize this band. Groups of four dots in a diamond pattern fill the open diamond-shaped space. It is banded by a single line at the top and a double line at the bottom. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior
- [Trellis Band 35](https://www.daacs.org/stylistic_element/trellis-band-35/) - Description: Similar to Trellis Band 18: Double lined X’s form a single row. A disconnected X is inside the diamond-shaped cells between the Xs. This band has the addition of a vertical line at the junction of each X. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color
- [Basket Weave 01](https://www.daacs.org/stylistic_element/basket-weave-01-2/) - Description: Molded design found most often on Creamware, Whieldon, and White Salt-glazed stoneware. Characterized by multiple thin molded lines that cross over and under wider, molded bands giving the appearance of a woven surface. Cataloging Example for Example A Stylistic Genre Dot/Diaper/Basketweave Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Molded
- [Swag Band 09](https://www.daacs.org/stylistic_element/swag-band-09/) - Description: A single row of half circles extending from a single line above. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Molded No applied color Swag Band 09
- [Cable Band 04](https://www.daacs.org/stylistic_element/cable-band-03-2/) - Description: A decoration consisting of molded, inset lines that resemble a twisted rope running along the sides of the handle (in this example). Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Handle Molded No Applied Color Cable Band 04 Individual A
- [Husk Chain Band 09](https://www.daacs.org/stylistic_element/husk-chain-band-09/) - Description: This band is characterized by a series of unconnected arrow tops ^ stacked on top of each other, with space in between. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Husk Chain Band 08](https://www.daacs.org/stylistic_element/husk-chain-band-08/) - Description: A more feathery and compact version of the chain of chevrons similar to Husk Chain Band 1. The chevrons are tightly compacted and overlap, rather than being distinct (as in Husk Chain Band 01). The arrows appear to be flaring at the thinner portion of the tip, therefore mimicking a feather-like quality. It may be painted
- [Husk Chain Band 02](https://www.daacs.org/stylistic_element/husk-chain-band-02/) - Description: Seen most often on overglaze Chinese porcelain, this band consists of two straight-lines, or plain band 1s, surrounding a thin curlicue line. The thin line has small loops and a thin, leaf-like mark below and extending to the right of the curlique. Stylistic Genre: The genre for this stylistic element depends on a combination
- [Husk Chain Band 15](https://www.daacs.org/stylistic_element/husk-chain-band-15/) - Description: A series of repeating chevrons that extend from a horizontal line. The chevrons extend from one direction above the line, and the opposite direction below the line. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made
- [Husk Chain Band 13](https://www.daacs.org/stylistic_element/husk-chain-band-13/) - Description: This band can be thought of as a stylized flower on its side: the flower is composed of a stem and two radiating leaves with a “bloom” composed of three dots. The flower is repeated end to end. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging
- [Husk Chain Band 12](https://www.daacs.org/stylistic_element/husk-chain-band-12/) - Description: A chain of arrow-shaped elements linked by open circles creates this band. Similar to Husk Chain Band 03, but has an open circle in place of dots. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location
- [Husk Chain Band 11](https://www.daacs.org/stylistic_element/husk-chain-band-11/) - Description: This band consists of repeated “corn-husk” elements separated by two dots. The “corn” elements are flared at the left end, and the husk appears to be peeling back on the right hand side. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Husk Chain Band 05](https://www.daacs.org/stylistic_element/husk-chain-band-05/) - Description: A thin wavy band forms the core of Husk Chain Band 5. Small, filled half-arrows are painted inside of each curve of the wavy band. The arrows follow the concave portions of the wavy band, on both sides of the band. Seen most often on overglaze Chinese porcelain. Stylistic Genre: The genre for this
- [Husk Chain Band 06](https://www.daacs.org/stylistic_element/husk-chain-band-06/) - Description: A chain of solid circles connected by solid roughly diamond shaped (or ovals) defines Husk Chain Band 6. Seen primarily on overglaze Chinese porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color
- [Husk Chain Band 01](https://www.daacs.org/stylistic_element/husk-chain-band-01/) - Description: This band is characterized by a chain of arrow-shaped motifs that may be bound between two bands. Seen most often on overglaze Chinese porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color
- [Geometric Band 02](https://www.daacs.org/stylistic_element/geometric-band-02-2/) - Description: Geometric Band 02 combines garland and trellis motifs to form a neoclassical geometric band. Thin diagonal double lines that form a V pattern with a small dot at the base are bound between two thinly painted bands. A simple leaf garland weaves its way through the double-line V’s. Stylistic Genre: The genre for this
- [Feather Edge](https://www.daacs.org/stylistic_element/feather-edge/) - Description: Molded scalloped rim with multiple raised arcs that hang from the rim and curve onto the marley. Stylistic Genre: Feather Edge. Cataloging Example for Depicted Sherd: Stylistic Genre Feather Edge Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Molded No Applied Color Feather Edge Individual A
- [Spearhead Band 12](https://www.daacs.org/stylistic_element/spearhead-band-12/) - Description: This band is suspended from a single line. Connected open circles (with smaller filled circles inside them) form a band. A spearhead is placed at each junction of circles. The spearhead is composed of dots aligned vertically. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and
- [Cable Band 05](https://www.daacs.org/stylistic_element/cable-band-05/) - Description: Multiple molded beads that lie at an angle adjacent to one another, resembling a cable or rope. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Body Molded No Applied Color Cable Band 05 Individual A
- [Cable Band 02](https://www.daacs.org/stylistic_element/cable-band-02/) - Cable Band 02 Description: Cable Band 2 is painted to look like a rope or cable. The central horizontal section is a solid color with unpainted sections that create the illusion of another fiber or rope wrapping around the solid band. Inside the solid band, between the lozenge shaped unpainted portions, are small vertical “dumbbells”
- [Roulette Band 07](https://www.daacs.org/stylistic_element/roulette-band-07/) - Description: This band consists of stacked rows of circular elements. The rows are staggered so that the elements line up continuously diagonally. The elements can be either depressed or raised. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Swag Band 15](https://www.daacs.org/stylistic_element/swag-band-15/) - Description: Connected half-circles with a single vertical line at each junction and a cross within each trough. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Slip,
- [Half-Circle Band 10](https://www.daacs.org/stylistic_element/half-circle-band-10/) - Description: This band consists of a series of connected half-circles with an inverted triangle passing through the point the half-circles touch. On either side of the apex of the triangles are two lines that along with the apex form a spearhead. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative
- [Dogtooth Band 09](https://www.daacs.org/stylistic_element/diamond-band-06/) - Description: This band consists of two dogtooth bands (mirrored zig zags), reflected vertically on top of each other. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Dogtooth Band 08](https://www.daacs.org/stylistic_element/dogtooth-band-08/) - Description: Two zig zag bands placed over top of each other and offset. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, inlaid, Yellow-Red/Red,
- [Diamond Band 09](https://www.daacs.org/stylistic_element/diamond-band-09/) - Description: This band consists of stacked rows of diamond-shaped rouletted elements. The rows are staggered so that the elements line up continuously diagonally. In this example, inlaid slip fills the rouletted elements. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Body Rouletted No
- [Diamond Band 08](https://www.daacs.org/stylistic_element/diamond-band-08/) - Description: A single band of connected, open ovals with a diamond inside each oval. Vertical lines extend from oval intersections. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color
- [Diamond Band 07](https://www.daacs.org/stylistic_element/diamond-band-07/) - Description: A single band of unconnected diamonds. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, inlaid, Yellow-Red/Red, Muted Dark Diamond Band 07 Individual A
- [Diamond Band 05](https://www.daacs.org/stylistic_element/diamond-band-05/) - Description: This band consists of a solid diamond, slipped or painted, outlined by another diamond with a small amount of space in between. The outer outline joins adjacent diamonds to form a band. Most often found on factory-made slipwares. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color
- [Diamond Band 04](https://www.daacs.org/stylistic_element/diamond-band-04/) - Description: This band consists of solid diamonds, either painted or slipped, whose right and left ends are joined to other diamonds, creating a band around the vessel. Commonly found on factory-made slipwares. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Slip,
- [Circle Band 15](https://www.daacs.org/stylistic_element/circle-band-15/) - Description: A band of parallel arcs with a pair of interior square dots and single exterior vertical ticks where the arcs come closest to touching. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Slip, inlaid Neutrals, Dark Circle Band 15 Individual A
- [Circle Band 10](https://www.daacs.org/stylistic_element/circle-band-10/) - Description: This band is similar to Circle Band 07. The central element is a band of connected circles with smaller circles inside them. A band of offset half-circles is attached to the top and bottom of the central band, forming the illusion of a scallop band above and below it. The example is rouletted. Cataloging
- [Circle Band 09](https://www.daacs.org/stylistic_element/circle-band-09/) - Description: An inlaid slip band that consists of large connected circles. This band initially cuts into the slipped vessel with a roulette tool. It is then slipped again with a different color and that slip is cut away. We record the final decorative treatment, which results in inlaid slip. Note: Different from Circle Band 01
- [Circle Band 06](https://www.daacs.org/stylistic_element/circle-band-06/) - Description: A band of hourglass-shaped “dividers” creating a negative effect of circles in the white space between them. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, lathe/engine turned Yellow-Red, Intense Medium Plain Band 02 Stacked Combination A Exterior Body Slip, lathe/engine turned
- [Circle Band 02](https://www.daacs.org/stylistic_element/circle-band-02/) - Description: Circle Band 02 is an inlaid slip band or bands of small, uniform circles or ovals. Though these are closely spaced, they are not connected. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory
- [Circle Band 01](https://www.daacs.org/stylistic_element/circle-01/) - Description: Circle Band 1 is an inlaid slip band that consists of large connected circles that have a smaller, dark central circle. This band initially cuts into the slipped vessel with a roulette tool. It is then slipped again with a different color and that slip is cut away. We record the final decorative treatment,
- [Geometric Column 01](https://www.daacs.org/stylistic_element/geometric-column/) - Description: Geometric Column 01 is characterized by a vertical band, or column, of solid diamonds that have a small open circle of white (the color of the body) in their centers. Thinly painted crossed lines separate each diamond. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Spearhead Band, unid.](https://www.daacs.org/stylistic_element/spearhead-band-unid/) - Description: Use this term when you have a spearhead band, but cannot identify the exact one. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Scallop Band, unid.](https://www.daacs.org/stylistic_element/scallop-band-unid/) - Description: Use this term when you have a scallop band, but cannot identify the exact one. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Roulette Band, unid.](https://www.daacs.org/stylistic_element/roulette-band-unid-3/) - Description: Use this term when you have a roulette band, but cannot identify the exact one. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Plain Band, unid.](https://www.daacs.org/stylistic_element/plain-band-unid/) - Description: Use this term when you have a plain band, but cannot identify the exact one. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Heart](https://www.daacs.org/stylistic_element/heart/) - Description: Any representation of a heart, stylized or otherwise. The example seen here is on Westerwald. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for depicted sherd: Stylistic Genre Blue, molded/stamped/incised \ Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free
- [Dash Band, unid.](https://www.daacs.org/stylistic_element/dash-band-unid/) - Description: Use this when there is a small portion of a dash band present, but the specific band cannot be identified. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Circle Band, unid.](https://www.daacs.org/stylistic_element/circle-band-unid/) - Description: Circle Band, unid. should be used when small, unidentifiable portions of a circle band are present on a sherd. It is often the case that one can identify the decoration as a circle band but cannot specify which exact band is represented. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color,
- [Garland Band, unid.](https://www.daacs.org/stylistic_element/garland-band-unid-2/) - Description: Garland Band, unid. should be used when small, unidentifiable portions of a garland are present on a sherd. It is often the case that one can identify the decoration as a garland but cannot specify which exact garland is represented. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative
- [Garland Band 13](https://www.daacs.org/stylistic_element/garland-band-13/) - Description: Garland Band 13 is characterized by an undulating solid wavy line with dots on the inside of each curve. The dots appear on both sides of the wavy line. This wavy line is similar to Wavy Band 07. In addition, sprigs comprised of brown lines and green ovals (leaves) are present in the curves
- [Garland Band 12](https://www.daacs.org/stylistic_element/garland-band-12/) - Description: A single plain band with a meandering band atop it. The meandering band is composed of closely-spaced “leaves” oriented in the same direction. A three-part stacked half-circle element is alternated with the meandering band, placed in the blank spaces between its peaks and troughs. Stylistic Genre: The genre for this stylistic element depends on
- [Garland Band 11](https://www.daacs.org/stylistic_element/garland-band-11/) - Description: A central plain band with a meandering band atop it. Three-part floral elements extend from curved “stems” oriented in one direction off of the meandering band at close intervals. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic
- [Garland Band 10](https://www.daacs.org/stylistic_element/garland-band-10/) - Description: A double plain band with a meandering band atop it. The meandering band is composed of closely-spaced chevron elements oriented in the same direction. A single large dot is alternated with the meandering band, placed in the blank spaces between its peaks and troughs. Stylistic Genre: The genre for this stylistic element depends on
- [Garland Band 09](https://www.daacs.org/stylistic_element/garland-band-09/) - Description: Composed of a central band (made up of connected ovals) with a meandering band atop it. Various floral elements extend from the meandering band, punctuated by symmetrical radial flowers at central points. In this example the garland forms a circular frame around central text. Stylistic Genre: The genre for this stylistic element depends on
- [Garland Band 08](https://www.daacs.org/stylistic_element/garland-band-07-2/) - Description: A band of connected trumpet-shaped, three-lobed flowers oriented in one direction, though the direction may change at a central point. In this example, the garland forms a meandering frame around a central text or scene. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging
- [Garland Band 07](https://www.daacs.org/stylistic_element/garland-band-07/) - Description: Garland Band 07 is characterized by an undulating line that forms a stylized “stem” with alternating flower elements that extend from it. Two green leaves extend from it, alternating with three small blue circular “blooms.” A solid line bisects the garland horizontally. Both this line as well as the garland are regularly interrupted with
- [Garland Band 06](https://www.daacs.org/stylistic_element/garland-band-06/) - Description: Garland Band 06 is characterized by an undulating line, with an alternating pattern of a feather-like leaf followed by three leaves on each side: two dark colored with one yellow leaf in the middle. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for
- [Garland Band 05](https://www.daacs.org/stylistic_element/garland-band-04-2/) - Description: Characterized by closely-spaced hatch marks or circles that are attached to an undulating line. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome Warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted under,
- [Garland Band 04](https://www.daacs.org/stylistic_element/garland-band-04/) - Description: Garland 4 is characterized by a blue undulating line that has small mustard colored leaves and large, feathery green foliage emanating from the line. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome Warm Interior/Exterior Location Decorative
- [Garland Band 03](https://www.daacs.org/stylistic_element/garland-band-03/) - Description: Multiple thin lines coming off of an undulating botanical garland gives Garland Band 03 a fern-like quality. Simultaneously, a strand of connected color beads runs through the undulating band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic
- [Garland Band 01](https://www.daacs.org/stylistic_element/garland-band-01/) - Description: Garland Band 01 is a delicate botanical garland that undulates around a thin band, which encircles the vessel. Two thickly painted leaves radiate from the undulating garland and are interspersed with feathery leaves. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for
- [Hatched Line Band 12](https://www.daacs.org/stylistic_element/hatched-line-band-12/) - Description: Long, rouletted vertical lines with painted lines above and below the rouletting define this band. This band is similar to Hatched Line Band 10 except this band is bounded by painted lines. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted
- [Hatched Line Band 11](https://www.daacs.org/stylistic_element/hatched-line-band-11/) - Description: Composed of a row of crescents. Note that it is similar to Hatched Line Band 06, but Hatched Line Band 06 is composed of white space between the crescent shapes. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Hatched Line Band 10](https://www.daacs.org/stylistic_element/hatched-line-band-10/) - Description: Repeated thin, vertical lines that encircle the vessel’s body. Note that this band is similar to Hatched Line Band 09, but the repeated elements are wavy and not completely vertical for Hatched Line Band 09. This band is also similar to Hatched Line Band 12, but that band is bound by horizontal plain bands.
- [Hatched Line Band 09](https://www.daacs.org/stylistic_element/hatched-line-band-09/) - Description: Repeated impressed wavy lines that run almost vertically to the vessel’s body characterize this band. Note that this band is similar to Hatched Line Band 10, but the repeated elements are vertical for Hatched Line Band 10. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and
- [Hatched Line Band 08](https://www.daacs.org/stylistic_element/hatched-line-band-08/) - he Description: Composed of three stacked rows of rectangles. The top and bottom rows are smaller rectangles/ticks and are offset from the middle row. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique
- [Dogtooth Band 07](https://www.daacs.org/stylistic_element/dogtooth-band-07/) - Description: Dogtooth Band 07 is a chain of large “teeth” or solid triangles linked at their base. A thin line outlines each triangle. Single or double bands enclose the triangles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome,
- [Dogtooth Band 06](https://www.daacs.org/stylistic_element/dogtooth-band-06/) - Description: Dogtooth Band 06 consists of the simplest saw-tooth motif : a plain zigzag line with no additional bounding lines. The example shown here is seen on Colonoware. Cataloging Example for Depicted Sherd: Stylistic Genre None: leave field blank Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Incised, free hand No Applied
- [Dogtooth Band 04](https://www.daacs.org/stylistic_element/dogtooth-band-04/) - Description: Dogtooth Band 04 is characterized by a saw-tooth band that has dots in the lower interior spaces of the triangle and in the upper interior spaces of the triangle. The band is bound by single bands on the top and bottom. The band is similar to Wavy Band 07, except the saw-tooth band forms
- [Dogtooth Band 01](https://www.daacs.org/stylistic_element/dogtooth-band-01/) - Description: This element consists of a saw-tooth motif that extends downward from a single solid line. A second solid line is painted below, but not touching, the saw-tooth motif. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze,
- [Dot Dash Band 01](https://www.daacs.org/stylistic_element/dot-band-10-2/) - Description: Dot Dash Band 01 is defined by a dot-dash pattern that is bound on either side by thin solid bands. This example also had a large band of background color onto which the dot-dashes and thin solid bands are painted. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique,
- [Dot Cluster Band 03](https://www.daacs.org/stylistic_element/dot-band-09/) - Description: This band consists of clusters of dots below a single solid line, enclosed by connected scallops. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted,
- [Dot Cluster Band 02](https://www.daacs.org/stylistic_element/dot-band-08/) - Description: This band is similar to Dot Cluster Band 01. It is bound by a single band at the top with repeating three-dot clusters attached to it. Unlike Dot Cluster Band 01, there is no band below. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Dot Cluster Band 01](https://www.daacs.org/stylistic_element/dot-band-06-2/) - Description: This band is bound by a single band at the top with repeating three-dot clusters attached to it, and a double band at the bottom. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative
- [Dot Band 06](https://www.daacs.org/stylistic_element/dot-band-06/) - Description: This band consists of a single line of dots bordered by two thick single bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, over
- [Dot Band 05](https://www.daacs.org/stylistic_element/dot-band-05/) - Description: This band consists of a single line of impressed dots or finer-shaped depressions. Dot Band 05 seen in this example below the rim on Colonoware. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre None: leave field blank Interior/Exterior
- [Dot Band 04](https://www.daacs.org/stylistic_element/dot-band-04/) - Description: This band consists of several small dots and one larger dot that are repeated between two plain bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, Warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal
- [Dot Band 03](https://www.daacs.org/stylistic_element/dot-band-03/) - Description: Dot Band 03 consists of a single line of dots bordered by a single band on the top and a double band on the bottom. The band can be wavy or straight. Often seen in overglaze Chinese porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Dot Band 02](https://www.daacs.org/stylistic_element/dot-band-02/) - Description: Dot Band 02 is a series of connected squares. In the center of each square is a single dot. Think of cells in a plant. Note that each cell is rectangular or square, not round, which is what distinguishes this band from a Fish Roe Band. Stylistic Genre: The genre for this stylistic element
- [Dot Band 01](https://www.daacs.org/stylistic_element/dot-band-01/) - Description: Dot Band 01 is characterized by a single band of dots that encircle a vessel. This band may or may not have two thin solid bands on either side. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic
- [Roulette Band 12](https://www.daacs.org/stylistic_element/roulette-band-12/) - Description: Roulette Band 12 consists of impressed or raised lines forming linked chevrons oriented in opposite directions. Each chevron pair is separated by another raised line in the center of the band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Roulette Band 11](https://www.daacs.org/stylistic_element/roulette-band-11/) - Description: This band is similar to Roulette Band 10: A series of connected circles (ovals, in this case) with vertical lines at oval junctions. Unlike Roulette Band 10, no horizontal line runs through the middle of this band. This example is flanked by a plain band above and below. Stylistic Genre: The genre for this
- [Roulette Band 10](https://www.daacs.org/stylistic_element/roulette-band-10/) - Description: A series of connected circles with vertical lines at circle junctions. A dashed line runs horizontally through circles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Roulette Band 08](https://www.daacs.org/stylistic_element/roulette-band-08/) - Description: This band consists of a single incised/rouletted band with diced square bands above and below the incised plain band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Roulette Band 06](https://www.daacs.org/stylistic_element/roulette-band-06/) - Description: This band consists of repeated impressed “staple”-like shapes. The impressed shapes have three sides and all sides form right angles with each other. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location
- [Roulette Band 03](https://www.daacs.org/stylistic_element/roulette-band-03/) - Description: Roulette Band 03 consists of repeated arcs separated by a pair dots or dashes, and a pair of diagonal lines. The pattern follows arc - dots - arc - diagonal lines. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Sherd: Stylistic
- [Half-Circle Band, unid.](https://www.daacs.org/stylistic_element/half-circle-band-unid/) - Description: Use this term when you have portions of a half-circle band but cannot identify the exact one. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Half-Circle Band 17](https://www.daacs.org/stylistic_element/half-circle-band-17-2/) - Description: This element consists of an arcing band that has an alternating pattern of 3 grouped dots and a leaf at the point of each arc. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze handpainted Interior/Exterior
- [Half-Circle Band 16](https://www.daacs.org/stylistic_element/half-circle-band-16/) - Description: Two parallel lines that follow a slight, scallop pattern characterize this band. It is most often seen in the well of a plate in conjunction with a radiating bloom floral element (pictured). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted
- [Half-Circle Band 15](https://www.daacs.org/stylistic_element/half-circle-band-15/) - Description: Connected and overlapping circles with a string of vertically-oriented dots (creating a "spearhead" effect) at the point of overlap. This half-circle band is connected to a plain band above. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic
- [Half-Circle Band 13](https://www.daacs.org/stylistic_element/half-circle-band-13/) - Description: This band is composed of a band of connected half circles beneath a plain band, with a partially-filled oval connected to a string of dots below it (creating a "spearhead" effect) at each half circle junction. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Half-Circle Band 11](https://www.daacs.org/stylistic_element/half-circle-band-11/) - Description: A series of connected half-circles suspended from a plain band. An oval with a filled circle inside each is located at the junction of the half circles. There is a curved line on either side of each oval and a small vertical “tick” descends down at the center, all of which create a “spearhead”
- [Half-Circle Band 12](https://www.daacs.org/stylistic_element/half-circle-band-12/) - Description: Overlapping half circles bound by plain bands above and below characterize Half-Circle Band 12. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted
- [Half-Circle Band 08](https://www.daacs.org/stylistic_element/half-circle-band-08/) - Description: This band consists of a series of connected half-circles with a series of half-circles below it in a different color. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic
- [Half-Circle Band 09](https://www.daacs.org/stylistic_element/half-circle-band-09/) - Description: This band consists of a series of solid connected half-circles with a veritical line extending down from each junction. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Half-Circle Band 06](https://www.daacs.org/stylistic_element/half-circle-band-06/) - Description: This band consists of connected half circles. A solid dot beneath the circles may or may not be connected to them. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze handpainted Interior/Exterior Location Decorative Technique Color
- [Half-Circle Band 05](https://www.daacs.org/stylistic_element/half-circle-band-05/) - Description: This band is identical to Half-Circle Band 1 except that the band of connecting half-circles or arcs is suspended below either a single or double line. The arcs may or may not be attached to the band above it. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique,
- [Half-Circle Band 04](https://www.daacs.org/stylistic_element/half-circle-band-04/) - Description: Overlapping half-circles are suspended from a dual-colored band. Similar to Half-Circle Band 3, the ends of the half-circles overlap to form an X. One end of each half-circle has a little floral “bud” painted to make the half-circles look like little arching flowers. Stylistic Genre: The genre for this stylistic element depends on a
- [Half-Circle Band 02](https://www.daacs.org/stylistic_element/half-circle-band-02/) - Description: Seen on both porcelains and earthenwares, this element is characterized by a band of connecting arcs (a Half-Circle Band 1) that have 3 grouped dots that form a triangle at the point of each arc. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Half-Circle Band 01](https://www.daacs.org/stylistic_element/half-circle-band-01/) - Description: Seen on both porcelains and earthenwares, this element is characterized by a band of connecting half-circles or arcs. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Hatched Line Band 06](https://www.daacs.org/stylistic_element/hatched-line-band-06/) - Description: Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Muted Medium Hatched Line Band 05 Individual A Interior Proximal Rim Painted, under
- [Wavy Band, unid.](https://www.daacs.org/stylistic_element/wavy-band-unid/) - Description: Use this when you have part of a wavy band but the particular wavy band cannot be determined.
- [Diced Square/Rectangle Band 17](https://www.daacs.org/stylistic_element/diced-squarerectangle-band-17/) - Description: This band consists of stacked rows of parallelogram shaped rouletted elements. The rows of elements are staggered so they line up roughly diagonally. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location
- [Diced Square/Rectangle Band 16](https://www.daacs.org/stylistic_element/diced-squarerectangle-band-16/) - Description: This band consists of two plain bands with diced elements connected to each and extending in the opposite direction, creating an alternating pattern of “hanging” diced elements. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware,
- [Diced Square/Rectangle Band 15](https://www.daacs.org/stylistic_element/diced-squarerectangle-band-15/) - Description: Vertical “stripes” of inlaid slip that are connected by upper and lower horizontal inlaid slip bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Diced Square/Rectangle Band 14](https://www.daacs.org/stylistic_element/diced-squarerectangle-band-14/) - Description: Characterized by evenly spaced and evenly sized incised squares/rectangles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, inlaid Neutrals, light Diced Square/Rectangle
- [Diced Square/Rectangle Band 13](https://www.daacs.org/stylistic_element/checkerboard-band-03/) - Description: This band has a row of rectangles the same color alternating with a row of rectangles of a different color. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Diced Square/Rectangle Band 10](https://www.daacs.org/stylistic_element/checkerboard-band-04/) - Description: This band is composed of adjacent squares and rectangles forming an alternating-color pattern. This example contains both inlaid slip, “white space” on the vessel, as well as slipped squares/rectangles that are not incised. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Diced Square/Rectangle Band 09](https://www.daacs.org/stylistic_element/dash-band-03/) - Description: Stacked rows of long, thin horizontal dashes with tapered or beveled ends. The incised dashes alternate, so as one dash ends, the second dash begins, creating a slight overlap. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made
- [Diced Square/Rectangle Band 08](https://www.daacs.org/stylistic_element/dash-band-08-2/) - Description: Stacks of thinly-incised dashes around the vessel, with one thicker dash occurring at regular intervals. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, inlaid Yellow-Red/Red,
- [Diced Square/Rectangle Band 07](https://www.daacs.org/stylistic_element/dash-band-05/) - Description: Vertical columns of dashes occurring at regular intervals around the vessel. Dashes of the same thickness are broken up by a solid band encircling the vessel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative
- [Diced Square/Rectangle Band 06](https://www.daacs.org/stylistic_element/dash-band-08/) - Description: Inlaid slip forms rows composed of alternating long and short rectangles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, inlaid Yellow-Red/Red, Muted Dark Diced Square/Rectangle Band
- [Diced Square/Rectangle Band 05](https://www.daacs.org/stylistic_element/dash-band-11/) - Description: Vertical stacks of dashes of the same size, at regular intervals. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, inlaid Yellow-Red/Red, Muted Dark
- [Diced Square/Rectangle Band 04](https://www.daacs.org/stylistic_element/dash-band-12/) - Description: A band of evenly spaced “fat” rectangles stacked on a band of evenly spaced “thin” rectangles, separated by a line. Plain bands separate (and are considered part of) the elements of the band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for
- [Diced Square/Rectangle Band 02](https://www.daacs.org/stylistic_element/diced-squarerectangle-band-02/) - Description: A rouletted band consisting of three stacked rows of rectangles/squares. The sizes of squares may vary between rows. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Scratch Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior
- [Diced Square/Rectangle Band 01](https://www.daacs.org/stylistic_element/checkerboard-band-01/) - Description: This is an inlaid slip band composed of squares cut into the vessel body and filled with a slip alternating with areas of "blank space", creating the illusion of alternating squares. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Slip,
- [Diamond Band 03](https://www.daacs.org/stylistic_element/diamond-band-03/) - Description: The element of this band is a chain of solid diamonds with beads in the space above and between the diamonds. Solid triangles are in the space below the diamonds. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Molded
- [Diamond Band 02](https://www.daacs.org/stylistic_element/diamond-band-02/) - Description: Like Diamond Band 01, this band consists of a single row of repeated, linked molded diamonds. However, the diamonds on this band alternate between solid diamonds and hollow diamonds. This molded diamond string is bound on either side by raised, molded plain bands. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration,
- [Diamond Band 01](https://www.daacs.org/stylistic_element/diamond-band-01/) - Description: This band consists of a single row of repeated, linked molded diamonds. All of the diamonds are hollow. This molded diamond string is bound on either side by raised, molded plain bands. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal
- [Dentil Band 02](https://www.daacs.org/stylistic_element/dentil-band-02/) - Description: Dentil Band 02, like Dentil Band 01, consists of a straight line with small rectangular dentils that are suspended from the line; however, this band is contained within two solid lines. Small vertical lines or tick marks extend between the dentils from the solid line below. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted
- [Dentil Band 01](https://www.daacs.org/stylistic_element/dentil-band-01/) - Description: Dentil Band 1 consists of a straight line with small rectangular “dentils” that are suspended below the line. This motif is very similar to the architectural dentil motif. This band is not contained within two solid lines. This element is most often executed in overglaze on Chinese porcelains. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Dash Band 09](https://www.daacs.org/stylistic_element/dash-band-09/) - Description: Inlaid slip forms rows and columns of zigzag shapes that are composed of three connected rectangles, paired with their mirror images. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique
- [Dash Band 06](https://www.daacs.org/stylistic_element/dash-band-06/) - Description: Characterized by wide, painted rectangles that are bisected by a thin, plain band. This is framed above and below with one or more plain bands. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Dash
- [Dash Band 02](https://www.daacs.org/stylistic_element/dash-band-02/) - Description: Characterized by two staggered parallel rows of dashed lines that are bound by two solid lines. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal
- [Dash Band 01](https://www.daacs.org/stylistic_element/dash-band-01/) - Description: A single line of short, horizontal dash marks characterize this element. As with all bands, it is an element that encircles the entire vessel. This band may or may not be located between two solid bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Dart Band 02](https://www.daacs.org/stylistic_element/dart-band-02/) - Description: This element consists of connected v’s of varying lengths suspended from a single line, creating an illusion of triangles. There is a dot centered inside one of the v’s. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue,
- [Dart Band 01](https://www.daacs.org/stylistic_element/dart-band-01/) - Description: Two half circles are suspended from a single line with one additional half circle straddling the two, forming a small pyramid. A solid line extends vertically from the top of the pyramid. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under
- [Circle Band 16](https://www.daacs.org/stylistic_element/geometric-band-03/) - Description: This band is a chain of large ovals. Each oval has a small cluster of four dots in the center. Three thin lines are also painted between each oval. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand
- [Circle Band 13](https://www.daacs.org/stylistic_element/circle-band-13/) - Description: A single band of circles, unconnected, suspended from a band above. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted, Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Blue,
- [Circle Band 11](https://www.daacs.org/stylistic_element/circle-band-11/) - Description: A band of connected circles that are open at the bottom. A single “V” is painted in the center of each circle, with the exception of a blank circle at a regular interval. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for
- [Circle Band 04](https://www.daacs.org/stylistic_element/circle-band-04-2/) - Description: A band of open circles alternating with dots. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior body Painted, over free hand Unidentifiable Circle Band
- [Hatched Line Band 07](https://www.daacs.org/stylistic_element/geometric-band-05/) - Description: Groups of parallel diagonal lines alternating in direction create a “triangle-patterned” or zigzag band. This is primarily seen on porcelain. Note that Hatched Line Band 04 is similar, except Hatched Line Band 04 includes bands of white space separating the triangles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color,
- [Hatched Line Band 04](https://www.daacs.org/stylistic_element/geometric-band-07/) - Description: Groups of parallel diagonal lines alternating in direction create a “triangle-patterned” band. Triangles are separated by thick bands of white space between them. This is primarily seen on porcelain. Note that Hatched Line Band 07 is similar, except there is no band of white space separates the triangles. Stylistic Genre: The genre for this stylistic
- [Hatched Line Band 03](https://www.daacs.org/stylistic_element/geometric-band-11/) - Description: Characterized by repeating diagonal lines that are drawn in one direction (as far as one can tell), unlike Hatched Line Band 02, which is drawn in two directions. The band can have a shaded background or no background. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Note
- [Hatched Line Band 02](https://www.daacs.org/stylistic_element/hatched-line-band-02-2/) - Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Description: Characterized by repeating diagonal lines that are drawn in one direction of a section of the rim, and then drawn in the opposite direction. This band can either have a shaded background or no background. Note that Hatched Line
- [Hatched Line Band 01](https://www.daacs.org/stylistic_element/geometric-band-06/) - Description: Characterized by repeating double lines with thin lines extending perpendicularly from these diagonal or vertical lines. A small space separates a new set of diagonal and perpendicular lines. The band is enclosed by two horizontal lines. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for
- [Hatched Line Band 05](https://www.daacs.org/stylistic_element/hatched-line-band-05/) - Description: A band consisting of overlapping sets of concentric circles (similar-looking to tree rings or scales). The outermost band of each set appears to be slightly darker than the rest. Primarily seen on porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Fruit](https://www.daacs.org/stylistic_element/fruit/) - Description: Use this term to describe any stylistic element that represents fruit. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Yellow-Red, Muted
- [Floral, Radiating Bloom 01](https://www.daacs.org/stylistic_element/floral-radiating-bloom-01/) - Description: Half of a flower suspended from a band. A radiating bloom may take many forms. It may be drawn on a plain background with detailed petals and leaves, or it may be drawn with a shaded fish scale or lotus flower petal background but with simple, unshaded petals. Stylistic Genre: The genre for this
- [Floral, Radiating Bloom 02](https://www.daacs.org/stylistic_element/floral-radiating-bloom-02/) - Description: Half of a flower blooming from or growing out of a band. A radiating bloom may take many forms. It may be drawn on a plain background with detailed petals and leaves as shown, or it may be drawn with a flower petal background with simple, unshaded petals. Stylistic Genre: The genre for this
- [Flag/Banner](https://www.daacs.org/stylistic_element/flagbanner/) - Description: This term should be used when you have some sort of pennant, in this case two are found on a landscape feature. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted blue Interior/Exterior Location Decorative Technique
- [Fish Roe Band, unid.](https://www.daacs.org/stylistic_element/fish-roe-band-unid/) - Description: Use this term when you have a band of fish roe (circle with a central dot) but cannot identify the exact fish roe band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location
- [Fish Roe 01](https://www.daacs.org/stylistic_element/fish-roe-01/) - Description: Fish Roe 01 is characterized by overlapping and tiered painted scallops that give the appearance of fish scales. A single dot is painted inside of each scallop. Unlike Fish Roe Band 01, it is not contained by single bands on either side.This element generally covers the entire vessel. Stylistic Genre: The genre for this
- [Fish](https://www.daacs.org/stylistic_element/fish/) - Description: Any decorative technique made to look like a fish. Can be painted or molded. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under
- [Fence](https://www.daacs.org/stylistic_element/fence/) - Description: Any depiction of a fence or gate. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base Painted, under free hand Blue, Intense Dark Fence Individual A
- [Fanning](https://www.daacs.org/stylistic_element/fanning/) - Description: A multi-color circle or oval shape where the colors appear to slide off the side towards the base of the vessel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic
- [Dotted/Terraced Rectangle](https://www.daacs.org/stylistic_element/dottedterraced-rectangle/) - Description: A repeated pattern of stepped rectangles with dots in the widest portion of the rectangle characterizes this element. Note: This element can also be seen without dots in the rectangles, as seen in the second image. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Dot Cluster](https://www.daacs.org/stylistic_element/dot-cluster/) - Description: Dot clusters are characterized by small dots that are grouped together. They are seen on both porcelains and earthenwares. Any abstract grouping of dots, not related to botanical elements, should be classified as a “Dot Cluster.” When the dot cluster is repeated, make sure the Motifis “Individual A, repeated.” Stylistic Genre: The genre for
- [Chain Band 12](https://www.daacs.org/stylistic_element/chain-band-12/) - Description: Like Chain Band 03, this is a band of overlapping/connected circles; however, in this band, portions of the circles are painted, as in example shown. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue
- [Chain Band 11](https://www.daacs.org/stylistic_element/chain-band-11-2/) - Description: A single row of connected ovals composed of filled ovals within them. Two small ovals or circles are placed at the junction of each oval. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue
- [Chain Band 10](https://www.daacs.org/stylistic_element/chain-band-10/) - Description: A band consisting of connected open circles. An outlined “X” (no fill) appears in the center of each circle. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic
- [Chain Band 09](https://www.daacs.org/stylistic_element/chain-band-09/) - Description: This band is comprised of a series of horizontally oriented ovals, with a diamond at each oval intersection. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Chain Band 05](https://www.daacs.org/stylistic_element/chain-band-05/) - Description: A band of connected ovals or circles. Intermittent clusters comprised of a three-prong “flower” flanked by small open circles are placed at either side of the chain at regular intervals. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Chain Band 07](https://www.daacs.org/stylistic_element/chain-band-07/) - Description: Chain Band 07 is the same as Chain Band 08 except that it is not bound between two lines. Two intertwined lines that form a fluid diamond and oval pattern characterize this band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for
- [Chain Band 08](https://www.daacs.org/stylistic_element/chain-band-08/) - Description: This band is characterized by two intertwined lines that form a fluid diamond and oval pattern. Chain Band 08 is the same as Chain Band 07 except that painted two solid lines bound it. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Chain Band 03](https://www.daacs.org/stylistic_element/chain-band-03/) - Description: A band of connected circles or ovals that overlap, resembling chain link. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free
- [Chain Band 02](https://www.daacs.org/stylistic_element/chain-band-02/) - Description: A band of connected circles/ovals, floating freely interrupted by a radial bloom intermittently. In this example, the circles are irregular in shape. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique
- [Chain Band 01](https://www.daacs.org/stylistic_element/chain-band-01/) - Description: A chain of connected ovals with a dot inside each one. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand
- [Beaded Band 04](https://www.daacs.org/stylistic_element/beaded-band-04/) - Description: A single band of molded beads directly on the rim of the vessel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Rim Molded No
- [Beaded Band 02](https://www.daacs.org/stylistic_element/beaded-band-02/) - Description: A single band of molded beads; unlike Beaded Band 01, there is no recessed panel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior
- [Bead and Reel 02](https://www.daacs.org/stylistic_element/angular-edge-2/) - Description: This molded band is seen most often on early molded refined wares like Creamware. A chain of solid raised ovals oriented on a diagonal that are separated by two thin diagonal lines characterizes Bead and Reel 02. Similar to Bead and Reel 01. The key differences between these two bands are the size of
- [Bead and Reel 01](https://www.daacs.org/stylistic_element/bead-and-reel-01/) - Description: Bead and Reel is characterized by a single row of molded, alternating beads and thin, vertical double lines. It may be difficult to distinguish this element from Bead and Reel 02, which consists of alternating oval lozenges with two thin lines oriented on a diagonal. The key differences between these two bands are the
- [Spearhead Band 13](https://www.daacs.org/stylistic_element/spearhead-band-13/) - Description: This band differs from other spearhead bands in that it is composed of a two-lobed spearhead instead of three lobes. It is very similar to Spearhead Band 10 except the spearheads here are oriented toward the rim. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and
- [Spearhead Band 11](https://www.daacs.org/stylistic_element/spearhead-band-11/) - Description: This band is a repeated pattern suspended from a single line. A three pointed spearhead descends from a dot and is flanked on either side by two dots aligned vertically and connected by a single vertical line. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and
- [Spearhead Band 09](https://www.daacs.org/stylistic_element/spearhead-band-09/) - Description: This band is similar to Spearhead Band 03. It is a repeated pattern suspended from a plain band. A three pointed spearhead is flanked on either side by a single dot (two dots flank Spearhead Band 03). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and
- [Spearhead Band 08](https://www.daacs.org/stylistic_element/spearhead-band-08/) - Description: This band has alternating scalloped peaks with curled ends (they look similar to the number “3” lying on its back) A half-circle sits atop the middle section of the scrolls, connecting the curled ends. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example
- [Spearhead Band 07](https://www.daacs.org/stylistic_element/spearhead-band-07/) - Description: This band is composed of a scalloped band with a solid triangular cross (a three point spearhead) extending from the peak of each scallop. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location
- [Spearhead Band 06](https://www.daacs.org/stylistic_element/spearhead-band-06/) - Description: This is a repeating image of two scrolls, rolling in reverse directions, sitting on a scallop band. Directly above the two scrolls sits a three pointed spearhead. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted
- [Spearhead Band 05](https://www.daacs.org/stylistic_element/spearhead-band-05/) - Description: This band is characterized by a loosely outlined cross (a three-pointed spearhead) flanked by a double looped scallop. Both images are suspended below a line. Stylistic Genre: The genre for this stylistic element depends on acombination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color
- [Shell Edge, unid.](https://www.daacs.org/stylistic_element/shell-edge-unid-2/) - Description: This classification should be used when small, unidentifiable portions of a shell edge are present on a sherd. It is often the case that the decoration can be identified as a shell edge but not enough is present to name the exact band. Shell Edge, unid. should be used in these cases. Stylistic Genre: Shell Edge.
- [Shell Edge 25](https://www.daacs.org/stylistic_element/shell-edge-24/) - Description: A regularly-scalloped painted and molded scallop band with feathery elements extending downward from it. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, green Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim
- [Shell Edge 24](https://www.daacs.org/stylistic_element/shell-edge-24-2/) - Description: A regularly-scalloped painted and molded scallop band with feathery elements extending downward from it. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim
- [Shell Edge 23](https://www.daacs.org/stylistic_element/shell-edge-23/) - Description: Unscalloped, molded edge with handpainted and molded lines oriented in different directions, creating a criss-cross effect. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior
- [Shell Edge 22](https://www.daacs.org/stylistic_element/shell-edge-22/) - Description: This element consists of a raised band of elongated S’s with the paint filling in the low area in the upper portion of the band. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, green
- [Shell Edge 21](https://www.daacs.org/stylistic_element/shell-edge-21/) - Description: The rim of the vessel is regularly scalloped (a series of repeating arcs), and the molded shell pattern features widely and evenly spaced wavy impressions. The molded decoration also features medallion-like elements descending from the molded rim. (see “Raised Ovals” http://www.jefpat.org/diagnostic/Post-Colonial%20Ceramics/Shell%20Edged%20Wares/Embossed%20thumbnails.htm) Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell
- [Shell Edge 20](https://www.daacs.org/stylistic_element/shell-edge-20/) - Description: The rim of the vessel is regularly scalloped (a series of repeating arcs), and the molded shell pattern features evenly spaced wavy impressions. The wavy lines follow a pattern of one long line followed by several short lines extending from the rim. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e.
- [Shell Edge 19](https://www.daacs.org/stylistic_element/shell-edge-19/) - Description: Undulating, elongated scallop with typical shell edge molded decoration. This decoration also includes molded forms similar to feather edge, with scroll-like elements extending into the body. Paired, mirror-image scrolls are separated by a spearhead or chicken-foot design. Sets of paired scrolls are separated by medallion-like elements above a diamond shape. The medallion occurs at
- [Shell Edge 18](https://www.daacs.org/stylistic_element/shell-edge-18/) - Description: Unscalloped edge with molded impressed wavy lines. The wavy lines follow a pattern of one short line followed by two long lines extending from the rim. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge,
- [Shell Edge 17](https://www.daacs.org/stylistic_element/shell-edge-17/) - Description: A row of repeated molded or rouletted closely spaced thin lines that run vertically to the vessel’s body. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative Technique Color Stylistic
- [Shell Edge 16](https://www.daacs.org/stylistic_element/shell-edge-16/) - Description: Unscalloped edge with molded teardrops interpreted by a longer, tri-lobed element. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free
- [Shell Edge 15](https://www.daacs.org/stylistic_element/shell-edge-15/) - Description: Unscalloped edge with impressed wavy lines. A recessed band lies between the rim and molding. Shell Edge 15 can occur without paint. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative
- [Shell Edge 14](https://www.daacs.org/stylistic_element/shell-edge-14/) - Description: Unscalloped edge with lightly impressed wavy lines. Similar to shell edge 10 except that the painted decoration pools in small circles towards the rim of the vessel and the molded, wavy lines are farther apart. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.)
- [Shell Edge 13](https://www.daacs.org/stylistic_element/shell-edge-13/) - Description: Undulating, elongated scalloped edge with impressed wavy lines. Most of the small wavy lines are fully painted. Includes two parallel, deep, partially painted channels between the usual wavy lines. Also includes a tick mark between the sets of channels farther down the body. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color
- [Shell Edge 12](https://www.daacs.org/stylistic_element/shell-edge-12/) - Description: Undulating scalloped edge with impressed wavy lines. Very similar to Shell Edge 01, except that the shell edge does not descend directly from the scalloped edge. A white, unpainted space lies between the scalloped edge and the painted, molded lines. The molded wavy lines are only partially painted. Stylistic Genre: Select Shell Edge plus
- [Shell Edge 10](https://www.daacs.org/stylistic_element/shell-edge-10/) - Description: Unscalloped edge with impressed wavy lines. The molded lines descending down from the edge are wavy and the painted band frequently follows the molded lines. Note that Shell Edge 10 is very similar to Shell Edge 02. The distinguishing characteristic is that Shell Edge 02 has a molded scalloped edge while Shell Edge 10
- [Shell Edge 08](https://www.daacs.org/stylistic_element/shell-edge-08/) - Description: This shell edge is a combination of a single, impressed, scalloped line directly below the rim. Vertical molded lines run from the scalloped line and down the vessel. A band of color runs around the proximal rim. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge,
- [Shell Edge 07](https://www.daacs.org/stylistic_element/shell-edge-07/) - Description: Scalloped edge with no molding. Painted line along edge feathers downward in imitation of more detailed molded and painted shell edge. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative Technique
- [Shell Edge 06](https://www.daacs.org/stylistic_element/shell-edge-06/) - Description: Scalloped edge with no molding. Painted band following the edge, but no impressed or painted shell motif. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Shell Edge 05](https://www.daacs.org/stylistic_element/shell-edge-05/) - Description: Unscalloped and unmolded. The rim edge is not scalloped, and the shell motif is simply painted on. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue, Shell Edge, Green, etc.) Cataloging Example for Depicted Sherd: Stylistic Genre Shell Edge, blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Shell Edge 04](https://www.daacs.org/stylistic_element/shell-edge-04/) - Description: Unscalloped edge with simple, lightly impressed lines perpendicular to the edge. The rim can be either straight or angular. The painting around the edge can be simply a band of color, not following the impressed lines of the motif. Stylistic Genre: Shell Edge. Select Shell Edge plus the appropriate color (i.e. Shell Edge Blue,
- [Shell Edge 03](https://www.daacs.org/stylistic_element/shell-edge-03/) - Description: The rim of the vessel is regularly scalloped (a series of repeating arcs), and the lines of the shell motif are straight (at right angles to the rim) rather than wavy. The painting around the edge is sometimes only a simple band of color, with no attempt to following the impressed lines of the
- [Botanical Band, unid.](https://www.daacs.org/stylistic_element/botanical-band-unid/) - Description: Use this when you have a small portion of a botanical band, but cannot identify the specific band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Trellis Band 01](https://www.daacs.org/stylistic_element/trellis-band-01/) - Description: A combination of alternating lines and dots define Trellis Band 01. Three vertical, parallel lines bound both sides of seven dots or ticks. Six of the dots/ticks form a circle with the seventh in the center of that circle. This pattern of lines and dot circles continues in a band around the vessel. Stylistic
- [Tree](https://www.daacs.org/stylistic_element/tree/) - Description: Any element that resembles a tree. The type of tree is unimportant; a palm tree, an evergreen tree, and a deciduous tree would all be a “Tree” stylistic element. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Trailed](https://www.daacs.org/stylistic_element/trailed/) - Description: The simplest of slip decoration, Trailed is used to describe freehand slip decoration where the slip is applied to a vessel in straight and/or curved lines; nothing is done to the slip after it is laid down. Note that only the color that is trailed onto the vessel is recorded in the Decorative Technique
- [Tortoiseshell](https://www.daacs.org/stylistic_element/tortoiseshell/) - Description: Tortoiseshell decoration consists of a brown speckling under a clear lead-fluxed glaze. Stylistic Genre: Not Applicable Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Body Applied Powder/Crystals Yellow-Red, Muted Dark Tortoiseshell Individual A
- [Textured](https://www.daacs.org/stylistic_element/textured/) - Description: A textured element is when the body of the vessel has been left rough and unfinished. The effect is less regular than spalling. It has a texture similar to a stuccoed house or ceiling. Stylistic Genre: Not Applicable Cataloging Example for Depicted Sherd: Stylistic Genre Not Applicable Interior/Exterior Location Decorative Technique Color Stylistic Element
- [T Band 01](https://www.daacs.org/stylistic_element/t-band-01/) - Description: Alternating right side up and upside down Ts characterize this band. The Ts are bound by two to four plain bands. Seen most often on overglaze porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location
- [Swastika ](https://www.daacs.org/stylistic_element/swastika/) - Description: A cross with its arms bent at right angles, facing either right or left; a common Buddhist element. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Body Painted under,
- [Swag Band 17](https://www.daacs.org/stylistic_element/swag-band-17/) - Description: A single oval/lozenge-shaped vertical element or swag hangs from the troughs of a dogtooth band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome Warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under
- [Swag Band 16](https://www.daacs.org/stylistic_element/swag-band-16/) - Description: Two solid bands, one thick one thin, from which the swag descends. The swag itself consists of hanging scallops with brown and green leaves, and a tassel with green and brown leaves hangs from the corners of the half-circles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Swag Band 14](https://www.daacs.org/stylistic_element/swag-band-14/) - Description: A solid scallop band outlined with open scallops. A three-prong spearhead is placed at each scallop junction with a single dot beneath each spearhead point. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique
- [Swag Band 13](https://www.daacs.org/stylistic_element/swag-band-13/) - Description: An oversized, elongated scallop band composed of various botanical elements. An open circle is located at the peak of each swag and a large radial bloom is located at the trough of each swag. Smaller radial botanical clusters are located at regular intervals along the scalloped band. Stylistic Genre: The genre for this stylistic element
- [Swag Band 12](https://www.daacs.org/stylistic_element/swag-band-12/) - Description: A simple scallop band with a three-prong tassel at the junction between scallops. A single dot floats below the band at the midpoint of each scallop, alternating with the tassels. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome,
- [Swag Band 11](https://www.daacs.org/stylistic_element/swag-band-11/) - Description: Connected half-circles with solid half circles within them form a band. Four ovals form a diamond shape at the junction between half circles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic
- [Swag Band 10](https://www.daacs.org/stylistic_element/swag-band-10/) - Description: Connected half-circles separated by a single vertical line at each junction. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark
- [Swag Band 07](https://www.daacs.org/stylistic_element/swag-band-07/) - Description: Solid triangles hanging down from a single band, outlined by a zigzag. Three-lined tassels radiating downward between the triangles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Colo r Stylistic Element Motif Exterior Proximal
- [Swag Band 05](https://www.daacs.org/stylistic_element/swag-band-05/) - Description: This swag is characterized by interlaced, arching half-circles that have flowers suspended from the point where the half-circles meet. A single painted dot is placed between each suspended flower. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue
- [Swag Band 03](https://www.daacs.org/stylistic_element/swag-band-03/) - Description: This swag is defined by flowers and leaves hanging from a curved line (stem) with petals and leaves. Most often seen in combination with Plain Band 4. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location
- [Swag Band 02](https://www.daacs.org/stylistic_element/swag-band-02/) - Description: Wavy line is suspended from a single plain band encircling the vessel rim. A ribbon-like bow hangs from the meeting point of the wavy band and straight band. Most often seen on overglazed Chinese porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging
- [Swag Band 01](https://www.daacs.org/stylistic_element/swag-band-01/) - Description: Solid half-circles outlined by a thin line, or scallop band. A three-line tassel hangs from the corners of the half-circles, where the thin line meets. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior
- [Structure, unid.](https://www.daacs.org/stylistic_element/structure-unid/) - Description: Structure, unid. should be used when a portion of a structure is present on the sherd, but the type of structure (such as house, church, pagoda) cannot be identified. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for depicted sherd: Stylistic Genre Handpainted Blue
- [Star Band 02](https://www.daacs.org/stylistic_element/star-band-02/) - Description: Star Band 02 is composed of a single row of stars or asterisks that encircle a vessel, bracketed by two single bands. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic
- [Star Band 01](https://www.daacs.org/stylistic_element/star-band-01/) - Description: Star Band 01 is defined as a thick solid band of color with stars or asterisks scattered across the band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, Warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Star](https://www.daacs.org/stylistic_element/star-2/) - Description: Any element that has multiple lines intersecting at all angles that form a star or an asterisk and is not associated with a band or other larger stylistic element. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm
- [Spearhead Band 04](https://www.daacs.org/stylistic_element/spearhead-band-04/) - Description: Spearhead Band 4 has two scallop bands facing one another. In the space between, spearheads extending from the troughs of the top scallop band touch the peaks of the bottom scallop band. Stylistic Genre: The genre for this stylistic element depends on acombination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic
- [Spearhead Band 03](https://www.daacs.org/stylistic_element/spearhead-band-03/) - Description: This band is a repeated pattern suspended from a single line. A three pointed spearhead (two adjacent dots with a single dot above both) flanked on either side by two dots aligned vertically. Stylistic Genre: The genre for this stylistic element depends on acombination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Spearhead Band 02](https://www.daacs.org/stylistic_element/spearhead-band-02/) - Description: This band consists of a repeating image. Two scrolls suspended below a line are connected by an arc, or half-circle, with a vertical line extending from the center. Directly underneath the half circle, there appears to be a single scallop connecting the image together. Stylistic Genre: The genre for this stylistic element depends on acombination
- [Spearhead Band 01](https://www.daacs.org/stylistic_element/spearhead-band-01/) - Description: Spearhead Band 1 is an intricate spearhead band that is most often seen on overglazed Chinese porcelain. It is defined by two thin, painted bands upon which a repeated spearhead band is drawn. The spearhead is a geometric shape that is attached to a single, wavy band. Consisting of three “petals,” the spearhead can
- [Scroll Band, unid.](https://www.daacs.org/stylistic_element/scroll-band-unid/) - Description: Use this term when you have a ceramic fragment with part of a scroll on it cannot identify the exact type. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color
- [Scroll Band 07](https://www.daacs.org/stylistic_element/scroll-band-07/) - Description: A series of connected swirls facing one direction and bound by a band above and below. Stylistic Genre: The genre for this stylistic element depends on acombination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted, blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under
- [Scroll Band 06](https://www.daacs.org/stylistic_element/scroll-band-06/) - Description: A single plain band with alternating outlined scrolls (with no fill) oriented in opposite directions extending below it. A series of closely-spaced vertical lines fill the space above the swirls that are oriented upward. Stylistic Genre: The genre for this stylistic element depends on acombination of decorative technique, color, and element. Cataloging Example for
- [Scroll Band 05](https://www.daacs.org/stylistic_element/scroll-band-05-2/) - Description: This band is characterized by small, finely painted swirls of an incomplete scroll. They alternated direction and have small lines, or “tick” marks extending from sections of the scroll. These swirls lie between two thin solid lines. There may or may not be a solid colored background. Stylistic Genre: The genre for this stylistic
- [Scroll Band 04](https://www.daacs.org/stylistic_element/scroll-band-04/) - Description: This band is characterized by small, finely painted swirls of an incomplete scroll. They alternated direction and have small lines, or “tick” marks extending from sections of the scroll. These swirls lie between two thin solid lines. There may or may not be a solid colored background. Stylistic Genre: The genre for this stylistic
- [Scroll Band 03](https://www.daacs.org/stylistic_element/scroll-band-03/) - Description: This band is characterized by large, swirls/curls of an incomplete scroll. Some are upside-down and others are right side up. These swirls lie between two thin solid lines. There may or may not be a solid colored background. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color,
- [Scroll Band 02](https://www.daacs.org/stylistic_element/scroll-band-02/) - Description: Single band of adjoining swirled circles. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Scroll Band
- [Scroll Band 01](https://www.daacs.org/stylistic_element/scroll-band-01/) - Description: This band consists of mirror-image scrolls, facing each other. The one example of this sherd has an ambiguous area between the scrolls that appears to connect them. The band is bounded by a single line on the top and bottom. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative
- [Solid](https://www.daacs.org/stylistic_element/solid/) - Description: Use this term when the decoration/applied color covers the entire sherd being cataloged or when referring to the “background color” e.g. with many factory made slipware designs. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware,
- [Shading](https://www.daacs.org/stylistic_element/shading/) - Description: This is any representation of shading; often it appears as an area of graduated parallel lines in Chinoiserie scenes. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Setting Sun](https://www.daacs.org/stylistic_element/setting-sun/) - Description: This is usually represented by a shaded half-circle above some depiction of a horizon, such as hills or water. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Scroll, Trellis](https://www.daacs.org/stylistic_element/scroll-trellis/) - Description: The Scroll, trellis element resembles a cannon and is most often seen on Chinese porcelains. It is a cylindrical scroll with trellis decoration painted on it. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior
- [Scroll 02](https://www.daacs.org/stylistic_element/scroll-02/) - Description: A Scroll 2 element can be composed of one or multiple swirled circles or round scrolls. If you cannot identify the circles as forming a band, then give them the general classification of Circle 1. If there is more than one swirled circle, make sure that the motif indicates that it is a repeated
- [Scroll 01](https://www.daacs.org/stylistic_element/scroll-01/) - Description: A single thin line painted in a diamond or circle-shaped scroll. This element is most often seen as a segment of a painted band located in the well of flat Chinese porcelain vessels, such as plates and platters. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color,
- [Scribble Pattern](https://www.daacs.org/stylistic_element/scribble-pattern/) - Description: A band of squiggly, alternating colors. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Purple-Blue, Intense Dark Scribble Pattern Individual A Exterior Body Painted, under
- [Scallop Band 17](https://www.daacs.org/stylistic_element/scallop-band-17/) - Description: This element, seen here on Scratch Blue, consists of multiple stacked line components that form a gently sweeping upside down broad “v-shape.” Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Scratch Blue Interior/Exterior Location Decorative Technique Color
- [Scallop Band 16](https://www.daacs.org/stylistic_element/scallop-band-16/) - Description: A band formed by alternating scallops and teardrops: scallops have the top half filled/bottom half outlined, teardrops have the bottom half filled/top half outlined only. Note: Very similar to Scallop Band 02 Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted
- [Scallop Band 14](https://www.daacs.org/stylistic_element/scallop-band-14/) - Description: Scallop Band 14 is a combination of Scallop Band 01 and Scallop Band 03: it is characterized by a continuous band of elongated half-circles with straight lines extending in the middle of them, enclosed between two plain bands. Directly outside the enclosed band and underneath each rounded portion of the half-circle, sit two separate
- [Scallop Band 13](https://www.daacs.org/stylistic_element/scallop-band-13/) - Description: This band is characterized by continuous band of half-circles with small circles at the bottom. A thin line runs along the bottom of the circles, and the spaces between the edge of circles and the line are filled in. The half circles are bound by two plain bands. Note: Very similar to Scallop Band
- [Scallop Band 12](https://www.daacs.org/stylistic_element/scallop-band-12/) - Description: Scallop Band 12 consists of overlapping arcs hanging from a plain band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free
- [Scallop Band 09](https://www.daacs.org/stylistic_element/scallop-band-09/) - Description: This consists of repeated rows of thin molded scalloped bands. Seen on factory made slipwares. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body
- [Scallop Band 06](https://www.daacs.org/stylistic_element/scallop-band-06/) - Description: Scallop Band 06 is a simple band composed of connected half circles that are pointed upward. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal
- [Scallop Band 05](https://www.daacs.org/stylistic_element/scallop-band-05/) - Description: Scallop Band 5 is a simple band of continuous scallops, or upside down half-circles encircling the vessel and extending from a single band above. The half-circles may be solid, outlined in a separate color, or have no fill. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color,
- [Scallop Band 04](https://www.daacs.org/stylistic_element/scallop-band-04/) - Description: Multiple half-circles extend from a plain band. Each half-circle is separate. An arrow with a curved tail extends upward into the space separating each half-circle. The arrows do not touch the half-circles or the band. This is seen primarily on overglaze porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination
- [Scallop Band 03](https://www.daacs.org/stylistic_element/scallop-band-03/) - Description: Scallop Band 3 is characterized by a continuous band of elongated half-circles painted between two plain bands. Inside each half-circle is a straight line extending from the plain band but not the full length of the half-circle. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and
- [Scallop Band 02](https://www.daacs.org/stylistic_element/scallop-band-02/) - Description: Scallop Band 2 is characterized by a continuous band of small half-circles painted between two, thin plain bands. Unlike Scallop Band 1, the half-circles in Scallop Band 2 do not touch the bottom plain band. Attached to the base of each half-circle is a single dot or short line. The half-circles may be empty
- [Scallop Band 01 ](https://www.daacs.org/stylistic_element/scallop-band-01/) - Description: Scallop Band 1 is characterized by a continuous band of elongated half-circles enclosed between two plain bands. Directly outside the enclosed band and underneath each rounded portion of the half-circle, sit two separate dots painted one on top of the other (in a vertical formation). This band is most often seen on overglazed Chinese
- [Scales 02](https://www.daacs.org/stylistic_element/scales-02/) - Description: Painted element resembling layers of fish scales. Unlike fish roe, the scales appear to be oriented in an upwards direction. Extending from the bottom point of each scale are thin fingers, somewhat botanical in appearance. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging
- [Royal Pattern 01](https://www.daacs.org/stylistic_element/royal-pattern-01/) - Description: A molded scalloped rim with single raised rib (sometimes as subtle as a slight rounded bump) where the rim meets the lip. At intervals, a molded line extends down from the scalloped rim onto the marley, creating small points. This differs from Queen’s Shape patterns, where the molded line extends from the rim all
- [Ribbon](https://www.daacs.org/stylistic_element/ribbon/) - Description: Sinuous abstract lines that have knots or bows characterize a ribbon element. This is not to be confused with Swag 2, a swag that incorporates a more structured ribbon motif along the rim of a vessel. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element.
- [Radiating Lines](https://www.daacs.org/stylistic_element/radiating-lines/) - Description: Radiating Lines is characterized by painted lines that radiate from a central point. In this example, Radiating Lines are painted on a lid finial, with the center point being the pointed top of the finial. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging
- [Quiver](https://www.daacs.org/stylistic_element/quiver/) - Description: Stylized or actual representation of a quiver of arrows. These images include the strap of the quiver and the arrows. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color
- [Queen's Shape, unid.](https://www.daacs.org/stylistic_element/queens-shape-unid/) - Description: Queen’s Shape, unid has a scalloped rim with two molded ribs where the rim meets the lip. Use Queen’s Shape, unid. when you have a sherd that has a scalloped rim with two molded ribs along the rim AND that does not have the indentation. In other words, when you can’t tell if the
- [Queen's Shape 02](https://www.daacs.org/stylistic_element/queens-shape-02-2/) - Description: Queen’s Shape 02 has a scalloped rim with two molded ribs where the rim meets the lip. Unlike Queen’s Shape 01, Queen’s Shape 02 does not have the molded lines that extend down from the scalloped rim indentations across the marley. Stylistic Genre: The genre for this stylistic element depends on a combination of
- [Queen's Shape 01](https://www.daacs.org/stylistic_element/queens-shape-01-2/) - Description: Queen’s Shape 01 has a scalloped rim with two molded ribs where the rim meets the lip. At intervals, the molded lines extend down from the indentations of the scalloped rim, across the marley and end at the well of the vessel. This differs from the Royal Pattern in that the molded lines extend
- [Marbleized](https://www.daacs.org/stylistic_element/marbelized/) - Description: Marbling is a result of several differently colored slips that are joggled or combed together. This mixing of slips creates a marbled effect that can be seen on both refined and coarse earthenwares. Marbling is generally more mixed and free form than formal combing. Stylistic Genre: The genre for this stylistic element depends on a combination
- [Lettering](https://www.daacs.org/stylistic_element/lettering/) - Description: Lettering is any decorative element that includes printed letters or writing. This element uses multiple decorative techniques, ranging from stenciling, and stamping to painting and transfer printing. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre None (leave field blank)
- [House](https://www.daacs.org/stylistic_element/house/) - Description: House elements are highly variable and are characterized by many attributes, ranging from windows, doors and multiple peaked roofs with finials. The image demonstrates one example of a house seen on both porcelains and earthenwares. Note: if you cannot determine if it is a house or a church or some other building, use “Structure,
- [Grass](https://www.daacs.org/stylistic_element/grass-3/) - Description: Grass elements can range from short grass tufts (top picture) to long, curved grass with tufts at the end. Seen on both painted porcelains and earthenwares, grass is usually a grouping of thin lines that can be short and straight or long and curved and anywhere in-between. Stylistic Genre: The genre for this stylistic
- [Granulated Band](https://www.daacs.org/stylistic_element/granulated-band/) - Description: Seen most often on dry-bodied stonewares such as Black Basalt and Rosso Antico, Granulated Band 1 is an incised, lathe/engine-turned band of repeating small, slightly square impressions. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Not
- [Geometric Circle](https://www.daacs.org/stylistic_element/geometric-circle-2/) - Description: This is an open circle with a diamond in the center, forming 5 compartments (including the center of the diamond). Each compartment has a dot in the middle. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted, blue Interior/Exterior
- [Geometric Band 32](https://www.daacs.org/stylistic_element/geometric-band-26-2/) - Description: A band formed by a series of connected geometric “puzzle piece” shapes, oriented diagonally. A large “X” (presumably appearing at regular intervals) extends the entire thickness of the band. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Painted, under
- [Geometric Band 27](https://www.daacs.org/stylistic_element/geometric-band-26/) - Description: Series of closely-spaced bands of primarily straight lines periodically interpreted by upward arcs. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, inlaid Neutrals, Dark Geometric
- [Geometric Band 26](https://www.daacs.org/stylistic_element/geometric-band-26-3/) - Description: Band consisting of a simple angular zigzag. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Example A: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Slip, inlaid Yellow-Red, Intense Dark Scallop Band 06 Stacked
- [Geometric Band 25](https://www.daacs.org/stylistic_element/geometric-band-25/) - Description: Geometric shapes arrayed in rectangular groups with the voids in-between forming an ‘X’ and four-lobe element. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Slip,
- [Geometric Band 23](https://www.daacs.org/stylistic_element/geometric-band-22/) - Description: This band consists of a series of repeated lines of a group of vertical lines arrayed in a fan shape. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Geometric Band 22](https://www.daacs.org/stylistic_element/geometric-band-22-2/) - Description: This band consists of thick, rectangular lines aligned perpendicular to the rim of the sherd. The space in between lines is shaded. It is between two bands of small, bead-like dots of paint. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Geometric Band 21](https://www.daacs.org/stylistic_element/geometric-band-21/) - Description: A series of opposite triangles separated by diagonal spaces. Inside the triangles are half circle shapes with radiating lines running out to the enclosing edges of the triangle. Commonly found on handpainted pearlware. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for
- [Geometric Band 20](https://www.daacs.org/stylistic_element/geometric-band-20/) - Description: This band consists of arches on top of a series of swags, which are on top of diagonal lines and circles. Commonly found on overglazed porcellaneous porcelains. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted
- [Geometric Band 19](https://www.daacs.org/stylistic_element/geometric-band-19/) - Description: A series of backwards S’s bisected with horizontal lines. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Slip, inlaid Yellow-red, muted dark
- [Geometric Band 15](https://www.daacs.org/stylistic_element/geometric-band-15/) - Description: Underneath a single, solid line is an outstretched curlicue. It is similar to a half-circle band with small loops at the point where one half circle meets the next. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic
- [Geometric Band 14](https://www.daacs.org/stylistic_element/geometric-band-14/) - Description: Our understanding of this band is still incomplete. We do not know what the top portion of the decoration looks like but the base is a series of repeating half-circle arcs with dots and blue lozenges in the half-circles. Above the half-circles are repeating horizontal and vertical lines. Stylistic Genre: The genre for this
- [Geometric Band 12](https://www.daacs.org/stylistic_element/geometric-band-12-3/) - Description: Several different stylistic elements compose this band which can be divided into two major design sections. The bottom design portion is Dot Band 01, and is considered part of Geometric Band 12’s design. The upper portion of the band is filled with large ovals that have shaded ovals within them. A diagonal dotted line
- [Fish Roe Band 07](https://www.daacs.org/stylistic_element/fish-roe-band-06/) - Description: Connected “fish roe” (with a single dot painted inside each) suspended from a thin-thick-thin painted band. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, over free hand Unidentified Fish Roe Band 07 Individual A
- [Fish Roe Band 05](https://www.daacs.org/stylistic_element/fish-roe-band-05/) - Description: Fish Roe Band 05 has double rows of half-circular fish roe oriented upwards. The dot within the fish roe is amorphous, and is not obvious within all the circles (Note: This band is pictured here stacked with a Wavy Band). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and
- [Fish Roe Band 04](https://www.daacs.org/stylistic_element/fish-roe-band-03-2/) - Description: Fish Roe Band 4 is a single band of half-circular fish roe. Extending perpendicular from the base of each fish roe is a thin, vertical line. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location
- [Fish Roe Band 03](https://www.daacs.org/stylistic_element/fish-roe-band-03/) - Description: Multiple, overlapping fish roe with a solid dot in the center. They have the appearance of fish scales. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Fish Roe Band 03 Individual A
- [Fish Roe Band 02](https://www.daacs.org/stylistic_element/fish-roe-band-02/) - Description: A single row of fish roe characterizes this band. It consists of a single row of circles with a single dot in the center. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique
- [Fish Roe Band 01](https://www.daacs.org/stylistic_element/fish-roe-band-01/) - Description: Bound by two solid lines, this band has half fish roes extending from the upper and lower solid lines. Painted between these half fish roe is a row of complete, circular fish roe. This is most often seen on overglaze Chinese porcelain. Stylistic Genre: The genre for this stylistic element depends on a combination
- [Dogtooth Band 05](https://www.daacs.org/stylistic_element/dogtooth-band-05/) - Description: Dogtooth Band 05 consists of a saw-tooth motif that extends downward from a single solid line. Unlike similar band Dogtooth Band 01, this band has no line below the saw-tooth motif. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free
- [Geometric Band 01](https://www.daacs.org/stylistic_element/geometric-band-01/) - Description: This band is characterized by a central area of connected and overlapping diamond elements. The diamonds are connected above and below by arcs. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Lid Slip, inlaid Red/Yellow-Red, Muted Dark Plain Band 02 Stacked
- [Diced Squares](https://www.daacs.org/stylistic_element/diced-squares/) - Description: Diced squares are short incised lines that are stacked and evenly spaced. They can be executed on factory made slipware or on refined stonewares. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, Factory Made Interior/Exterior
- [Diaper/Star](https://www.daacs.org/stylistic_element/diaperstar/) - Description: This decoration is the classic molded Dot/Diaper pattern. It has five raised dots in the center of a double banded diamond or crosshatch (the diaper). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Dot/Diaper/Basketweave Interior/Exterior Location
- [Diaper/5 Dot](https://www.daacs.org/stylistic_element/diaper5-dot/) - Description: This decoration is the classic molded Dot/Diaper pattern. It has five raised dots in the center of a double banded diamond or crosshatch (the diaper). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Dot/Diaper/Basketweave Interior/Exterior Location
- [Diaper/4 Dot](https://www.daacs.org/stylistic_element/diaper4-dot/) - Description: This decoration is a variation of the classic molded Dot/Diaper pattern. It has four raised dots in the center of a double banded diamond or crosshatch (the diaper). Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Diaper/1 Dot](https://www.daacs.org/stylistic_element/diaper1-dot/) - Description: This is a basic Dot/Diaper pattern with a single dot in the middle of each diaper, or crosshatch. This design can be executed with a range of decorative techniques, from Painted, under and Painted, over, to molding. There may be a lighter color shading behind the diaper/1 dot pattern. Stylistic Genre: The genre for
- [Dendritic](https://www.daacs.org/stylistic_element/dendritic/) - Description: A dark fern-like element, seen on factory-made slipware, that has the appearance of trees or bushes. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, Factory Made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior
- [Crab Stock](https://www.daacs.org/stylistic_element/crab-stock/) - Description: Handles molded to look like crab legs. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre None (leave this field blank) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Handle Molded No Applied Color Crab Stock
- [Wings](https://www.daacs.org/stylistic_element/wings/) - Description: Any element showing wings, stylized or not. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Purple-Blue, Intense Medium Wings Individual
- [Combed](https://www.daacs.org/stylistic_element/combed/) - Description: Slip-based decoration in which “two or more colored slips are laid down” on a vessel. Then “a tool is used to move the slips through one another physically in order to create patterns after they are initially laid down” (Erickson and Hunter. “Dots, Dashes, and Squiggles: Early English Slipware Technology.” Ceramics in America 2001,
- [Columns](https://www.daacs.org/stylistic_element/columns/) - Description: This element is any representation of architectural columns. The example on Black Basalt has the columns alternating with acanthus leaves. This element is often seen on other refined stonewares as well. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd:
- [Clouded](https://www.daacs.org/stylistic_element/clouded/) - Description: “Clouded” decoration consists of a clear lead-fluxed glaze with spots of transparent color added, such as green, yellow, blue, gray, or brown. This is similar to “Tortoiseshell” decoration, which consists of a brown speckling under a clear lead-fluxed glaze. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique,
- [Cloud Band 02](https://www.daacs.org/stylistic_element/cloud-band-02/) - Description: Cloud Band 02 is a rather irregular solid band of color that undulates and resembles a cloud. This band is always one color. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location
- [Cloud Band 01](https://www.daacs.org/stylistic_element/cloud-band-01/) - Description: Cloud Band 1 is characterized by a scalloped band extending from another band. This scalloped area also contains diagonal hatching. This band is not identified as a scallop band because in the literature of Canton decorated Chinese porcelain, this band element is always known as a cloud element. Stylistic Genre: The genre for this
- [Circle, open](https://www.daacs.org/stylistic_element/circle-open/) - Description: This is a painted circle with no fill. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Unidentifiable Painted, under free hand Blue, Intense Dark Circle,
- [Circle 01](https://www.daacs.org/stylistic_element/circle-01-2/) - Description: Molded “bull’s eye” circles. Seen here on Wedgwood green. Stylistic Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Depicted Sherd: Stylistic Genre None (leave field blank) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Molded No Applied Color
- [Church, Christian](https://www.daacs.org/stylistic_element/church-christian/) - Description: Any element depicting a Christian church. Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base Painted, under free hand Purple-Blue, Intense Dark Church, Christian Individual A
- [Chinese Characters](https://www.daacs.org/stylistic_element/chinese-characters/) - Description: Any depiction of Chinese lettering that is not a maker’s mark. Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Purple-Blue, Intense Dark
- [Checkerboard Dot](https://www.daacs.org/stylistic_element/checkerboard-dot/) - Description: This element is characterized by a checkerboard pattern that has a dot in the center of each square. This example of Checkerboard Dot is sponged. Cataloging Example for Depicted Sherd: Stylistic Genre Sponge/Spatter Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Sponge Purple-Blue, Intense Dark Checkerboard Dot Individual A
- [Botanical Band 45](https://www.daacs.org/stylistic_element/botanical-band-45/) - Description: This molded band consists of a row of trees touching one another. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Molded Not Applicable Botanical Band 45 Individual A
- [Botanical Band 48](https://www.daacs.org/stylistic_element/botanical-band-48/) - Description: Stylized meandering wheat pattern encircling proximal rim. Seen here on ironstone. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Molded No Applied Color Botanical Band 48 Individual A
- [Botanical Band 51](https://www.daacs.org/stylistic_element/botanical-band-51/) - Description: Similar to Botanical Band 33 but lacks the triangular peaks between the repeating pattern of fern-like leaves. Also slightly similar in appearance to some spearhead bands. Commonly found on black basalt. Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal
- [Cat's Eye, single](https://www.daacs.org/stylistic_element/cats-eye-single/) - Description: A slipped element that consists of a multi-colored dot formed with two or more different slips dropped by a slip cup. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip Red/Yellow-Red, Muted Dark Cat's Eye, single Individual A, repeated Exterior Body Slip Neutrals,
- [Cat's Eye, combed](https://www.daacs.org/stylistic_element/cats-eye-combed/) - Description: A modified version of Cat’s Eye whereby the slipped, multicolored dot (Cat’s Eye) is also combed, altering its appearance. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip Red/Yellow-Red, Muted Dark Cat's Eye, combed Individual A, repeated Exterior Body Slip Neutrals, Light
- [Cartouche 02](https://www.daacs.org/stylistic_element/cartouche-02/) - Description: Cartouche 02 is a set of curved vertical lines similar to parentheses that may or may not contain another element such as a flower or fish roe. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, hand painted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand
- [Cartouche 01](https://www.daacs.org/stylistic_element/cartouche-01/) - Description: Cartouche 01 is a scroll or curled circle that contains further decoration and often serves as a “separating” element between bands—it may be solid with a flower or it could contain an intricate painted scene or crest. Two examples of Cartouche 01 and how they should be cataloged are presented here. Cataloging Example for
- [Botanical Band 60](https://www.daacs.org/stylistic_element/botanical-band-60/) - Description: Botanical Band 60 is characterized by a central line, with pairs of heart-shaped/ivy leaves and short diagonal lines with small berry-like dots emanating from it. Note that the plain band in the image is not part of Botanical Band 60. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, Warm Interior/Exterior Location
- [Botanical Band 58](https://www.daacs.org/stylistic_element/botanical-band-57-2/) - Description: Similar to Botanical Band 55: Connected ovals or leaf-like objects create a continuous pattern of "V's" with “triangles” composed of three shapes between them. Similar to Botanical Band 19 but the “triangles” in that band are a single shape. This band has the addition of a background of closely-spaced, parallel vertical lines. Cataloging
- [Botanical Band 56](https://www.daacs.org/stylistic_element/botanical-band-56/) - Description: Composed of a central four-petal flower with a single stem that has multiple buds off it, extending in both directions. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Botanical Band 56 Individual A
- [Botanical Band 55](https://www.daacs.org/stylistic_element/botanical-band-55/) - Description: This band is characterized by is characterized by connected ovals or leaf-like objects, creating a continuous pattern of "V's" with “triangles” composed of three shapes between them. Similar to Botanical Band 19 but the “triangles” in that band are a single shape. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior
- [Botanical Band 52](https://www.daacs.org/stylistic_element/botanical-band-52/) - Description: Botanical Band 52 is characterized by connected ovals or leaf-like objects, creating a continuous pattern of "V's." Similar to Botanical Band 05, but without the half-circles connecting the diagonal leaves. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under
- [Botanical Band 43](https://www.daacs.org/stylistic_element/botanical-band-43/) - Description: A molded band named “Stylized Foliage” by the staff at the Maryland Archaeological Conservation Laboratory (see http://www.jefpat.org/diagnostic/Post-Colonial%20Ceramics/Shell%20Edged%20Wares/Embossed%20thumbnails.htm). Cataloging Example for Depicted Sherd: Stylistic Genre Molded Edge Decoration, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Botanical Band 43 Individual A Interior Proximal
- [Botanical Band 46](https://www.daacs.org/stylistic_element/botanical-band-46/) - Description: This band consists of a central wavy band with stem- and leaf-like elements extending out from the side of the band and alternating above or below the band. In this example a thin band frames the top but not the bottom. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location
- [Botanical Band 42](https://www.daacs.org/stylistic_element/botanical-band-42/) - Description: This band consists of a central wavy band with pointed “leaf-like” elements extending above the band at each peak, and below the band at each trough. The background of the band is solid. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome Warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim
- [Botanical Band 41](https://www.daacs.org/stylistic_element/botanical-band-41/) - Description: This band consists of diagonal pairs of “leaves” that form a zigzag pattern. Tufts of grass are painted in the triangular spaces formed by the leaves. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark
- [Botanical Band 39](https://www.daacs.org/stylistic_element/botanical-band-39/) - Description: This band consists of single band, below which are repeating botanical elements. These include a radiating bloom with stemmed flowers on either side. This combination is repeated, with a single flower between the repeated sections. Typically found on overglazed porcelain. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique
- [Botanical Band 38](https://www.daacs.org/stylistic_element/botanical-band-38/) - Description: This band consists of repeated pieces of bamboo stalks encircling the inside of a vessel. The “joints” on the pieces of bamboo are represented with either a small space or two small leaves. Typically found on overglazed porcelains. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic
- [Botanical Band 36](https://www.daacs.org/stylistic_element/botanical-band-36/) - Description: This band consists of repeated elements that resemble cursive “T”s with blank space in between them. In this example, there is a thin dark band at the top and a lighter background band adjacent to it. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Botanical Band 28](https://www.daacs.org/stylistic_element/botanical-band-28/) - Description: This band is comprised of a narrow band that has two leaves and two circles on either side of it that repeat around the band in an alternating fashion. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Yellow-Red,
- [Botanical Band 25](https://www.daacs.org/stylistic_element/botanical-band-25/) - Description: This band is characterized by a solid band from which extends alternating “grass” clumps and a vertical line with circular “blooms” and an unattached, associated dot cluster. The example appears around the well of the vessel. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Butterfly](https://www.daacs.org/stylistic_element/butterfly/) - Description: A butterfly element can be a realistic representation of a butterfly (above) or more abstract (below). The defining characteristics include antennae and multi-lobed wings that can alternate between being filled with color and highlighted with dashes or stripes. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted, Blue Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Bridge](https://www.daacs.org/stylistic_element/bridge/) - Description: A bridge is any element that spans a body of water. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Purple-Blue, Intense Dark Bridge Individual A
- [Botanical, sprig](https://www.daacs.org/stylistic_element/botanical-sprig/) - Description: Use Botanical, sprig to capture any botanical or floral sprigs seen on a sherd. A sprig is defined as a small spray, twig, or shoot of a plant. It can consist of flowers and leaves or an abstract version. This example consists of buds, leaves, and a twig-like extension. Cataloging Example for Depicted
- [Botanical, composite](https://www.daacs.org/stylistic_element/botanical-composite/) - Description: Botanical, composite is used to describe any element that consists of flowers, leaves, stems, and buds, which can be a part of a single, connected element. This may be a large central floral scene or it may simply be a large fragment of a botanical element that includes many different botanical images. Cataloging
- [Trellis Band 24](https://www.daacs.org/stylistic_element/trellis-band-24/) - Description: This band consists of a series of connected alternating single-line Xs and double line Xs. The Xs are attached to a single band, above, with open half-circles. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue,
- [Trellis Band 30](https://www.daacs.org/stylistic_element/trellis-band-30/) - Description: This band consists of evenly spaced single Xs. A variant of this band consists of an additional X overlapping one of the alternating Xs. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Muted Dark Trellis
- [Trellis Band 31](https://www.daacs.org/stylistic_element/trellis-band-31/) - Description: This band consists of two different elements combined to create a trellis. Oblong lobes form a zigzag pattern. Within each triangle formed by the lobes are two short ticks oriented perpendicular to the lobes. These ticks may not meet to form a point. The trellis may or may not be bounded by solid lines
- [Trellis Band 32](https://www.daacs.org/stylistic_element/trellis-band-32/) - Description: A band of double-X’s bisected by a center horizontal line. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark Trellis Band 32 Individual A
- [Trellis Band 33](https://www.daacs.org/stylistic_element/trellis-band-33/) - Description: A band composed of a single row of X’s with a cross in each X, creating an asterisk. A single dot is located in the middle of the diamond negative space between the X’s Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior
- [Trellis Band 34](https://www.daacs.org/stylistic_element/trellis-band-34/) - Description: Very similar to Trellis Band 14: Repeating double- or triple-lined Xs with dash decoration in the interstices between, above, and below the Xs. The difference with this band is the addition of a single line cross on each double X. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative
- [Twig](https://www.daacs.org/stylistic_element/twig/) - Description: This is an element seen on factory made slipware, created with a multi-chambered slip cup. The “twigs” are made by dragging the quills in a series of connected opposing motions. Seen oriented both horizontally and vertically. Cataloging Example for Top Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif
- [Umbrella](https://www.daacs.org/stylistic_element/umbrella/) - Description: The umbrella stylistic element is used to describe any painted or molded element that resembles an umbrella. Seen most often on Chinoiserie style painted pearlwares. Cataloging Example for Top Sherd: Stylistic Genre Polycrhome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Body Painted, under free hand Yellow-Red, Intense Medium Umbrella Scene Combination
- [Vertical Lines](https://www.daacs.org/stylistic_element/vertical-lines/) - Description: Any series of vertical lines or bands. Vertical lines may be used in combination with other elements such as being painted on the inside of molded flutes. Cataloging Example for Example A: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, over free hand Unidentifiable Vertical Lines Individual A Exterior
- [Wavy Band 06](https://www.daacs.org/stylistic_element/wavy-band-06/) - Description: This band is characterized by small, repeated waves or small scallops. Seen primarily on stonewares. Cataloging Example for Depicted Sherd: Stylistic Genre None (leave field blank) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Rouletted No Applied Color Wavy Band 06 Individual A
- [Wavy Band 10](https://www.daacs.org/stylistic_element/wavy-band-10/) - Description: A single band of wavy dots enclosed by two, parallel wavy lines. Seen most often on overglaze Chinese porcelain. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim Painted, over free hand Unidentifiable Wavy Band 10 Individual A
- [Botanical Band 11](https://www.daacs.org/stylistic_element/botanical-band-11/) - Description: A linear pattern of leaves and flowers characterize this band. A wide, solid colored band provides the background for a linear arrangement of alternating flowers with leaves. (Imagine flowers turned on their sides all connected by a thin central line.) Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique
- [Botanical Band 10](https://www.daacs.org/stylistic_element/botanical-band-10/) - Description: A linear pattern of leaves and berries characterizes this band. One to two horizontal bands bound the main pattern. There may or may not be a solid colored background between these bands. This pattern consists of undulating leaves (alternating curving upward and downward) with three solid dots, or berries. Again, the berries alternate in
- [Botanical Band 06](https://www.daacs.org/stylistic_element/botanical-band-06/) - Description: A linear pattern of flowers, leaves, and dots characterizes this band. Two horizontal bands bound the main pattern, which consists of a central band. Short diagonal lines come off the band and each diagonal line has a jagged flower at its end. Leaves are painted directly off of the central band and are flanked
- [Botanical Band 04](https://www.daacs.org/stylistic_element/botanical-band-04/) - Description: Botanical Band 4 consists of diagonal pairs of leaves that form a zigzag pattern. Open circles are painted in the triangular spaces formed by the leaves. Two to four thin lines bracket the leaves. Extend downward from the underside of the lowest band are small, three lobed leaves or perhaps “spearheads”. Cataloging Example for
- [Bird, unidentified species](https://www.daacs.org/stylistic_element/bird-unidentified-species/) - Description: Unlike “Bird, stylized,” “Bird, unidentifiable species” is easily recognizable as a bird. There will be feet, wings, a beak, etc. However, the bird depicted cannot be identified as a specific species (unlike Bird, Peacock). Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for
- [Bird, peacock](https://www.daacs.org/stylistic_element/bird-peacock/) - Description: Unlike Peacocks are often seen on Delftware. Use this element when you can identify the entire bird or parts of a peacock such as the distinct tail, often stylized. Cataloging Example for Top Sherd: Stylistic Genre Polychrome, other Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted under, free hand Purple-Blue,
- [Wall](https://www.daacs.org/stylistic_element/wall/) - Description: Wall elements are most often seen on Chinoiserie style Chinese porcelains. They were often painted around houses. This example depicts a masonry wall with either larger masonry pieces or windows along the top of the wall. Cataloging Example for depicted sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior
- [Vessel, ceramic](https://www.daacs.org/stylistic_element/vessel-ceramic/) - Description: This stylistic element should be used for describing images of ceramic vessels on ceramics, which should be identified by vessel style and decoration. As this example shows, this is a ceramic vessel holding a pineapple. This stylistic element is not only seen on polychrome painted pearlwares but also on wares such as Black Basalt.
- [Boat](https://www.daacs.org/stylistic_element/boat-2/) - Description: “Boat” is used for any type of vessel on water: large or small, Chinese or European, sailing ship or rowboat. Cataloging Example for Depicted Sherd Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base Painted, under free hand Purple-Blue, Intense Dark Boat Scene Combination A
- [Bamboo 01](https://www.daacs.org/stylistic_element/bamboo-01/) - Description: The Bamboo stylistic element is characterized by thinly spaced vertical parallel lines with short horizontal lines that represent joints in the plant. There will occasionally be thin, dark, feathery leaves associated with the plant. Cataloging Example for Depicted Sherd Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Base
- [Diced Square/Rectangle Band 03](https://www.daacs.org/stylistic_element/dash-band-04/) - Description: Inlaid slip forms bands of short, rectangles evenly spaced and separated by thin parallel lines. Cataloging Example for Depicted Sherd: Stylistic Genre Slipware, factory made Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Slip, inlaid Yellow-Red/Red, Muted Dark Diced Square/Rectangle Band 03 Individual A
- [Botanical Band 05](https://www.daacs.org/stylistic_element/botanical-band-05-2/) - Description: Botanical Band 5 is characterized by a zigzag pattern of ovals or leaf-like objects. Half-circles connect the diagonal leaves. This band also looks like an alternating pattern of upside-down and right side up lotus flowers. Botanical Band 52 is very similar, but without the connecting half-circles. Cataloging Example for Depicted Sherd: Stylistic Genre
- [Botanical Band 07](https://www.daacs.org/stylistic_element/botanical-band-07-2/) - Description: One to two horizontal bands bound the main pattern, which consists of double diagonal lines that are crossed by a thin, undulating line (these diagonal lines can be filled with color). Small leaves are painted along the undulating line. There are also leaves or some other type of foliage at the point where the
- [Botanical Band 08](https://www.daacs.org/stylistic_element/botanical-band-08/) - Description: It might be helpful to imagine this band as consisting of repeating halves of a butterfly. The band is characterized by a single element that repeats itself. The element consists of two “wings” or “petals” with a single, curved “antennae” or “stamen.” Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location
- [Botanical Band 13](https://www.daacs.org/stylistic_element/botanical-band-13/) - Description: This band is characterized by a series of round, daisy-like flowers that repeat in a solid band. The band depicted shows the flowers as being unpainted, with a solid painted outline that forms the flowers. Only one layer of flowers makes up the band. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted
- [Botanical Band 14](https://www.daacs.org/stylistic_element/botanical-band-14/) - Description: This band is most often seen on overglaze Chinese porcelain. It consists of many overlapping “daisy”-like flowers that are compressed between two thin lines. We have primarily seen this band in red and gold overglaze. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior
- [Botanical Band 15](https://www.daacs.org/stylistic_element/botanical-band-15/) - Description: A thick solid band with large daisy-like flowers and other botanical elements such as leaves and buds suspended from the solid band characterize Botanical Band 15. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, under free hand Purple-Blue, Intense Dark
- [Botanical Band 16](https://www.daacs.org/stylistic_element/botanical-band-16/) - Description: This wide botanical band is characterized by a band of large, connected ovals from which tulip-like flowers extend upward and downward. In this example, the upper tulips are painted in blue and the lower tulips are painted in yellow. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color
- [Botanical Band 17](https://www.daacs.org/stylistic_element/botanical-band-17/) - Description: Bound by one to two solid bands are Chrysanthemum-like flowers—flowers with multiple layers of petals. Unlike Botanical Band 14, these flowers do not overlap. The example depicted was seen on overglaze Chinese porcelain. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim
- [Botanical Band 18](https://www.daacs.org/stylistic_element/botanical-band-18/) - Description: This Botanical Band consists of “wheels” of flowers that overlap. Each “flower wheel” has a four-“leaved” center from which radiates many thin, curved lines. May be seen with a large, distinct chrysanthemum bloom, similar to Botanical Band 17, overlapping the “wheels.” The example was seen on overglaze Chinese porcelain. Cataloging Example for Depicted Sherd:
- [Botanical Band 19](https://www.daacs.org/stylistic_element/botanical-band-19/) - Description: This band consists of connected “V-shaped leaves.” The central “leaves” are lancelet shaped and are connected to one another, outlined by larger rounded lines that are connected to the band outlines. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, over
- [Botanical Band 20](https://www.daacs.org/stylistic_element/botanical-band-20/) - Description: This band consists of connected V-shaped “leaves.” The central “leaves” are lancelet shaped and are connected to one another and to the band outline. There is a half circle with a dot in the middle within each space between the “leaves.” The band can either be bounded by one or two solid lines. Cataloging
- [Botanical Band 22](https://www.daacs.org/stylistic_element/botanical-band-22/) - Description: This band is bound by two solid lines, one at the top and bottom. Though this is not a complete example of the band, it consists of a stylized “radiating bloom” connected to a horizontally extended botanical element with stylized “leaves” oriented in one direction. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted
- [Botanical Band 24](https://www.daacs.org/stylistic_element/botanical-band-24/) - Description: This band is characterized by an undulating stem with alternating botanical extensions. Extending from it is an orange leaf with two green “leaf-like” projections followed by three stacked linear projections of the stem, in a repeating pattern. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Botanical Band 47](https://www.daacs.org/stylistic_element/botanical-band-47/) - Description: One to two horizontal bands bound the main pattern, which consists of alternating triple and single vertical oblique lines. Small leaves are painted along the single lines. Since horizontal bands bound it, it’s considered a band. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element
- [Botanical Band 26](https://www.daacs.org/stylistic_element/botanical-band-26/) - Description: A linear pattern of alternating botanical elements characterizes this band. Two blue “flowers” are followed by an orange “leaf,” in a repeating pattern. The top and bottom of the follow the same pattern, but alternate with each other. The blue “flowers” on top are opposite orange “leafs” on bottom. In these examples the elements
- [Botanical Band 27](https://www.daacs.org/stylistic_element/botanical-band-27/) - Description: The band is comprised of repeating three lobed botanicals connected by an undulating line. The undulating line has two botanical elements sprouting from the point where the line meets the large botanical element. These “sprouts” appear to alternate in their color and specific elements. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm
- [Botanical Band 29](https://www.daacs.org/stylistic_element/botanical-band-29/) - Description: One horizontal band bounds the main pattern, which consists of double diagonal lines. There are leaves or some other type of foliage at the point where the double lines intersect with the top and bottom horizontal bands. And a botanical element emerging from the center of where the horizontal lines meet the bottom horizontal
- [Botanical Band 31](https://www.daacs.org/stylistic_element/botanical-band-31/) - Description: This large, florid botanical band is characterized by an undulating stem that encircles the vessel from which large “peasant-style” flowers and leaves extend. This example encircles a mug. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Yellow, Intense
- [Botanical Band 32](https://www.daacs.org/stylistic_element/botanical-band-32/) - Description: This band consists of a serpentine band punctuated by an alternating pattern of large yellow dots and a chain of husk-like elements forming a vertical stack. Smaller orange dots appear outside the central pattern. Cataloging Example for Depicted Sherd: Stylistic Genre Polychrome, warm Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body
- [Botanical Band 33](https://www.daacs.org/stylistic_element/botanical-band-33/) - Description: This band consists of a repeating pattern of fern-like leaves overlapping other triangular-shaped leaves. Also slightly similar in appearance to some spearhead bands. Commonly found on black basalt. Cataloging Example for Depicted Sherd: Stylistic Genre None (Leave Field Blank) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Molded No Applied Color
- [Botanical Band 34](https://www.daacs.org/stylistic_element/botanical-band-34/) - Description: This botanical band consists of 3 horizontal “petal” like stacked elements with a husk or “arrow” element adjacent to the left, followed by a stack of three dots (or two dots) forming a vertical column. A variation may have part of the “arrow” almost linking to the adjacent “petal”, and the dots may also
- [Botanical Band 35](https://www.daacs.org/stylistic_element/botanical-band-35/) - Description: The botanical element of this band is similar to the script letter “f” and is repeated, creating the illusion of a vine “twined” around the bands. This band consists of two “background bands”: the top one is thinner and darker than the bottom one. There is a small space between the two bands. Cataloging
- [Botanical Band 59](https://www.daacs.org/stylistic_element/botanical-band-59/) - Description: A continuous wavy band of connected leaf elements. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Purple-Blue, Intense Dark Botanical Band 59 Stacked Combination A
- [Botanical Band 57](https://www.daacs.org/stylistic_element/botanical-band-57/) - Description: Repeating half-circle “waves” composed of floral and botanical elements extend from a regularly placed vertical flower that sits on a double band. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Purple-Blue, Intense Dark Botanical Band 57 Individual
- [Chain Band 12](https://www.daacs.org/stylistic_element/circle-band-05/) - Description: Like Chain Band 03, this is a band of overlapping/connected circles; however, in this band, portions of the circles are painted, as in example shown. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, hand painted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Purple-Blue, Intense Dark Chain
- [Chain Band 11](https://www.daacs.org/stylistic_element/chain-band-11/) - Description:A single row of connected ovals composed of filled ovals within them. Two small ovals or circles are placed at the junction of each oval. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Painted, under free hand Blue, Intense Dark Lettering Individual B
- [Chain Band 08](https://www.daacs.org/stylistic_element/geometric-band-04/) - Description: This band is characterized by two intertwined lines that form a fluid diamond and oval pattern. Chain Band 08 is the same as Chain Band 07 except that two solid lines bound it. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim
- [Chain Band 05](https://www.daacs.org/stylistic_element/circle-band-08/) - Description: A band of connected ovals or circles. Intermittent clusters comprised of a three-prong “flower” flanked by small open circles are placed at either side of the chain at regular intervals. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, hand painted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, over
- [Half-Circle Band 17](https://www.daacs.org/stylistic_element/dot-band-10/) - Description: This element consists of an arcing band that has an alternating pattern of 3 grouped dots and a leaf at the point of each arc. Cataloging Example for Depicted Sherd: Stylistic Genre Overglaze, handpainted Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Interior Proximal Rim Painted, over free hand Unidentifiable Half-Circle Band 17
- [Chain Band 07](https://www.daacs.org/stylistic_element/geometric-band-08/) - Description: Chain Band 07 is the same as Chain Band 08 except that it is not bound between two lines. Two intertwined lines that form a fluid diamond and oval pattern characterize this band. Cataloging Example for Depicted Sherd: Stylistic Genre Handpainted Blue Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Proximal Rim
- [Bird, stylized](https://www.daacs.org/stylistic_element/bird-stylized/) - Description: Abstract representations of birds are seen most often on painted porcelain and Pearlwares. Stylized birds tend to be represented by short curved line in a V-formation or as V-shaped or M-shaped creatures themselves, painted much like the way we associate with children’s drawings of birds. An example of particularly abstract birds are below. Genre:
- [Woman](https://www.daacs.org/stylistic_element/woman/) - Description: Any element showing a female human. Genre: The genre for this stylistic element depends on a combination of decorative technique, color, and element. Cataloging Example for Top Sherd: Stylistic Genre None (Leave this field blank.) Interior/Exterior Location Decorative Technique Color Stylistic Element Motif Exterior Body Sprig Molded No Applied Color Woman Scene Combination A

## Band Types

- [Swag Bands](https://www.daacs.org/band_type/swag-bands/) - Swag bands are comprised of some sort of "scalloped"or half-circle element with the addition of an element descending from it at a regular interval.
- [None of the Above](https://www.daacs.org/band_type/none-of-the-above/)
- [Husk Chain Band](https://www.daacs.org/band_type/husk-chain-band/)
- [Circle Bands](https://www.daacs.org/band_type/circle-bands/)
- [Other Rim Decoration](https://www.daacs.org/band_type/other-rim-decoration/)
- [Trellis Bands](https://www.daacs.org/band_type/trellis-bands/)
- [Botanical Bands](https://www.daacs.org/band_type/botanical-bands/)
- [Plain Bands](https://www.daacs.org/band_type/plain-bands/)
- [Molded Edge Band Decoration](https://www.daacs.org/band_type/molded-edge-band-decoration/)
- [Spearhead Bands](https://www.daacs.org/band_type/spearhead-bands-2/)
- [Scroll Bands](https://www.daacs.org/band_type/scroll-bands/)
- [Roulette Bands](https://www.daacs.org/band_type/roulette-bands/)
- [Hatched-Line Band](https://www.daacs.org/band_type/hatched-line-band/)
- [Half-Circle Bands](https://www.daacs.org/band_type/half-circle-bands/)
- [Dot Bands](https://www.daacs.org/band_type/dot-bands/)
- [Dogtooth Bands](https://www.daacs.org/band_type/dogtooth-bands/)
- [Diced Square/Rectangle Bands](https://www.daacs.org/band_type/diced-squarerectangle-bands/)
- [Diamond Bands](https://www.daacs.org/band_type/diamond-bands/)
- [Dentil Bands](https://www.daacs.org/band_type/dentil-bands/)
- [Dash Bands](https://www.daacs.org/band_type/dash-bands/)
- [Dart Bands](https://www.daacs.org/band_type/dart-bands/)
- [Chain Bands](https://www.daacs.org/band_type/chain-bands/)
- [Cable Bands](https://www.daacs.org/band_type/cable-bands/)
- [Beaded Bands](https://www.daacs.org/band_type/beaded-bands/)
- [Geometric Bands](https://www.daacs.org/band_type/geometric-bands/)
- [Wavy Bands](https://www.daacs.org/band_type/wavy-bands/)
- [Scalloped Bands](https://www.daacs.org/band_type/scalloped-bands/)
- [Garland Bands](https://www.daacs.org/band_type/garland-bands/)
- [Fish Roe Bands](https://www.daacs.org/band_type/fish-roe-bands/)
- [Factory-Made Slipware Bands](https://www.daacs.org/band_type/factory-made-slipware-bands/)

## Botanical Band Types

- [Molded/Tooled](https://www.daacs.org/botanical_band_type/moldedtooled/)
- [Handpainted, under, Blue](https://www.daacs.org/botanical_band_type/handpainted-under-blue/)
- [Handpainted, overglaze](https://www.daacs.org/botanical_band_type/handpainted-overglaze/)
- [Handpainted under, polychrome](https://www.daacs.org/botanical_band_type/handpainted-under-polychrome/)

## Molded Edge Band Types

- [Other Molded Edges](https://www.daacs.org/molded_band_type/other/)
- [Royal/Queen](https://www.daacs.org/molded_band_type/royalqueen/)
- [Other Molded Painted Edges](https://www.daacs.org/molded_band_type/other-molded-painted-edges/)
- [Feather Edge](https://www.daacs.org/molded_band_type/feather-edge/)
- [Dot, Diaper, Basketweave, Barley](https://www.daacs.org/molded_band_type/dot-diaper-basketweave-barley/)
- [Bead and Reel/Beaded/Cabled](https://www.daacs.org/molded_band_type/bead-and-reelbeadedcabled/)
- [Shell Edge](https://www.daacs.org/molded_band_type/shell-edge/)

## Factory-Made Slipware Band Types

- [Zig-Zag Bands](https://www.daacs.org/slipware_band_type/zig-zag-bands/)
- [Geometric Bands](https://www.daacs.org/slipware_band_type/geometric-bands/)
- [Diced Square/Rectangle Bands](https://www.daacs.org/slipware_band_type/diced-squarerectangle-bands/)
- [Diamond Bands](https://www.daacs.org/slipware_band_type/diamond-bands/)
- [Circle Bands](https://www.daacs.org/slipware_band_type/circle-bands/)

## Individual Design Elements

- [Half Circle](https://www.daacs.org/design_element/half-circle/)
- [Diagonal Lines](https://www.daacs.org/design_element/diagonal-lines/)
- [Spearhead](https://www.daacs.org/design_element/spearhead/)
- [Flower](https://www.daacs.org/design_element/flower/)
- [Buds](https://www.daacs.org/design_element/buds/)
- [Wavy Lines](https://www.daacs.org/design_element/wavy-lines/)
- [Leaves](https://www.daacs.org/design_element/leaves/)
- [Zig Zag](https://www.daacs.org/design_element/zig-zag/)
- [Vertical Lines](https://www.daacs.org/design_element/vertical-lines/)
- [Triangle](https://www.daacs.org/design_element/triangle/)
- [Tick Mark](https://www.daacs.org/design_element/tick-mark/)
- [Teardrop](https://www.daacs.org/design_element/teardrop/)
- [Square](https://www.daacs.org/design_element/square/)
- [Scroll](https://www.daacs.org/design_element/scroll/)
- [Rectangle](https://www.daacs.org/design_element/rectangle/)
- [Oval](https://www.daacs.org/design_element/oval/)
- [Horizontal Lines](https://www.daacs.org/design_element/horizontal-lines/)
- [Dots](https://www.daacs.org/design_element/dots/)
- [Diamond](https://www.daacs.org/design_element/diamond/)
- [Dash](https://www.daacs.org/design_element/dash/)
- [Curlique](https://www.daacs.org/design_element/curlique/)
- [Cross](https://www.daacs.org/design_element/cross/)
- [Circle](https://www.daacs.org/design_element/circle/)
- [Chevron](https://www.daacs.org/design_element/chevron/)
- [Asterisk](https://www.daacs.org/design_element/asterisk/)
- [Arrow](https://www.daacs.org/design_element/arrow/)
- [Arc](https://www.daacs.org/design_element/arc/)

## Design Motifs

- [Letters/Symbols](https://www.daacs.org/design_motif/letterssymbols/)
- [Whieldon Decoration](https://www.daacs.org/design_motif/whieldon-decoration/)
- [Molded Body Decoration](https://www.daacs.org/design_motif/molded-body-decoration/)
- [Textured](https://www.daacs.org/design_motif/textured/)
- [Solid Color](https://www.daacs.org/design_motif/solid-color/)
- [Slipped Elements](https://www.daacs.org/design_motif/slipped-elements/)
- [Geometric Design](https://www.daacs.org/design_motif/geometric-design/)
- [Living Creature](https://www.daacs.org/design_motif/living-creature/)
- [Landscape/Natural World](https://www.daacs.org/design_motif/landscapenatural-world/)
- [Inanimate Object](https://www.daacs.org/design_motif/inanimate-object/)
- [Cartouche/Medallion](https://www.daacs.org/design_motif/cartouchemedallion/)
- [Botanical](https://www.daacs.org/design_motif/botanical/)

## Manufacturing Techniques

- [Molded Decoration](https://www.daacs.org/manutech/edge-and-other-molded-decoration/)
- [Painted/Applied Color](https://www.daacs.org/manutech/paintedapplied-color/)
- [Impressed/Pierced/Tooled/Textured](https://www.daacs.org/manutech/impressedpiercedtooledtextured/)

## Categories

- [DAACS Sites Launched](https://www.daacs.org/category/daacs-sites-launched/)
- [Fellowship Opportunities](https://www.daacs.org/category/fellowship-opportunities/)
- [Press Release](https://www.daacs.org/category/pressrelease/)
- [Stylistic Element](https://www.daacs.org/category/stylistic-element/)

## Tags

- [Stylistic Element](https://www.daacs.org/tag/stylistic-element/)